Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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When he had shown all his spoils, Mr. Meagles took them into his own snug room overlooking the lawn, which was fitted up in part like a dressing-room and in part like an office, and in which, upon a kind of counter-desk, were a pair of brass scales for weighing gold, and a scoop for shovelling out money.
“Here they are, you see,” said Mr. Meagles. “I stood behind these two articles five-and-thirty years running, when I no more thought of gadding about than I now think of—staying at home. When I left the Bank for good, I asked for them, and brought them away with me. I mention it at once, or you might suppose that I sit in my countinghouse (as Pet says I do), like the king in the poem of the four-and-twenty blackbirds, counting out my money.”
Clennam’s eyes had strayed to a natural picture on the wall, of two pretty little girls with their arms entwined. “Yes, Clennam,” said Mr. Meagles, in a lower voice. “There they both are. It was taken some seventeen years ago. As I often say to Mother, they were babies then.”
“Their names?” said Arthur.
“Ah, to be sure! You have never heard any name but Pet. Pet’s name is Minnie; her sister’s Lillie.”
“Should you have known, Mr. Clennam, that one of them was meant for me?” asked Pet herself, now standing in the doorway.
“I might have thought that both of them were meant for you, both are still so like you. Indeed,” said Clennam, glancing from the fair original to the picture and back, “I cannot even now say which is not your portrait.”
“D’ye hear that, Mother?” cried Mr. Meagles to his wife, who had followed her daughter. “It’s always the same, Clennam; nobody can decide. The child to your left is Pet.”
The picture happened to be near a looking-glass. As Arthur looked at it again, he saw, by the reflection of the mirror, Tattycoram stop in passing outside the door, listen to what was going on, and pass away with an angry and contemptuous frown upon her face, that changed its beauty into ugliness.
“But come!” said Mr. Meagles. “You have had a long walk, and will be glad to get your boots off. As to Daniel here, I suppose he’d never think of taking his boots off, unless we showed him a bootjack.”
“Why not?” asked Daniel, with a significant smile at Clennam.
“Oh! You have so many things to think about,” returned Mr. Meagles, clapping him on the shoulder, as if his weakness must not be left to itself on any account. “Figures, and wheels, and cogs, and levers, and screws, and cylinders, and a thousand things.”
“In my calling,” said Daniel, amused, “the greater usually includes the less. But never mind, never mind! Whatever pleases you, pleases me.”
Clennam could not help speculating, as he seated himself in his room by the fire, whether there might be in the breast of this honest, affectionate, and cordial Mr. Meagles, any microscopic portion of the mustard-seed that had sprung up into the great tree of the Circumlocution Office. His curious sense of a general superiority to Daniel Doyce, which seemed to be founded, not so much on anything in Doyce’s personal character as on the mere fact of his being an originator and a man out of the beaten track of other men, suggested the idea. It might have occupied him until he went down to dinner an hour afterwards, if he had not had another question to consider, which had been in his mind so long ago as before he was in quarantine at Marseilles, and which had now returned to
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