The Rainbow by D. H. Lawrence (novels for beginners .txt) π
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The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydiaβs child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last thirdβand perhaps most famousβpart of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwenβs quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a careerβa concept both new and frightening to her family, who are just a generation removed from the era when a womanβs life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursulaβs story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrenceβs Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
Read book online Β«The Rainbow by D. H. Lawrence (novels for beginners .txt) πΒ». Author - D. H. Lawrence
He remained crouching by the beside, motionless.
βItβs horrible,β she continued, βand such a pretence! What do you pretend you are saying? Who do you pretend you are praying to?β
He still remained motionless, seething with inchoate rage, when his whole nature seemed to disintegrate. He seemed to live with a strain upon himself, and occasionally came these dark, chaotic rages, the lust for destruction. She then fought with him, and their fights were horrible, murderous. And then the passion between them came just as black and awful.
But little by little, as she learned to love him better, she would put herself aside, and when she felt one of his fits upon him, would ignore him, successfully leave him in his world, whilst she remained in her own. He had a black struggle with himself, to come back to her. For at last he learned that he would be in hell until he came back to her. So he struggled to submit to her, and she was afraid of the ugly strain in his eyes. She made love to him, and took him. Then he was grateful to her love, humble.
He made himself a woodwork shed, in which to restore things which were destroyed in the church. So he had plenty to do: his wife, his child, the church, the woodwork, and his wage-earning, all occupying him. If only there were not some limit to him, some darkness across his eyes! He had to give in to it at last himself. He must submit to his own inadequacy, aware of some limit to himself, of something unformed in his own black, violent temper, and to reckon with it. But as she was more gentle with him, it became quieter.
As he sat sometimes very still, with a bright, vacant face, Anna could see the suffering among the brightness. He was aware of some limit to himself, of something unformed in his very being, of some buds which were not ripe in him, some folded centres of darkness which would never develop and unfold whilst he was alive in the body. He was unready for fulfilment. Something undeveloped in him limited him, there was a darkness in him which he could not unfold, which would never unfold in him.
VIII The ChildFrom the first, the baby stirred in the young father a deep, strong emotion he dared scarcely acknowledge, it was so strong and came out of the dark of him. When he heard the child cry, a terror possessed him, because of the answering echo from the unfathomed distances in himself. Must he know in himself such distances, perilous and imminent?
He had the infant in his arms, he walked backwards and forwards troubled by the crying of his own flesh and blood. This was his own flesh and blood crying! His soul rose against the voice suddenly breaking out from him, from the distances in him.
Sometimes in the night, the child cried and cried, when the night was heavy and sleep oppressed him. And half asleep, he stretched out his hand to put it over the babyβs face to stop the crying. But something arrested his hand: the very inhumanness of the intolerable, continuous crying arrested him. It was so impersonal, without cause or object. Yet he echoed to it directly, his soul answered its madness. It filled him with terror, almost with frenzy.
He learned to acquiesce to this, to submit to the awful, obliterated sources which were the origin of his living tissue. He was not what he conceived himself to be! Then he was what he was, unknown, potent, dark.
He became accustomed to the child, he knew how to lift and balance the little body. The baby had a beautiful, rounded head that moved him passionately. He would have fought to the last drop to defend that exquisite, perfect round head.
He learned to know the little hands and feet, the strange, unseeing, golden-brown eyes, the mouth that opened only to cry, or to suck, or to show a queer, toothless laugh. He could almost understand even the dangling legs, which at first had created in him a feeling of aversion. They could kick in their queer little way, they had their own softness.
One evening, suddenly, he saw the tiny, living thing rolling naked in the motherβs lap, and he was sick, it was so utterly helpless and vulnerable and extraneous; in a world of hard surfaces and varying altitudes, it lay vulnerable and naked at every point. Yet it was quite blithe. And yet, in its blind, awful crying, was there not the blind, far-off terror of its own vulnerable nakedness, the terror of being so utterly delivered over, helpless at every point. He could not bear to hear it crying. His heart strained and stood on guard against the whole universe.
But he waited for the dread of these days to pass; he saw the joy coming. He saw the lovely, creamy, cool little ear of the baby, a bit of dark hair rubbed to a bronze floss, like bronze-dust. And he waited, for the child to become his, to look at him and answer him.
It had a separate being, but it was his own child. His flesh and blood vibrated to it. He caught the baby to his breast with his passionate, clapping laugh. And the infant knew him.
As the newly-opened, newly-dawned eyes looked at him, he wanted them to perceive him, to recognize him. Then he was verified. The child knew him, a queer contortion of laughter came on its face for him. He caught it to his breast, clapping with a triumphant laugh.
The golden-brown eyes of the child gradually lit up and dilated at the sight of the dark-glowing face of the youth. It knew its mother better, it wanted its mother more. But the brightest, sharpest little ecstasy was for the father.
It began to be strong, to move vigorously and
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