Short Fiction by Leonid Andreyev (fastest ebook reader TXT) 📕
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Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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It was also a difficult task to feed him: greedy and impatient, he could not gauge his movements, and would upset the dish, choking as he tried to swallow and wrathfully stretching his curving fingers towards the feeder’s hair. And his appearance was repulsive and horrible: on a pair of narrow, almost baby-like shoulders rested a small skull with an immense, immobile, broad face, the size of an adult’s. There was something disquieting and terrifying in this monstrous incongruity between face and body, and it seemed as though a child had for some reason put on an immense and repulsive mask.
And the tortured Popadya commenced to drink as in the days of old. She drank heavily, to unconsciousness and delirium, but even mighty alcohol could not release her from the iron circle in the centre of which reigned the horrible and monstrous image of the semichild, semi-beast. And as of yore she sought to find in liquor burning sorrowful memories of the perished firstborn, but the memories refused to come, and the lifeless insensate void yielded neither image nor sound. With every fibre of her inflamed brain she strove to resurrect the sweet face of the little gentle lad; she sang his favorite ditties; she imitated his smile; she pictured to herself his agony as he was choking and strangling in the turbid waters; and she felt his nearness, felt the flames of the great and passionately desired grief blaze up within her heart, but with abrupt swiftness—unperceived by eye or ear—the conjured vision, the longed for grief, vanished into nothingness, and out of the chilling lifeless void the monstrous, motionless mask of the idiot was staring into her eyes. And she felt as though she had just buried her little Vassya, buried him anew, interring him deeply in the bowels of the earth, and she longed to shatter her faithless head in the inmost depths of which so insolently reigned an alien and abominable image.
Terror-stricken she tossed about the room, calling her husband:
“Vassily! Vassily! Come—quick!”
Father Vassily came and without opening his mouth sat down in a far corner of the room; and he was unconcerned and still, as though there had been no outcry, no madness, no terror. And his eyes were invisible; but under the heavy arch of his eyebrows yawned the immobile black of two sunken spots, and his haggard face resembled a skeleton’s skull. Leaning his chin on his scrawny arm, he seemed congealed in torpid silence and immobility, and remained in this attitude until the Popadya quieted down by degrees. Then with the intense care of a maniac she painstakingly barricaded the door which led into the idiot’s room. She dragged in front of it every table and chair she could find, piling cushions and clothing upon them, and still the barricade seemed too frail to suit her. And with the strength of drunkenness she wrenched a ponderous antique chest of drawers from its accustomed place, and scratching the floor in so doing she dragged it towards the door.
“Move the chair aside,” she called to her husband all out of breath, and he rose in silence, cleared the place for her and once more resumed his seat in the corner.
For a moment the Popadya appeared to regain her composure and sank into a chair, breathing heavily and holding her hand to her breast, but in the next instant she sprang to her feet again, and flinging back her disheveled hair to release her ears she listened in terror to the sounds which her morbid imagination seemed to conjure up beyond the wall:
“Hear it, Vassily? Hear it?”
The two black spots gazed upon her unmoved and a stolid distant voice answered:
“There’s nothing there. He is sleeping. Calm yourself, Nastya.”
The Popadya smiled the glad and radiant smile of a comforted child, and irresolutely sat down on the edge cf the chair.
“Do you mean it? Is he sleeping? Did you see it yourself? Don’t lie, it’s a sin to tell lies.”
“I saw him. He is asleep.”
“But who is talking back there?”
“There is no one there. You only imagine it.”
And the Popadya was so pleased that she laughed out loud, shaking her head in amusement and warding off something with an uncertain movement of her hand: as though some ill-disposed joker out of deviltry had tried to frighten her and she had seen through the joke and was now laughing at him. But like a stone that falls into a fathomless abyss her laughter fell into space without evoking an echo and died right there in loneliness, and her lips were still curved in a smile while the chill of new terror appeared in her eyes. And such stillness reigned in the room that it seemed as though no one had ever uttered a laugh there; from the scattered pillows, from the overturned chairs, so queer to look upon in their upset state, from the ponderous chest of drawers so clumsily skulking in its unwonted position, from all sides there stared upon her the greedy expectancy of some dire misfortune, of some unknown horrors which no human had ever gone through before. She turned to
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