The Moon Pool by A. Merritt (young adult books to read .TXT) 📕
Description
The Moon Pool, in novel form, is a combination and fix-up of two previously-published short stories: “The Moon Pool,” and “Conquest of the Moon Pool.” Initially serialized in All-Story Weekly, Merritt made the interesting choice of framing the novel as a sort of scientific retelling, going so far as to include footnotes from fictional scientists, to give this completely fantastic work an air of authenticity.
In it we find the adventuresome botanist William T. Goodwin embarking on a quest to help his friend Throckmortin, whose wife and friends have fallen victim to a mysterious temple ruin on a remote South Pacific island. A series of coincidences provides Goodwin with a colorful cast of accompanying adventurers, and they soon find themselves in a mysterious futuristic underworld.
The Moon Pool is an important entry in the Lost World genre, in no small part because it was a significant influence on H. P. Lovecraft—hints of The Moon Pool can be seen in his short story “The Call of Cthulhu,” and hints of Merritt’s Nan-Madol can be seen in Lovecraft’s R’lyeh.
Today, The Moon Pool is a pulp classic, featuring many of the themes, tropes, and archetypes that characterized so many of the pulp adventure works of the era.
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- Author: A. Merritt
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I peered closely. Nothing! But now against the aperture I saw a score or more of tiny, dancing sparks. An optical illusion, I thought, and turned the crystal in another direction. There were no sparklings there. I turned it back again—and there they were. And what were they like? Realization came to me—they were like the little, dancing, radiant atoms that had played for a time about the emptiness where had stood Sorgar of the Lower Waters before he had been shaken into the nothingness! And that green light I had noticed—the Keth!
A cry on my lips, I turned to Larry—and the cry died as the heavy curtainings at the entrance on my right undulated, parted as though a body had slipped through, shook and parted again and again—with the dreadful passing of unseen things!
“Larry!” I cried. “Here! Quick!”
He leaped to his feet, gazed about wildly—and disappeared! Yes—vanished from my sight like the snuffed flame of a candle or as though something moving with the speed of light itself had snatched him away!
Then from the divan came the sounds of struggle, the hissing of straining breaths, the noise of Larry cursing. I leaped over the balustrade, drawing my own pistol—was caught in a pair of mighty arms, my elbows crushed to my sides, drawn down until my face pressed close to a broad, hairy breast—and through that obstacle—formless, shadowless, transparent as air itself—I could still see the battle on the divan!
Now there were two sharp reports; the struggle abruptly ceased. From a point not a foot over the great couch, as though oozing from the air itself, blood began to drop, faster and ever faster, pouring out of nothingness.
And out of that same air, now a dozen feet away, leaped the face of Larry—bodyless, poised six feet above the floor, blazing with rage—floating weirdly, uncannily to a hideous degree, in vacancy.
His hands flashed out—armless; they wavered, appearing, disappearing—swiftly tearing something from him. Then there, feet hidden, stiff on legs that vanished at the ankles, striking out into vision with all the dizzy abruptness with which he had been stricken from sight was the O’Keefe, a smoking pistol in hand.
And ever that red stream trickled out of vacancy and spread over the couch, dripping to the floor.
I made a mighty movement to escape; was held more firmly—and then close to the face of Larry, flashing out with that terrifying instantaneousness even as had his, was the head of Yolara, as devilishly mocking as I had ever seen it, the cruelty shining through it like delicate white flames from hell—and beautiful!
“Stir not! Strike not—until I command!” She flung the words beyond her, addressed to the invisible ones who had accompanied her; whose presences I sensed filling the chamber. The floating, beautiful head, crowned high with corn-silk hair, darted toward the Irishman. He took a swift step backward. The eyes of the priestess deepened toward purple; sparkled with malice.
“So,” she said. “So, Larree—you thought you could go from me so easily!” She laughed softly. “In my hidden hand I hold the Keth cone,” she murmured. “Before you can raise the death tube I can smite you—and will. And consider, Larree, if the handmaiden, the choya comes, I can vanish—so”—the mocking head disappeared, burst forth again—“and slay her with the Keth—or bid my people seize her and bear her to the Shining One!”
Tiny beads of sweat stood out on O’Keefe’s forehead, and I knew he was thinking not of himself, but of Lakla.
“What do you want with me, Yolara?” he asked hoarsely.
“Nay,” came the mocking voice. “Not Yolara to you, Larree—call me by those sweet names you taught me—Honey of the Wild Bee-e-s, Net of Hearts—” Again her laughter tinkled.
“What do you want with me?” his voice was strained, the lips rigid.
“Ah, you are afraid, Larree.” There was diabolic jubilation in the words. “What should I want but that you return with me? Why else did I creep through the lair of the dragon worm and pass the path of perils but to ask you that? And the choya guards you not well.” Again she laughed. “We came to the cavern’s end and, there were her Akka. And the Akka can see us—as shadows. But it was my desire to surprise you with my coming, Larree,” the voice was silken. “And I feared that they would hasten to be first to bring you that message to delight in your joy. And so, Larree, I loosed the Keth upon them—and gave them peace and rest within the nothingness. And the portal below was open—almost in welcome!”
Once more the malignant, silver pealing of her laughter.
“What do you want with me?” There was wrath in his eyes, and plainly he strove for control.
“Want!” the silver voice hissed, grew calm. “Do not Siya and Siyana grieve that the rite I pledged them is but half done—and do they not desire it finished? And am I not beautiful? More beautiful than your choya?”
The fiendishness died from the eyes; they grew blue, wondrous; the veil of invisibility slipped down from the neck, the shoulders, half revealing the gleaming breasts. And weird, weird beyond all telling was that exquisite head and bust floating there in air—and beautiful, sinisterly beautiful beyond all telling, too. So even might Lilith, the serpent woman, have shown herself tempting Adam!
“And perhaps,” she said, “perhaps I want you because I hate you; perhaps because I love you—or perhaps for Lugur or perhaps for the Shining One.”
“And if I go with you?” He said it quietly.
“Then shall I spare the handmaiden—and—who knows?—take back my armies that even now gather at the portal and let the Silent Ones rot in peace in their abode—from which they had no power to keep me,” she added venomously.
“You will swear that, Yolara; swear to go without harming the handmaiden?” he
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