Middlemarch by George Eliot (ebook and pdf reader TXT) 📕

“The sketch must be very grand, if it conveys so much,” said Dorothea. “I should need some explanation even of the meaning you give. Do you intend Tamburlaine to represent earthquakes and volcanoes?”

“Oh yes,” said Will, laughing, “and migrations of races and clearings of forests⁠—and America and the steam-engine. Everything you can imagine!”

“What a difficult kind of shorthand!” said Dorothea, smiling towards her husband. “It would require all your knowledge to be able to read it.”

Mr. Casaubon blinked furtively at Will. He had a suspicion that he was being laughed at. But it was not possible to include Dorothea in the suspicion.

They found Naumann painting industriously, but no model was present; his pictures were advantageously arranged, and his own plain vivacious person set off by a dove-colored blouse and a maroon velvet cap, so that everything was as fortunate as if he had expected the beautiful young English lady exactly at that time.

The painter in his confident English gave little dissertations on his finished and unfinished subjects, seeming to observe Mr. Casaubon as much as he did Dorothea. Will burst in here and there with ardent words of praise, marking out particular merits in his friend’s work; and Dorothea felt that she was getting quite new notions as to the significance of Madonnas seated under inexplicable canopied thrones with the simple country as a background, and of saints with architectural models in their hands, or knives accidentally wedged in their skulls. Some things which had seemed monstrous to her were gathering intelligibility and even a natural meaning: but all this was apparently a branch of knowledge in which Mr. Casaubon had not interested himself.

“I think I would rather feel that painting is beautiful than have to read it as an enigma; but I should learn to understand these pictures sooner than yours with the very wide meaning,” said Dorothea, speaking to Will.

“Don’t speak of my painting before Naumann,” said Will. “He will tell you, it is all pfuscherei, which is his most opprobrious word!”

“Is that true?” said Dorothea, turning her sincere eyes on Naumann, who made a slight grimace and said⁠—

“Oh, he does not mean it seriously with painting. His walk must be belles-lettres. That is wi-ide.”

Naumann’s pronunciation of the vowel seemed to stretch the word satirically. Will did not half like it, but managed to laugh: and Mr. Casaubon, while he felt some disgust at the artist’s German accent, began to entertain a little respect for his judicious severity.

The respect was not diminished when Naumann, after drawing Will aside for a moment and looking, first at a large canvas, then at Mr. Casaubon, came forward again and said⁠—

“My friend Ladislaw thinks you will pardon me, sir, if I say that a sketch of your head would be invaluable to me for the St. Thomas Aquinas in my picture there. It is too much to ask; but I so seldom see just what I want⁠—the idealistic in the real.”

“You astonish me greatly, sir,” said Mr. Casaubon, his looks improved with a glow of delight; “but if my poor physiognomy, which I have been accustomed to regard as of the commonest order, can be of any use to you in furnishing some traits for the angelical doctor, I shall feel honored. That is to say, if the operation will not be a lengthy one; and if Mrs. Casaubon will not object to the delay.”

As for Dorothea, nothing could have pleased her more, unless it had been a miraculous voice pronouncing Mr. Casaubon the wisest and worthiest among the sons of men. In that case her tottering faith would have become firm again.

Naumann’s apparatus was at hand in wonderful completeness, and the sketch went on at once as well as the conversation. Dorothea sat down and subsided into calm silence, feeling happier than she had done for a long while before. Everyone about her seemed good, and she said to herself that Rome, if she had only been less ignorant, would have been full of beauty: its sadness would have been winged with hope. No nature could be less suspicious than hers: when she was a child she believed in the gratitude of wasps and the honorable susceptibility of sparrows, and was proportionately indignant when their baseness was made manifest.

The adroit artist was asking Mr. Casaubon questions about English polities, which brought long answers, and, Will meanwhile had perched himself on some steps in the background overlooking all.

Presently Naumann said⁠—“Now if I could lay this by for half an hour and take it up again⁠—come and look, Ladislaw⁠—I think it is perfect so far.”

Will vented those adjuring interjections which imply that admiration is too strong for syntax; and Naumann said in a tone of piteous regret⁠—

“Ah⁠—now⁠—if I could but have had more⁠—but you have other engagements⁠—I could not ask it⁠—or even to come again tomorrow.”

“Oh, let us stay!” said Dorothea. “We have nothing to do today except go about, have we?” she added, looking entreatingly at Mr. Casaubon. “It would be a pity not to make the head as good as possible.”

“I am at your service, sir, in the matter,” said Mr. Casaubon, with polite condescension. “Having given up the interior of my head to idleness, it is as well that the exterior should work in this way.”

“You are unspeakably good⁠—now I am happy!” said Naumann, and then went on in German to Will, pointing here and there to the sketch as if he were considering that. Putting it aside for a moment, he looked round vaguely, as if seeking some occupation for his visitors, and afterwards turning to Mr. Casaubon, said⁠—

“Perhaps the beautiful bride, the gracious lady, would not be unwilling to let me fill up the time by trying to make a slight sketch of her⁠—not, of course, as you see, for that picture⁠—only as a single study.”

Mr. Casaubon, bowing, doubted not that Mrs. Casaubon would oblige him, and Dorothea said, at once, “Where shall I put myself?”

Naumann was all apologies in asking her to stand, and allow him to adjust her attitude, to which she submitted without any of