The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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She, almost against herself, clung to the worship of the human knowledge. Man must die in the body, but in his knowledge he was immortal. Such, somewhere, was her belief, quite obscure and unformulated. She believed in the omnipotence of the human mind.
He, on the other hand, blind as a subterranean thing, just ignored the human mind and ran after his own dark-souled desires, following his own tunnelling nose. She felt often she must suffocate. And she fought him off.
Then he, knowing he was blind, fought madly back again, frantic in sensual fear. He did foolish things. He asserted himself on his rights, he arrogated the old position of master of the house.
“You’ve a right to do as I want,” he cried.
“Fool!” she answered. “Fool!”
“I’ll let you know who’s master,” he cried.
“Fool!” she answered. “Fool! I’ve known my own father, who could put a dozen of you in his pipe and push them down with his finger-end. Don’t I know what a fool you are!”
He knew himself what a fool he was, and was flayed by the knowledge. Yet he went on trying to steer the ship of their dual life. He asserted his position as the captain of the ship. And captain and ship bored her. He wanted to loom important as master of one of the innumerable domestic craft that make up the great fleet of society. It seemed to her a ridiculous armada of tubs jostling in futility. She felt no belief in it. She jeered at him as master of the house, master of their dual life. And he was black with shame and rage. He knew, with shame, how her father had been a man without arrogating any authority.
He had gone on the wrong tack, and he felt it hard to give up the expedition. There was great surging and shame. Then he yielded. He had given up the master-of-the-house idea.
There was something he wanted, nevertheless, some form of mastery. Ever and anon, after his collapses into the petty and the shameful, he rose up again, and, stubborn in spirit, strong in his power to start afresh, set out once more in his male pride of being to fulfil the hidden passion of his spirit.
It began well, but it ended always in war between them, till they were both driven almost to madness. He said, she did not respect him. She laughed in hollow scorn of this. For her it was enough that she loved him.
“Respect what?” she asked.
But he always answered the wrong thing. And though she cudgelled her brains, she could not come at it.
“Why don’t you go on with your woodcarving?” she said. “Why don’t you finish your Adam and Eve?”
But she did not care for the Adam and Eve, and he never put another stroke to it. She jeered at the Eve, saying, “She is like a little marionette. Why is she so small? You’ve made Adam as big as God, and Eve like a doll.”
“It is impudence to say that Woman was made out of Man’s body,” she continued, “when every man is born of woman. What impudence men have, what arrogance!”
In a rage one day, after trying to work on the board, and failing, so that his belly was a flame of nausea, he chopped up the whole panel and put it on the fire. She did not know. He went about for some days very quiet and subdued after it.
“Where is the Adam and Eve board?” she asked him.
“Burnt.”
She looked at him.
“But your carving?”
“I burned it.”
“When?”
She did not believe him.
“On Friday night.”
“When I was at the Marsh?”
“Yes.”
She said no more.
Then, when he had gone to work, she wept for a whole day, and was much chastened in spirit. So that a new, fragile flame of love came out of the ashes of this last pain.
Directly, it occurred to her that she was with child. There was a great trembling of wonder and anticipation through her soul. She wanted a child. Not that she loved babies so much, though she was touched by all young things. But she wanted to bear children. And a certain hunger in her heart wanted to unite her husband with herself, in a child.
She wanted a son. She felt, a son would be everything. She wanted to tell her husband. But it was such a trembling, intimate thing to tell him, and he was at this time hard and unresponsive. So that she went away and wept. It was such a waste of a beautiful opportunity, such a frost that nipped in the bud one of the beautiful moments of her life. She went about heavy and tremulous with her secret, wanting to touch him, oh, most delicately, and see his face, dark and sensitive, attend to her news. She waited and waited for him to become gentle and still towards her. But he was always harsh and he bullied her.
So that the buds shrivelled from her confidence, she was chilled. She went down to the Marsh.
“Well,” said her father, looking at her and seeing her at the first glance, “what’s amiss wi’ you now?”
The tears came at the touch of his careful love.
“Nothing,” she said.
“Can’t you hit it off, you two?” he said.
“He’s so obstinate,” she quivered; but her soul was obdurate itself.
“Ay, an’ I know another who’s all that,” said her father.
She was silent.
“You don’t want to make yourselves miserable,” said her father; “all about nowt.”
“He isn’t miserable,” she said.
“I’ll back my life, if you can do nowt else, you can make him as miserable as a dog. You’d be a dab hand at that, my lass.”
“I do nothing to make him miserable,” she retorted.
“Oh no—oh no! A packet o’ butterscotch, you are.”
She laughed a little.
“You mustn’t think I want him to be miserable,”
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