The Mill on the Floss by George Eliot (best beach reads of all time .txt) π
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Published in 1860, The Mill on the Floss was the second novel published by George Eliot (the pen name of Mary Ann Evans). Set in the late 1820s or early 1830s, it tells the story of two young people, Tom and Maggie Tulliver, from their childhood into early adulthood. Their father, Jeremy Tulliver, owns Dorlcote Mill on the river Floss, and the children grow to adolescence in relative comfort. However Mr. Tulliver is litigious and initiates an unwise legal suit against a local solicitor, Mr. Wakem. The suit is thrown out and the associated costs throw the Tulliver family into poverty, and they lose possession of the mill.
The main character of the novel is Maggie Tulliver, an intelligent and passionate child and young woman, whose mental, romantic, and moral struggles we follow closely. As in Eliotβs other novels, the author shows a realistic and sympathetic understanding of human behavior.
The Mill on the Floss is regarded as a classic of English literature, and has been made into both a film and a television series.
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- Author: George Eliot
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Tom Tulliver, then, compared with many other British youths of his time who have since had to scramble through life with some fragments of more or less relevant knowledge, and a great deal of strictly relevant ignorance, was not so very unlucky. Mr. Stelling was a broad-chested, healthy man, with the bearing of a gentleman, a conviction that a growing boy required a sufficiency of beef, and a certain hearty kindness in him that made him like to see Tom looking well and enjoying his dinner; not a man of refined conscience, or with any deep sense of the infinite issues belonging to everyday duties, not quite competent to his high offices; but incompetent gentlemen must live, and without private fortune it is difficult to see how they could all live genteelly if they had nothing to do with education or government. Besides, it was the fault of Tomβs mental constitution that his faculties could not be nourished on the sort of knowledge Mr. Stelling had to communicate. A boy born with a deficient power of apprehending signs and abstractions must suffer the penalty of his congenital deficiency, just as if he had been born with one leg shorter than the other. A method of education sanctioned by the long practice of our venerable ancestors was not to give way before the exceptional dullness of a boy who was merely living at the time then present. And Mr. Stelling was convinced that a boy so stupid at signs and abstractions must be stupid at everything else, even if that reverend gentleman could have taught him everything else. It was the practice of our venerable ancestors to apply that ingenious instrument the thumbscrew, and to tighten and tighten it in order to elicit nonexistent facts; they had a fixed opinion to begin with, that the facts were existent, and what had they to do but to tighten the thumbscrew? In like manner, Mr. Stelling had a fixed opinion that all boys with any capacity could learn what it was the only regular thing to teach; if they were slow, the thumbscrew must be tightenedβ βthe exercises must be insisted on with increased severity, and a page of Virgil be awarded as a penalty, to encourage and stimulate a too languid inclination to Latin verse.
The thumbscrew was a little relaxed, however, during this second half-year. Philip was so advanced in his studies, and so apt, that Mr. Stelling could obtain credit by his facility, which required little help, much more easily than by the troublesome process of overcoming Tomβs dullness. Gentlemen with broad chests and ambitious intentions do sometimes disappoint their friends by failing to carry the world before them. Perhaps it is that high achievements demand some other unusual qualification besides an unusual desire for high prizes; perhaps it is that these stalwart gentlemen are rather indolent, their divinae particulum aurae being obstructed from soaring by a too hearty appetite. Some reason or other there was why Mr. Stelling deferred the execution of many spirited projectsβ βwhy he did not begin the editing of his Greek play, or any other work of scholarship, in his leisure hours, but, after turning the key of his private study with much resolution, sat down to one of Theodore Hookβs novels. Tom was gradually allowed to shuffle through his lessons with less rigor, and having Philip to help him, he was able to make some show of having applied his mind in a confused and blundering way, without being cross-examined into a betrayal that his mind had been entirely neutral in the matter. He thought school much more bearable under this modification of circumstances; and he went on contentedly enough, picking up a promiscuous education chiefly from things that were not intended as education at all. What was understood to be his education was simply the practice of reading, writing, and spelling, carried on by an elaborate appliance of unintelligible ideas, and by much failure in the effort to learn by rote.
Nevertheless, there was a visible improvement in Tom under this training; perhaps because he was not a boy in the abstract, existing solely to illustrate the evils of a mistaken education, but a boy made of flesh and blood, with dispositions not entirely at the mercy of circumstances.
There was a great improvement in his bearing, for example; and some credit on this score was due to Mr. Poulter, the village schoolmaster, who, being an old Peninsular soldier, was employed to drill Tomβ βa source of high mutual pleasure. Mr. Poulter, who was understood by the company at the Black Swan to have once struck terror into the hearts of the French, was no longer personally formidable. He had rather a shrunken appearance, and was tremulous in the mornings, not from age, but from the extreme perversity of the Kingβs Lorton boys, which nothing but gin could enable him to sustain with any firmness. Still, he carried himself with martial erectness, had his clothes scrupulously brushed, and his trousers tightly strapped; and on the Wednesday and Saturday afternoons, when he came to Tom, he was always inspired with gin and old memories, which gave him an exceptionally spirited air, as of a superannuated charger who hears the drum. The drilling-lessons were always protracted by episodes of warlike narrative, much more interesting to Tom than Philipβs stories out of the Iliad; for there were no cannon in the Iliad, and besides, Tom had felt some disgust on learning that Hector and Achilles might possibly never have existed. But the Duke of Wellington was really alive, and Bony had not been long dead; therefore Mr. Poulterβs reminiscences of the Peninsular War were removed from all suspicion of being mythical. Mr. Poulter, it appeared, had been a conspicuous figure at Talavera, and had contributed not a little to the peculiar terror with which his regiment of infantry was regarded by the enemy. On afternoons when his memory was more stimulated than usual, he remembered
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