The Song of the Lark by Willa Cather (best reads .TXT) ๐
Description
The Song of the Lark, Willa Catherโs third novel, was written in 1915. It is said to have been inspired by the real-life soprano Olive Fremstad, a celebrated Swedish-American singer who, like the protagonist, was active in New York and Europe during the time period depicted in the novel.
The work explores how an artistโs early life influences their work. In the novel, Thea Kronborg discovers her talent as a singer, and goes on to achieve great fame and success once she leaves her tiny village of Moonstone. Cather eschewed depicting rural life as being idyllic, instead focusing on the conservative, restricted, patriarchal structures that its inhabitants live by. Her work is thus considered to be one of the earliest so-called โRevolt Novels.โ She depicts a time at the end of the 19th century when the American West was expanding rapidly and Americans were gaining sophistication in their understanding of culture and artists, particularly compared to Europe. The title of the novel comes from the name of a 1884 painting by Jules Breton, which is described and considered in the book itself.
Read free book ยซThe Song of the Lark by Willa Cather (best reads .TXT) ๐ยป - read online or download for free at americanlibrarybooks.com
- Author: Willa Cather
Read book online ยซThe Song of the Lark by Willa Cather (best reads .TXT) ๐ยป. Author - Willa Cather
Thea had always taken it for granted that her sister and brothers recognized that she had special abilities, and that they were proud of it. She had done them the honor, she told herself bitterly, to believe that though they had no particular endowments, they were of her kind, and not of the Moonstone kind. Now they had all grown up and become persons. They faced each other as individuals, and she saw that Anna and Gus and Charley were among the people whom she had always recognized as her natural enemies. Their ambitions and sacred proprieties were meaningless to her. She had neglected to congratulate Charley upon having been promoted from the grocery department of Commingsโs store to the dry-goods department. Her mother had reproved her for this omission. And how was she to know, Thea asked herself, that Anna expected to be teased because Bert Rice now came and sat in the hammock with her every night? No, it was all clear enough. Nothing that she would ever do in the world would seem important to them, and nothing they would ever do would seem important to her.
Thea lay thinking intently all through the stifling afternoon. Tillie whispered something outside her door once, but she did not answer. She lay on her bed until the second church bell rang, and she saw the family go trooping up the sidewalk on the opposite side of the street, Anna and her father in the lead. Anna seemed to have taken on a very storybook attitude toward her father; patronizing and condescending, it seemed to Thea. The older boys were not in the family band. They now took their girls to church. Tillie had stayed at home to get supper. Thea got up, washed her hot face and arms, and put on the white organdie dress she had worn last night; it was getting too small for her, and she might as well wear it out. After she was dressed she unlocked her door and went cautiously downstairs. She felt as if chilling hostilities might be awaiting her in the trunk loft, on the stairway, almost anywhere. In the dining-room she found Tillie, sitting by the open window, reading the dramatic news in a Denver Sunday paper. Tillie kept a scrapbook in which she pasted clippings about actors and actresses.
โCome look at this picture of Pauline Hall in tights, Thea,โ she called. โAinโt she cute? Itโs too bad you didnโt go to the theater more when you was in Chicago; such a good chance! Didnโt you even get to see Clara Morris or Modjeska?โ
โNo; I didnโt have time. Besides, it costs money, Tillie,โ Thea replied wearily, glancing at the paper Tillie held out to her.
Tillie looked up at her niece. โDonโt you go and be upset about any of Annaโs notions. Sheโs one of these narrow kind. Your father and mother donโt pay any attention to what she says. Annaโs fussy; she is with me, but I donโt mind her.โ
โOh, I donโt mind her. Thatโs all right, Tillie. I guess Iโll take a walk.โ
Thea knew that Tillie hoped she would stay and talk to her for a while, and she would have liked to please her. But in a house as small as that one, everything was too intimate and mixed up together. The family was the family, an integral thing. One couldnโt discuss Anna there. She felt differently toward the house and everything in it, as if the battered old furniture that seemed so kindly, and the old carpets on which she had played, had been nourishing a secret grudge against her and were not to be trusted any more.
She went aimlessly out of the front gate, not knowing what to do with herself. Mexican Town, somehow, was spoiled for her just then, and she felt that she would hide if she saw Silvo or Felipe coming toward her. She walked down through the empty main street. All the stores were closed, their blinds down. On the steps of the bank some idle boys were sitting, telling disgusting stories because there was nothing else to do. Several of them had gone to school with Thea, but when she nodded to them they hung their heads and did not speak. Theaโs body was often curiously expressive of what was going on in her mind, and tonight there was something in her walk and carriage that made these boys feel that she was โstuck up.โ If she had stopped and talked to them, they would have thawed out on the instant and would have been friendly and grateful. But Thea was hurt afresh, and walked on, holding her chin higher than ever. As she passed the Duke Block, she saw a light in Dr. Archieโs office, and she went up the stairs and opened the door into his study. She found him with a pile of papers and accountbooks before him. He pointed her to her old chair at the end of his desk and leaned back in his own, looking at her with satisfaction. How handsome she was growing!
โIโm still chasing the elusive
Comments (0)