The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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“What on earth do you want me to say?”
“What are you thinking?”
“Nothing.”
“Then stop biting your finger!”
Ensued a short confused discussion of whether or not she had been thinking. It seemed essential to Anthony that she should muse aloud upon last night’s disaster. Her silence was a method of settling the responsibility on him. For her part she saw no necessity for speech—the moment required that she should gnaw at her finger like a nervous child.
“I’ve got to fix up this damn mess with my grandfather,” he said with uneasy conviction. A faint newborn respect was indicated by his use of “my grandfather” instead of “grampa.”
“You can’t,” she affirmed abruptly. “You can’t—ever. He’ll never forgive you as long as he lives.”
“Perhaps not,” agreed Anthony miserably. “Still—I might possibly square myself by some sort of reformation and all that sort of thing—”
“He looked sick,” she interrupted, “pale as flour.”
“He is sick. I told you that three months ago.”
“I wish he’d died last week!” she said petulantly. “Inconsiderate old fool!”
Neither of them laughed.
“But just let me say,” she added quietly, “the next time I see you acting with any woman like you did with Rachael Barnes last night, I’ll leave you—just—like—that! I’m simply not going to stand it!”
Anthony quailed.
“Oh, don’t be absurd,” he protested. “You know there’s no woman in the world for me except you—none, dearest.”
His attempt at a tender note failed miserably—the more imminent danger stalked back into the foreground.
“If I went to him,” suggested Anthony, “and said with appropriate biblical quotations that I’d walked too long in the way of unrighteousness and at last seen the light—” He broke off and glanced with a whimsical expression at his wife. “I wonder what he’d do?”
“I don’t know.”
She was speculating as to whether or not their guests would have the acumen to leave directly after breakfast.
Not for a week did Anthony muster the courage to go to Tarrytown. The prospect was revolting and left alone he would have been incapable of making the trip—but if his will had deteriorated in these past three years, so had his power to resist urging. Gloria compelled him to go. It was all very well to wait a week, she said, for that would give his grandfather’s violent animosity time to cool—but to wait longer would be an error—it would give it a chance to harden.
He went, in trepidation … and vainly. Adam Patch was not well, said Shuttleworth indignantly. Positive instructions had been given that no one was to see him. Before the ex—“gin-physician’s” vindictive eye Anthony’s front wilted. He walked out to his taxicab with what was almost a slink—recovering only a little of his self-respect as he boarded the train; glad to escape, boylike, to the wonder palaces of consolation that still rose and glittered in his own mind.
Gloria was scornful when he returned to Marietta. Why had he not forced his way in? That was what she would have done!
Between them they drafted a letter to the old man, and after considerable revision sent it off. It was half an apology, half a manufactured explanation. The letter was not answered.
Came a day in September, a day slashed with alternate sun and rain, sun without warmth, rain without freshness. On that day they left the gray house, which had seen the flower of their love. Four trunks and three monstrous crates were piled in the dismantled room where, two years before, they had sprawled lazily, thinking in terms of dreams, remote, languorous, content. The room echoed with emptiness. Gloria, in a new brown dress edged with fur, sat upon a trunk in silence, and Anthony walked nervously to and fro smoking, as they waited for the truck that would take their things to the city.
“What are those?” she demanded, pointing to some books piled upon one of the crates.
“That’s my old stamp collection,” he confessed sheepishly. “I forgot to pack it.”
“Anthony, it’s so silly to carry it around.”
“Well, I was looking through it the day we left the apartment last spring, and I decided not to store it.”
“Can’t you sell it? Haven’t we enough junk?”
“I’m sorry,” he said humbly.
With a thunderous rattling the truck rolled up to the door. Gloria shook her fist defiantly at the four walls.
“I’m so glad to go!” she cried, “so glad. Oh, my God, how I hate this house!”
So the brilliant and beautiful lady went up with her husband to New York. On the very train that bore them away they quarrelled—her bitter words had the frequency, the regularity, the inevitability of the stations they passed.
“Don’t be cross,” begged Anthony piteously. “We’ve got nothing but each other, after all.”
“We haven’t even that, most of the time,” cried Gloria.
“When haven’t we?”
“A lot of times—beginning with one occasion on the station platform at Redgate.”
“You don’t mean to say that—”
“No,” she interrupted coolly, “I don’t brood over it. It came and went—and when it went it took something with it.”
She finished abruptly. Anthony sat in silence, confused, depressed. The drab visions of train-side Mamaroneck, Larchmont, Rye, Pelham Manor, succeeded each other with intervals of bleak and shoddy wastes posing ineffectually as country. He found himself remembering how on one summer morning they two had started from New York in search of happiness. They had never expected to find it, perhaps, yet in itself that quest had been happier than anything he expected forevermore. Life, it seemed, must be a setting up of props around one—otherwise it was disaster. There was no rest, no quiet. He had been futile in longing to drift and dream; no one drifted except to maelstroms, no one dreamed, without his dreams becoming fantastic nightmares of indecision and regret.
Pelham! They had quarrelled in Pelham because Gloria must drive. And when she set her little foot on the accelerator the car had jumped off spunkily, and their two heads had jerked back like marionettes worked by a single string.
The Bronx—the houses
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