The Mill on the Floss by George Eliot (best beach reads of all time .txt) 📕
Description
Published in 1860, The Mill on the Floss was the second novel published by George Eliot (the pen name of Mary Ann Evans). Set in the late 1820s or early 1830s, it tells the story of two young people, Tom and Maggie Tulliver, from their childhood into early adulthood. Their father, Jeremy Tulliver, owns Dorlcote Mill on the river Floss, and the children grow to adolescence in relative comfort. However Mr. Tulliver is litigious and initiates an unwise legal suit against a local solicitor, Mr. Wakem. The suit is thrown out and the associated costs throw the Tulliver family into poverty, and they lose possession of the mill.
The main character of the novel is Maggie Tulliver, an intelligent and passionate child and young woman, whose mental, romantic, and moral struggles we follow closely. As in Eliot’s other novels, the author shows a realistic and sympathetic understanding of human behavior.
The Mill on the Floss is regarded as a classic of English literature, and has been made into both a film and a television series.
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- Author: George Eliot
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By the time Tom had reached his last quarter at King’s Lorton, the years had made striking changes in him since the day we saw him returning from Mr. Jacobs’s academy. He was a tall youth now, carrying himself without the least awkwardness, and speaking without more shyness than was a becoming symptom of blended diffidence and pride; he wore his tailcoat and his stand-up collars, and watched the down on his lip with eager impatience, looking every day at his virgin razor, with which he had provided himself in the last holidays. Philip had already left—at the autumn quarter—that he might go to the south for the winter, for the sake of his health; and this change helped to give Tom the unsettled, exultant feeling that usually belongs to the last months before leaving school. This quarter, too, there was some hope of his father’s lawsuit being decided; that made the prospect of home more entirely pleasurable. For Tom, who had gathered his view of the case from his father’s conversation, had no doubt that Pivart would be beaten.
Tom had not heard anything from home for some weeks—a fact which did not surprise him, for his father and mother were not apt to manifest their affection in unnecessary letters—when, to his great surprise, on the morning of a dark, cold day near the end of November, he was told, soon after entering the study at nine o’clock, that his sister was in the drawing-room. It was Mrs. Stelling who had come into the study to tell him, and she left him to enter the drawing-room alone.
Maggie, too, was tall now, with braided and coiled hair; she was almost as tall as Tom, though she was only thirteen; and she really looked older than he did at that moment. She had thrown off her bonnet, her heavy braids were pushed back from her forehead, as if it would not bear that extra load, and her young face had a strangely worn look, as her eyes turned anxiously toward the door. When Tom entered she did not speak, but only went up to him, put her arms round his neck, and kissed him earnestly. He was used to various moods of hers, and felt no alarm at the unusual seriousness of her greeting.
“Why, how is it you’re come so early this cold morning, Maggie? Did you come in the gig?” said Tom, as she backed toward the sofa, and drew him to her side.
“No, I came by the coach. I’ve walked from the turnpike.”
“But how is it you’re not at school? The holidays have not begun yet?”
“Father wanted me at home,” said Maggie, with a slight trembling of the lip. “I came home three or four days ago.”
“Isn’t my father well?” said Tom, rather anxiously.
“Not quite,” said Maggie. “He’s very unhappy, Tom. The lawsuit is ended, and I came to tell you because I thought it would be better for you to know it before you came home, and I didn’t like only to send you a letter.”
“My father hasn’t lost?” said Tom, hastily, springing from the sofa, and standing before Maggie with his hands suddenly thrust into his pockets.
“Yes, dear Tom,” said Maggie, looking up at him with trembling.
Tom was silent a minute or two, with his eyes fixed on the floor. Then he said:
“My father will have to pay a good deal of money, then?”
“Yes,” said Maggie, rather faintly.
“Well, it can’t be helped,” said Tom, bravely, not translating the loss of a large sum of money into any tangible results. “But my father’s very much vexed, I dare say?” he added, looking at Maggie, and thinking that her agitated face was only part of her girlish way of taking things.
“Yes,” said Maggie, again faintly. Then, urged to fuller speech by Tom’s freedom from apprehension, she said loudly and rapidly, as if the words would burst from her: “Oh, Tom, he will lose the mill and the land and everything; he will have nothing left.”
Tom’s eyes flashed out one look of surprise at her, before he turned pale, and trembled visibly. He said nothing, but sat down on the sofa again, looking vaguely out of the opposite window.
Anxiety about the future had never entered Tom’s mind. His father had always ridden a good horse, kept a good house, and had the cheerful, confident air of a man who has plenty of property to fall back upon. Tom had never dreamed that his father would “fail”; that was a form of misfortune which he had always heard spoken of as a deep disgrace, and disgrace was an idea that he could not associate with any of his relations, least of all with his father. A proud sense of family respectability was part of the very air Tom had been born and brought up in. He knew there were people in St. Ogg’s who made a show without money to support it, and he had always heard such people spoken of by his own friends with contempt and reprobation. He had a strong belief, which was a lifelong habit, and required no
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