The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“Praising the Lord,” said Frank.
“Praising the Lord,” repeated Tom.
“And what about the women left over?” asked Alfred, jeering. The company was getting uneasy.
“That I can’t tell. How do I know as there is anybody left over at the Judgment Day? Let that be. What I say is, that when a man’s soul and a woman’s soul unites together—that makes an Angel—”
“I dunno about souls. I know as one plus one makes three, sometimes,” said Frank. But he had the laugh to himself.
“Bodies and souls, it’s the same,” said Tom.
“And what about your missis, who was married afore you knew her?” asked Alfred, set on edge by this discourse.
“That I can’t tell you. If I am to become an Angel, it’ll be my married soul, and not my single soul. It’ll not be the soul of me when I was a lad: for I hadn’t a soul as would make an Angel then.”
“I can always remember,” said Frank’s wife, “when our Harold was bad, he did nothink but see an angel at th’ back o’ th’ lookin’-glass. ‘Look, mother,’ ’e said, ‘at that angel!’ ‘Theer isn’t no angel, my duck,’ I said, but he wouldn’t have it. I took th’ lookin’-glass off’n th’ dressin’-table, but it made no difference. He kep’ on sayin’ it was there. My word, it did give me a turn. I thought for sure as I’d lost him.”
“I can remember,” said another man, Tom’s sister’s husband, “my mother gave me a good hidin’ once, for sayin’ I’d got an angel up my nose. She seed me pokin’, an’ she said: ‘What are you pokin’ at your nose for—give over.’ ‘There’s an angel up it,’ I said, an’ she fetched me such a wipe. But there was. We used to call them thistle things ‘angels’ as wafts about. An’ I’d pushed one o’ these up my nose, for some reason or other.”
“It’s wonderful what children will get up their noses,” said Frank’s wife. “I c’n remember our Hemmie, she shoved one o’ them bluebell things out o’ th’ middle of a bluebell, what they call ‘candles,’ up her nose, and oh, we had some work! I’d seen her stickin’ ’em on the end of her nose, like, but I never thought she’d be so soft as to shove it right up. She was a gel of eight or more. Oh, my word, we got a crochet-hook an’ I don’t know what. …”
Tom Brangwen’s mood of inspiration began to pass away. He forgot all about it, and was soon roaring and shouting with the rest. Outside the wake came, singing the carols. They were invited into the bursting house. They had two fiddles and a piccolo. There in the parlour they played carols, and the whole company sang them at the top of its voice. Only the bride and bridegroom sat with shining eyes and strange, bright faces, and scarcely sang, or only with just moving lips.
The wake departed, and the guysers came. There was loud applause, and shouting and excitement as the old mystery play of St. George, in which every man present had acted as a boy, proceeded, with banging and thumping of club and dripping pan.
“By Jove, I got a crack once, when I was playin’ Beelzebub,” said Tom Brangwen, his eyes full of water with laughing. “It knocked all th’ sense out of me as you’d crack an egg. But I tell you, when I come to, I played Old Johnny Roger with St. George, I did that.”
He was shaking with laughter. Another knock came at the door. There was a hush.
“It’s th’ cab,” said somebody from the door.
“Walk in,” shouted Tom Brangwen, and a red-faced grinning man entered.
“Now, you two, get yourselves ready an’ off to blanket fair,” shouted Tom Brangwen. “Strike a daisy, but if you’re not off like a blink o’ lightnin’, you shanna go, you s’ll sleep separate.”
Anna rose silently and went to change her dress. Will Brangwen would have gone out, but Tilly came with his hat and coat. The youth was helped on.
“Well, here’s luck, my boy,” shouted his father.
“When th’ fat’s in th’ fire, let it frizzle,” admonished his uncle Frank.
“Fair and softly does it, fair an’ softly does it,” cried his aunt, Frank’s wife, contrary.
“You don’t want to fall over yourself,” said his uncle by marriage. “You’re not a bull at a gate.”
“Let a man have his own road,” said Tom Brangwen testily. “Don’t be so free of your advice—it’s his wedding this time, not yours.”
“ ’E don’t want many signposts,” said his father. “There’s some roads a man has to be led, an’ there’s some roads a boss-eyed man can only follow wi’ one eye shut. But this road can’t be lost by a blind man nor a boss-eyed man nor a cripple—and he’s neither, thank God.”
“Don’t you be so sure o’ your walkin’ powers,” cried Frank’s wife. “There’s many a man gets no further than halfway, nor can’t to save his life, let him live forever.”
“Why, how do you know?” said Alfred.
“It’s plain enough in th’ looks o’ some,” retorted Lizzie, his sister-in-law.
The youth stood with a faint, half-hearing smile on his face. He was tense and abstracted. These things, or anything, scarcely touched him.
Anna came down, in her day dress, very elusive. She kissed everybody, men and women, Will Brangwen shook hands with everybody, kissed his mother, who began to cry, and the whole party went surging out to the cab.
The young couple were shut up, last injunctions shouted at them.
“Drive on,” shouted Tom Brangwen.
The cab rolled off. They saw the light diminish under the ash trees. Then the whole party, quietened, went indoors.
“They’ll have three good fires burning,” said Tom Brangwen, looking at his watch. “I told Emma to make ’em up at nine, an’ then leave the door on th’ latch. It’s only half-past.
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