The Rainbow by D. H. Lawrence (novels for beginners .txt) ๐
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The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydiaโs child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last thirdโand perhaps most famousโpart of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwenโs quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a careerโa concept both new and frightening to her family, who are just a generation removed from the era when a womanโs life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursulaโs story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrenceโs Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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Then immediately she began to retaliate on him. She too was a hawk. If she imitated the pathetic plover running plaintive to him, that was part of the game. When he, satisfied, moved with a proud, insolent slouch of the body and a half-contemptuous drop of the head, unaware of her, ignoring her very existence, after taking his fill of her and getting his satisfaction of her, her soul roused, its pinions became like steel, and she struck at him. When he sat on his perch glancing sharply round with solitary pride, pride eminent and fierce, she dashed at him and threw him from his station savagely, she goaded him from his keen dignity of a male, she harassed him from his unperturbed pride, till he was mad with rage, his light brown eyes burned with fury, they saw her now, like flames of anger they flared at her and recognized her as the enemy.
Very good, she was the enemy, very good. As he prowled round her, she watched him. As he struck at her, she struck back.
He was angry because she had carelessly pushed away his tools so that they got rusty.
โDonโt leave them littering in my way, then,โ she said.
โI shall leave them where I like,โ he cried.
โThen I shall throw them where I like.โ
They glowered at each other, he with rage in his hands, she with her soul fierce with victory. They were very well matched. They would fight it out.
She turned to her sewing. Immediately the tea-things were cleared away, she fetched out the stuff, and his soul rose in rage. He hated beyond measure to hear the shriek of calico as she tore the web sharply, as if with pleasure. And the run of the sewing-machine gathered a frenzy in him at last.
โArenโt you going to stop that row?โ he shouted. โCanโt you do it in the daytime?โ
She looked up sharply, hostile from her work.
โNo, I canโt do it in the daytime. I have other things to do. Besides, I like sewing, and youโre not going to stop me doing it.โ
Whereupon she turned back to her arranging, fixing, stitching, his nerves jumped with anger as the sewing-machine started and stuttered and buzzed.
But she was enjoying herself, she was triumphant and happy as the darting needle danced ecstatically down a hem, drawing the stuff along under its vivid stabbing, irresistibly. She made the machine hum. She stopped it imperiously, her fingers were deft and swift and mistress.
If he sat behind her stiff with impotent rage it only made a trembling vividness come into her energy. On she worked. At last he went to bed in a rage, and lay stiff, away from her. And she turned her back on him. And in the morning they did not speak, except in mere cold civilities.
And when he came home at night, his heart relenting and growing hot for love of her, when he was just ready to feel he had been wrong, and when he was expecting her to feel the same, there she sat at the sewing-machine, the whole house was covered with clipped calico, the kettle was not even on the fire.
She started up, affecting concern.
โIs it so late?โ she cried.
But his face had gone stiff with rage. He walked through to the parlour, then he walked back and out of the house again. Her heart sank. Very swiftly she began to make his tea.
He went black-hearted down the road to Ilkeston. When he was in this state he never thought. A bolt shot across the doors of his mind and shut him in, a prisoner. He went back to Ilkeston, and drank a glass of beer. What was he going to do? He did not want to see anybody.
He would go to Nottingham, to his own town. He went to the station and took a train. When he got to Nottingham, still he had nowhere to go. However, it was more agreeable to walk familiar streets. He paced them with a mad restlessness, as if he were running amok. Then he turned to a bookshop and found a book on Bamberg Cathedral. Here was a discovery! here was something for him! He went into a quiet restaurant to look at his treasure. He lit up with thrills of bliss as he turned from picture to picture. He had found something at last, in these carvings. His soul had great satisfaction. Had he not come out to seek, and had he not found! He was in a passion of fulfilment. These were the finest carvings, statues, he had ever seen. The book lay in his hands like a doorway. The world around was only an enclosure, a room. But he was going away. He lingered over the lovely statues of women. A marvellous, finely-wrought universe crystallized out around him as he looked again, at the crowns, the twining hair, the woman-faces. He liked all the better the unintelligible text of the German. He preferred things he could not understand with the mind. He loved the undiscovered and the undiscoverable. He pored over the pictures intensely. And these were wooden statues, Holzโ โhe believed that meant wood. Wooden statues so shapen to his soul! He was a million times gladdened. How undiscovered the world was, how it revealed itself to his soul! What a fine, exciting thing his life was, at his hand! Did not Bamberg Cathedral make the world his own? He celebrated his triumphant strength and life and verity, and embraced the vast riches he was inheriting.
But it was about time to go home. He had better catch a train. All the time there was a steady bruise at the bottom of his soul, but so steady as to be forgettable. He caught a train for Ilkeston.
It was ten oโclock as he was mounting the hill to Cossethay, carrying his limp book on Bamberg Cathedral. He had not yet thought of Anna, not definitely. The dark finger pressing a bruise
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