The Mill on the Floss by George Eliot (best beach reads of all time .txt) 📕
Description
Published in 1860, The Mill on the Floss was the second novel published by George Eliot (the pen name of Mary Ann Evans). Set in the late 1820s or early 1830s, it tells the story of two young people, Tom and Maggie Tulliver, from their childhood into early adulthood. Their father, Jeremy Tulliver, owns Dorlcote Mill on the river Floss, and the children grow to adolescence in relative comfort. However Mr. Tulliver is litigious and initiates an unwise legal suit against a local solicitor, Mr. Wakem. The suit is thrown out and the associated costs throw the Tulliver family into poverty, and they lose possession of the mill.
The main character of the novel is Maggie Tulliver, an intelligent and passionate child and young woman, whose mental, romantic, and moral struggles we follow closely. As in Eliot’s other novels, the author shows a realistic and sympathetic understanding of human behavior.
The Mill on the Floss is regarded as a classic of English literature, and has been made into both a film and a television series.
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- Author: George Eliot
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When Maggie came, however, she could not help looking with growing interest at the new schoolfellow, although he was the son of that wicked Lawyer Wakem, who made her father so angry. She had arrived in the middle of school-hours, and had sat by while Philip went through his lessons with Mr. Stelling. Tom, some weeks ago, had sent her word that Philip knew no end of stories—not stupid stories like hers; and she was convinced now from her own observation that he must be very clever; she hoped he would think her rather clever too, when she came to talk to him. Maggie, moreover, had rather a tenderness for deformed things; she preferred the wry-necked lambs, because it seemed to her that the lambs which were quite strong and well made wouldn’t mind so much about being petted; and she was especially fond of petting objects that would think it very delightful to be petted by her. She loved Tom very dearly, but she often wished that he cared more about her loving him.
“I think Philip Wakem seems a nice boy, Tom,” she said, when they went out of the study together into the garden, to pass the interval before dinner. “He couldn’t choose his father, you know; and I’ve read of very bad men who had good sons, as well as good parents who had bad children. And if Philip is good, I think we ought to be the more sorry for him because his father is not a good man. You like him, don’t you?”
“Oh, he’s a queer fellow,” said Tom, curtly, “and he’s as sulky as can be with me, because I told him his father was a rogue. And I’d a right to tell him so, for it was true; and he began it, with calling me names. But you stop here by yourself a bit, Maggie, will you? I’ve got something I want to do upstairs.”
“Can’t I go too?” said Maggie, who in this first day of meeting again loved Tom’s shadow.
“No, it’s something I’ll tell you about by-and-by, not yet,” said Tom, skipping away.
In the afternoon the boys were at their books in the study, preparing the morrow’s lesson’s that they might have a holiday in the evening in honour of Maggie’s arrival. Tom was hanging over his Latin grammar, moving his lips inaudibly like a strict but impatient Catholic repeating his tale of paternosters; and Philip, at the other end of the room, was busy with two volumes, with a look of contented diligence that excited Maggie’s curiosity; he did not look at all as if he were learning a lesson. She sat on a low stool at nearly a right angle with the two boys, watching first one and then the other; and Philip, looking off his book once toward the fireplace, caught the pair of questioning dark eyes fixed upon him. He thought this sister of Tulliver’s seemed a nice little thing, quite unlike her brother; he wished he had a little sister. What was it, he wondered, that made Maggie’s dark eyes remind him of the stories about princesses being turned into animals? I think it was that her eyes were full of unsatisfied intelligence, and unsatisfied beseeching affection.
“I say, Magsie,” said Tom at last, shutting his books and putting them away with the energy and decision of a perfect master in the art of leaving off, “I’ve done my lessons now. Come upstairs with me.”
“What is it?” said Maggie, when they were outside the door, a slight suspicion crossing her mind as she remembered Tom’s preliminary visit upstairs. “It isn’t a trick you’re going to play me, now?”
“No, no, Maggie,” said Tom, in his most coaxing tone; “It’s something you’ll like ever so.”
He put his arm round her neck, and she put hers round his waist, and twined together in this way, they went upstairs.
“I say, Magsie, you must not tell anybody, you know,” said Tom, “else I shall get fifty lines.”
“Is it alive?” said Maggie, whose imagination had settled for the moment on the idea that Tom kept a ferret clandestinely.
“Oh, I shan’t tell you,” said he. “Now you go into that corner and hide your face, while I reach it out,” he added, as he locked the bedroom door behind them. “I’ll tell you when to turn round. You mustn’t squeal out, you know.”
“Oh, but if you frighten me, I shall,” said Maggie, beginning to look rather serious.
“You won’t be frightened, you silly thing,” said Tom. “Go and hide your face, and mind you don’t peep.”
“Of course I shan’t peep,” said Maggie, disdainfully; and she buried her face in the pillow like a person of strict honour.
But Tom looked round warily as he walked to the closet; then he stepped into the narrow space, and almost closed the door. Maggie kept her face buried without the aid of principle, for in that dream-suggestive attitude she had
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