The Rainbow by D. H. Lawrence (novels for beginners .txt) ๐
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The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydiaโs child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last thirdโand perhaps most famousโpart of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwenโs quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a careerโa concept both new and frightening to her family, who are just a generation removed from the era when a womanโs life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursulaโs story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrenceโs Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
Read book online ยซThe Rainbow by D. H. Lawrence (novels for beginners .txt) ๐ยป. Author - D. H. Lawrence
But he was strange and unused. So suddenly, everything that had been before was shed away and gone. One day, he was a bachelor, living with the world. The next day, he was with her, as remote from the world as if the two of them were buried like a seed in darkness. Suddenly, like a chestnut falling out of a burr, he was shed naked and glistening on to a soft, fecund earth, leaving behind him the hard rind of worldly knowledge and experience. He heard it in the hucksterโs cries, the noise of carts, the calling of children. And it was all like the hard, shed rind, discarded. Inside, in the softness and stillness of the room, was the naked kernel, that palpitated in silent activity, absorbed in reality.
Inside the room was a great steadiness, a core of living eternity. Only far outside, at the rim, went on the noise and the destruction. Here at the centre the great wheel was motionless, centred upon itself. Here was a poised, unflawed stillness that was beyond time, because it remained the same, inexhaustible, unchanging, unexhausted.
As they lay close together, complete and beyond the touch of time or change, it was as if they were at the very centre of all the slow wheeling of space and the rapid agitation of life, deep, deep inside them all, at the centre where there is utter radiance, and eternal being, and the silence absorbed in praise: the steady core of all movements, the unawakened sleep of all wakefulness. They found themselves there, and they lay still, in each otherโs arms; for their moment they were at the heart of eternity, whilst time roared far off, forever far off, towards the rim.
Then gradually they were passed away from the supreme centre, down the circles of praise and joy and gladness, further and further out, towards the noise and the friction. But their hearts had burned and were tempered by the inner reality, they were unalterably glad.
Gradually they began to wake up, the noises outside became more real. They understood and answered the call outside. They counted the strokes of the bell. And when they counted midday, they understood that it was midday, in the world, and for themselves also.
It dawned upon her that she was hungry. She had been getting hungrier for a lifetime. But even yet it was not sufficiently real to rouse her. A long way off she could hear the words, โI am dying of hunger.โ Yet she lay still, separate, at peace, and the words were unuttered. There was still another lapse.
And then, quite calmly, even a little surprised, she was in the present, and was saying:
โI am dying with hunger.โ
โSo am I,โ he said calmly, as if it were of not the slightest significance. And they relapsed into the warm, golden stillness. And the minutes flowed unheeded past the window outside.
Then suddenly she stirred against him.
โMy dear, I am dying of hunger,โ she said.
It was a slight pain to him to be brought to.
โWeโll get up,โ he said, unmoving.
And she sank her head on to him again, and they lay still, lapsing. Half consciously, he heard the clock chime the hour. She did not hear.
โDo get up,โ she murmured at length, โand give me something to eat.โ
โYes,โ he said, and he put his arms round her, and she lay with her face on him. They were faintly astonished that they did not move. The minutes rustled louder at the window.
โLet me go then,โ he said.
She lifted her head from him, relinquishingly. With a little breaking away, he moved out of bed, and was taking his clothes. She stretched out her hand to him.
โYou are so nice,โ she said, and he went back for a moment or two.
Then actually he did slip into some clothes, and, looking round quickly at her, was gone out of the room. She lay translated again into a pale, clearer peace. As if she were a spirit, she listened to the noise of him downstairs, as if she were no longer of the material world.
It was half-past one. He looked at the silent kitchen, untouched from last night, dim with the drawn blind. And he hastened to draw up the blind, so people should know they were not in bed any later. Well, it was his own house, it did not matter. Hastily he put wood in the grate and made a fire. He exulted in himself, like an adventurer on an undiscovered island. The fire blazed up, he put on the kettle. How happy he felt! How still and secluded the house was! There were only he and she in the world.
But when he unbolted the door, and, half-dressed, looked out, he felt furtive and guilty. The world was there, after all. And he had felt so secure, as though this house were the Ark in the flood, and all the rest was drowned. The world was there: and it was afternoon. The morning had vanished and gone by, the day was growing old. Where was the bright, fresh morning? He was accused. Was the morning gone, and he had lain with blinds drawn, let it pass by unnoticed?
He looked again round the chill, grey afternoon. And he himself so soft and warm and glowing! There were two sprigs of yellow jasmine in the saucer that covered the milk-jug. He wondered who had been and left the sign. Taking the jug, he hastily shut the door. Let the day and the daylight drop out, let it go by unseen. He did not care. What did one day more or less matter to him. It could fall into oblivion unspent if it liked, this one course of daylight.
โSomebody has been and found the door locked,โ he said when he went upstairs with the tray. He gave her the two sprigs of jasmine. She laughed as she sat up in bed, childishly threading the flowers in the breast of her nightdress. Her
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