The Rainbow by D. H. Lawrence (novels for beginners .txt) ๐
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The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydiaโs child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last thirdโand perhaps most famousโpart of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwenโs quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a careerโa concept both new and frightening to her family, who are just a generation removed from the era when a womanโs life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursulaโs story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrenceโs Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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Not but that she was conscious of some unsatisfaction. When her husband was roused by the thought of the churches, then she became hostile to the ostensible church, she hated it for not fulfilling anything in her. The Church told her to be good: very well, she had no idea of contradicting what it said. The Church talked about her soul, about the welfare of mankind, as if the saving of her soul lay in her performing certain acts conducive to the welfare of mankind. Well and goodโ โit was so, then.
Nevertheless, as she sat in church her face had a pathos and poignancy. Was this what she had come to hear: how by doing this thing and by not doing that, she could save her soul? She did not contradict it. But the pathos of her face gave the lie. There was something else she wanted to hear, it was something else she asked for from the Church.
But who was she to affirm it? And what was she doing with unsatisfied desires? She was ashamed. She ignored them and left them out of count as much as possible, her underneath yearnings. They angered her. She wanted to be like other people, decently satisfied.
He angered her more than ever. Church had an irresistible attraction for him. And he paid no more attention to that part of the service which was Church to her, than if he had been an angel or a fabulous beast sitting there. He simply paid no heed to the sermon or to the meaning of the service. There was something thick, dark, dense, powerful about him that irritated her too deeply for her to speak of it. The Church teaching in itself meant nothing to him. โAnd forgive us our trespasses as we forgive them that trespass against usโโ โit simply did not touch him. It might have been more sounds, and it would have acted upon him in the same way. He did not want things to be intelligible. And he did not care about his trespasses, neither about the trespasses of his neighbour, when he was in church. Leave that care for weekdays. When he was in church, he took no more notice of his daily life. It was weekday stuff. As for the welfare of mankindโ โhe merely did not realize that there was any such thing: except on weekdays, when he was good-natured enough. In church, he wanted a dark, nameless emotion, the emotion of all the great mysteries of passion.
He was not interested in the thought of himself or of her: oh, and how that irritated her! He ignored the sermon, he ignored the greatness of mankind, he did not admit the immediate importance of mankind. He did not care about himself as a human being. He did not attach any vital importance to his life in the drafting office, or his life among men. That was just merely the margin to the text. The verity was his connection with Anna and his connection with the Church, his real being lay in his dark emotional experience of the Infinite, of the Absolute. And the great mysterious, illuminated capitals to the text, were his feelings with the Church.
It exasperated her beyond measure. She could not get out of the Church the satisfaction he got. The thought of her soul was intimately mixed up with the thought of her own self. Indeed, her soul and her own self were one and the same in her. Whereas he seemed simply to ignore the fact of his own self, almost to refute it. He had a soulโ โa dark, inhuman thing caring nothing for humanity. So she conceived it. And in the gloom and the mystery of the Church his soul lived and ran free, like some strange, underground thing, abstract.
He was very strange to her, and, in this church spirit, in conceiving himself as a soul, he seemed to escape and run free of her. In a way, she envied it him, this dark freedom and jubilation of the soul, some strange entity in him. It fascinated her. Again she hated it. And again, she despised him, wanted to destroy it in him.
This snowy morning, he sat with a dark-bright face beside her, not aware of her, and somehow, she felt he was conveying to strange, secret places the love that sprang in him for her. He sat with a dark-rapt, half-delighted face, looking at a little stained window. She saw the ruby-coloured glass, with the shadow heaped along the bottom from the snow outside, and the familiar yellow figure of the lamb holding the banner, a little darkened now, but in the murky interior strangely luminous, pregnant.
She had always liked the little red and yellow window. The lamb, looking very silly and self-conscious, was holding up a forepaw, in the cleft of which was dangerously perched a little flag with a red cross. Very pale yellow, the lamb, with greenish shadows. Since she was a child she had liked this creature, with the same feeling she felt for the little woolly lambs on green legs that children carried home from the fair every year. She had always liked these toys, and she had the same amused, childish liking for this church lamb. Yet she had always been uneasy about it. She was never sure that this lamb with a flag did not want to be more than it appeared. So she half mistrusted it, there was a mixture of dislike in her attitude to it.
Now, by a curious gathering, knitting of his eyes, the faintest tension of ecstasy on his face, he gave her the uncomfortable feeling that he was in correspondence with the creature, the lamb in the window. A cold wonder came over herโ โher soul was perplexed. There he sat, motionless, timeless, with the faint, bright tension on his face. What was he doing? What connection was there between him and the lamb in the glass?
Suddenly it gleamed to
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