The Mill on the Floss by George Eliot (best beach reads of all time .txt) 📕
Description
Published in 1860, The Mill on the Floss was the second novel published by George Eliot (the pen name of Mary Ann Evans). Set in the late 1820s or early 1830s, it tells the story of two young people, Tom and Maggie Tulliver, from their childhood into early adulthood. Their father, Jeremy Tulliver, owns Dorlcote Mill on the river Floss, and the children grow to adolescence in relative comfort. However Mr. Tulliver is litigious and initiates an unwise legal suit against a local solicitor, Mr. Wakem. The suit is thrown out and the associated costs throw the Tulliver family into poverty, and they lose possession of the mill.
The main character of the novel is Maggie Tulliver, an intelligent and passionate child and young woman, whose mental, romantic, and moral struggles we follow closely. As in Eliot’s other novels, the author shows a realistic and sympathetic understanding of human behavior.
The Mill on the Floss is regarded as a classic of English literature, and has been made into both a film and a television series.
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- Author: George Eliot
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“And what are you in trouble about?” said Mrs. Stelling.
Philip was not her favourite of the two pupils; he was less obliging than Tom, who was made useful in many ways. Still, his father paid more than Mr. Tulliver did, and she meant him to feel that she behaved exceedingly well to him. Philip, however, met her advances toward a good understanding very much as a caressed mollusk meets an invitation to show himself out of his shell. Mrs. Stelling was not a loving, tenderhearted woman; she was a woman whose skirt sat well, who adjusted her waist and patted her curls with a preoccupied air when she inquired after your welfare. These things, doubtless, represent a great social power, but it is not the power of love; and no other power could win Philip from his personal reserve.
He said, in answer to her question, “My toothache came on, and made me hysterical again.”
This had been the fact once, and Philip was glad of the recollection; it was like an inspiration to enable him to excuse his crying. He had to accept eau de cologne and to refuse creosote in consequence; but that was easy.
Meanwhile Tom, who had for the first time sent a poisoned arrow into Philip’s heart, had returned to the carriage-house, where he found Mr. Poulter, with a fixed and earnest eye, wasting the perfections of his sword-exercise on probably observant but inappreciative rats. But Mr. Poulter was a host in himself; that is to say, he admired himself more than a whole army of spectators could have admired him. He took no notice of Tom’s return, being too entirely absorbed in the cut and thrust—the solemn one, two, three, four; and Tom, not without a slight feeling of alarm at Mr. Poulter’s fixed eye and hungry-looking sword, which seemed impatient for something else to cut besides the air, admired the performance from as great a distance as possible. It was not until Mr. Poulter paused and wiped the perspiration from his forehead, that Tom felt the full charm of the sword-exercise, and wished it to be repeated.
“Mr. Poulter,” said Tom, when the sword was being finally sheathed, “I wish you’d lend me your sword a little while to keep.”
“No no, young gentleman,” said Mr. Poulter, shaking his head decidedly; “you might do yourself some mischief with it.”
“No, I’m sure I wouldn’t; I’m sure I’d take care and not hurt myself. I shouldn’t take it out of the sheath much, but I could ground arms with it, and all that.”
“No, no, it won’t do, I tell you; it won’t do,” said Mr. Poulter, preparing to depart. “What ’ud Mr. Stelling say to me?”
“Oh, I say, do, Mr. Poulter! I’d give you my five-shilling piece if you’d let me keep the sword a week. Look here!” said Tom, reaching out the attractively large round of silver. The young dog calculated the effect as well as if he had been a philosopher.
“Well,” said Mr. Poulter, with still deeper gravity, “you must keep it out of sight, you know.”
“Oh yes, I’ll keep it under the bed,” said Tom, eagerly, “or else at the bottom of my large box.”
“And let me see, now, whether you can draw it out of the sheath without hurting yourself.” That process having been gone through more than once, Mr. Poulter felt that he had acted with scrupulous conscientiousness, and said, “Well, now, Master Tulliver, if I take the crown-piece, it is to make sure as you’ll do no mischief with the sword.”
“Oh no, indeed, Mr. Poulter,” said Tom, delightedly handing him the crown-piece, and grasping the sword, which, he thought, might have been lighter with advantage.
“But if Mr. Stelling catches you carrying it in?” said Mr. Poulter, pocketing the crown-piece provisionally while he raised this new doubt.
“Oh, he always keeps in his upstairs study on Saturday afternoon,” said Tom, who disliked anything sneaking, but was not disinclined to a little stratagem in a worthy cause. So he carried off the sword in triumph mixed with dread—dread that he might encounter Mr. or Mrs. Stelling—to his bedroom, where, after some consideration, he hid it in the closet behind some hanging clothes. That night he fell asleep in the thought that he would astonish Maggie with it when she came—tie it round his waist with his red comforter, and make her believe that the sword was his own, and that he was going to be a soldier. There was nobody but Maggie who would be silly enough to believe him, or whom he dared allow to know he had a sword; and Maggie was really coming next week to see Tom, before she went to a boarding-school with Lucy.
If you think a lad of thirteen would have been so childish, you must be an exceptionally wise man, who, although you are devoted to a civil calling, requiring you to look bland rather than formidable, yet never, since you had a beard, threw yourself into a martial attitude, and frowned before the looking-glass. It is doubtful whether our soldiers would be maintained if there were not pacific people at home who like to fancy themselves soldiers. War, like other dramatic spectacles, might possibly cease for want of a “public.”
V Maggie’s Second VisitThis last breach between the two lads was not readily mended, and for some time they spoke to each other no more than was necessary. Their natural antipathy of temperament made resentment an easy passage to hatred, and in Philip the transition seemed to have begun; there was no malignity in his disposition, but there was a susceptibility that made him peculiarly liable to a strong sense of repulsion. The ox—we may venture to assert it on the authority of a great classic—is not given to use his teeth as an instrument of attack, and Tom was an excellent bovine lad, who ran at questionable objects in a truly ingenious bovine manner; but he had blundered on Philip’s tenderest point, and had caused him as much acute pain as
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