The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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The party was much quieter. They talked of the young couple.
“She said she didn’t want a servant in,” said Tom Brangwen. “The house isn’t big enough, she’d always have the creature under her nose. Emma’ll do what is wanted of her, an’ they’ll be to themselves.”
“It’s best,” said Lizzie, “you’re more free.”
The party talked on slowly. Brangwen looked at his watch.
“Let’s go an’ give ’em a carol,” he said. “We s’ll find th’ fiddles at the Cock an’ Robin.”
“Ay, come on,” said Frank.
Alfred rose in silence. The brother-in-law and one of Will’s brothers rose also.
The five men went out. The night was flashing with stars. Sirius blazed like a signal at the side of the hill, Orion, stately and magnificent, was sloping along.
Tom walked with his brother, Alfred. The men’s heels rang on the ground.
“It’s a fine night,” said Tom.
“Ay,” said Alfred.
“Nice to get out.”
“Ay.”
The brothers walked close together, the bond of blood strong between them. Tom always felt very much the junior to Alfred.
“It’s a long while since you left home,” he said.
“Ay,” said Alfred. “I thought I was getting a bit oldish—but I’m not. It’s the things you’ve got as gets worn out, it’s not you yourself.”
“Why, what’s worn out?”
“Most folks as I’ve anything to do with—as has anything to do with me. They all break down. You’ve got to go on by yourself, if it’s only to perdition. There’s nobody going alongside even there.”
Tom Brangwen meditated this.
“Maybe you was never broken in,” he said.
“No, I never was,” said Alfred proudly.
And Tom felt his elder brother despised him a little. He winced under it.
“Everybody’s got a way of their own,” he said, stubbornly. “It’s only a dog as hasn’t. An’ them as can’t take what they give an’ give what they take, they must go by themselves, or get a dog as’ll follow ’em.”
“They can do without the dog,” said his brother. And again Tom Brangwen was humble, thinking his brother was bigger than himself. But if he was, he was. And if it were finer to go alone, it was: he did not want to go for all that.
They went over the field, where a thin, keen wind blew round the ball of the hill, in the starlight. They came to the stile, and to the side of Anna’s house. The lights were out, only on the blinds of the rooms downstairs, and of a bedroom upstairs, firelight flickered.
“We’d better leave ’em alone,” said Alfred Brangwen.
“Nay, nay,” said Tom. “We’ll carol ’em, for th’ last time.”
And in a quarter of an hour’s time, eleven silent, rather tipsy men scrambled over the wall, and into the garden by the yew trees, outside the windows where faint firelight glowered on the blinds. There came a shrill sound, two violins and a piccolo shrilling on the frosty air.
“In the fields with their flocks abiding.” A commotion of men’s voices broke out singing in ragged unison.
Anna Brangwen had started up, listening, when the music began. She was afraid.
“It’s the wake,” he whispered.
She remained tense, her heart beating heavily, possessed with strange, strong fear. Then there came the burst of men’s singing, rather uneven. She strained still, listening.
“It’s Dad,” she said, in a low voice. They were silent, listening.
“And my father,” he said.
She listened still. But she was sure. She sank down again into bed, into his arms. He held her very close, kissing her. The hymn rambled on outside, all the men singing their best, having forgotten everything else under the spell of the fiddles and the tune. The firelight glowed against the darkness in the room. Anna could hear her father singing with gusto.
“Aren’t they silly,” she whispered.
And they crept closer, closer together, hearts beating to one another. And even as the hymn rolled on, they ceased to hear it.
VI Anna VictrixWill Brangwen had some weeks of holiday after his marriage, so the two took their honeymoon in full hands, alone in their cottage together.
And to him, as the days went by, it was as if the heavens had fallen, and he were sitting with her among the ruins, in a new world, everybody else buried, themselves two blissful survivors, with everything to squander as they would. At first, he could not get rid of a culpable sense of licence on his part. Wasn’t there some duty outside, calling him and he did not come?
It was all very well at night, when the doors were locked and the darkness drawn round the two of them. Then they were the only inhabitants of the visible earth, the rest were under the flood. And being alone in the world, they were a law unto themselves, they could enjoy and squander and waste like conscienceless gods.
But in the morning, as the carts clanked by, and children shouted down the lane; as the hucksters came calling their wares, and the church clock struck eleven, and he and she had not got up yet, even to breakfast, he could not help feeling guilty, as if he were committing a breach of the law—ashamed that he was not up and doing.
“Doing what?” she asked. “What is there to do? You will only lounge about.”
Still, even lounging about was respectable. One was at least in connection with the world, then. Whereas now, lying so still and peacefully, while the daylight came obscurely through the drawn blind, one was severed from the world, one shut oneself off in tacit denial of the world. And he was troubled.
But it was so sweet and satisfying lying there talking desultorily with her. It was sweeter than sunshine, and not so evanescent. It was even irritating the way the church-clock kept on chiming: there seemed no space between the hours, just a moment, golden and still, whilst she traced his features with her fingertips, utterly careless and happy, and he
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