The Sketch-Book of Geoffrey Crayon, Gent. by Washington Irving (7 ebook reader txt) ๐
Description
Initially published throughout 1819 and 1820, The Sketch-Book is a collection of 34 essays and short stories, collected and ordered according to the Authorโs Revised Edition published in 1848. The Sketch-Book is the first publication to use Irvingโs pseudonym Geoffrey Crayon, which he would carry into later works.
The stories vary in nature, from the comical โThe Mutability of Literatureโ to the eerie and seemingly supernatural โThe Legend of Sleepy Hollow,โ but the personality of their narrator, Geoffrey Crayon, connects the stories and attracts their readers. Some stories are written on American topics, forming the need for separate American and English editions, and others consist of English life and landscape, written from the perspective of living in England for a time.
Two of the stories, โThe Legend of Sleepy Hollowโ and โRip Van Winkle,โ are Irvingโs most well-known works, and are presented as posthumous writings of fictional Dutch historian Diedrich Knickerbocker. From these stories came the iconic characters Rip Van Winkle, Ichabod Crane, and the Headless Horseman.
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- Author: Washington Irving
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While my feelings were yet alive on the subject, it was my fortune to light on further traces of Mr. Roscoe. I was riding out with a gentleman, to view the environs of Liverpool, when he turned off, through a gate, into some ornamented grounds. After riding a short distance, we came to a spacious mansion of freestone, built in the Grecian style. It was not in the purest style, yet it had an air of elegance, and the situation was delightful. A fine lawn sloped away from it, studded with clumps of trees, so disposed as to break a soft fertile country into a variety of landscapes. The Mersey was seen winding a broad quiet sheet of water through an expanse of green meadow land, while the Welsh mountains, blended with clouds, and melting into distance, bordered the horizon.
This was Roscoeโs favorite residence during the days of his prosperity. It had been the seat of elegant hospitality and literary retirement. The house was now silent and deserted. I saw the windows of the study, which looked out upon the soft scenery I have mentioned. The windows were closedโ โthe library was gone. Two or three ill-favored beings were loitering about the place, whom my fancy pictured into retainers of the law. It was like visiting some classic fountain, that had once welled its pure waters in a sacred shade, but finding it dry and dusty, with the lizard and the toad brooding over the shattered marbles.
I inquired after the fate of Mr. Roscoeโs library, which had consisted of scarce and foreign books, from many of which he had drawn the materials for his Italian histories. It had passed under the hammer of the auctioneer, and was dispersed about the country. The good people of the vicinity thronged liked wreckers to get some part of the noble vessel that had been driven on shore. Did such a scene admit of ludicrous associations, we might imagine something whimsical in this strange irruption in the regions of learning. Pigmies rummaging the armory of a giant, and contending for the possession of weapons which they could not wield. We might picture to ourselves some knot of speculators, debating with calculating brow over the quaint binding and illuminated margin of an obsolete author; of the air of intense, but baffled sagacity, with which some successful purchaser attempted to dive into the black-letter bargain he had secured.
It is a beautiful incident in the story of Mr. Roscoeโs misfortunes, and one which cannot fail to interest the studious mind, that the parting with his books seems to have touched upon his tenderest feelings, and to have been the only circumstance that could provoke the notice of his muse. The scholar only knows how dear these silent, yet eloquent, companions of pure thoughts and innocent hours become in the season of adversity. When all that is worldly turns to dross around us, these only retain their steady value. When friends grow cold, and the converse of intimates languishes into vapid civility and commonplace, these only continue the unaltered countenance of happier days, and cheer us with that true friendship which never deceived hope, nor deserted sorrow.
I do not wish to censure; but, surely, if the people of Liverpool had been properly sensible of what was due to Mr. Roscoe and themselves, his library would never have been sold. Good worldly reasons may, doubtless, be given for the circumstance, which it would be difficult to combat with others that might seem merely fanciful; but it certainly appears to me such an opportunity as seldom occurs, of cheering a noble mind struggling under misfortunes by one of the most delicate, but most expressive tokens of public sympathy. It is difficult, however, to estimate a man of genius properly who is daily before our eyes. He becomes mingled and confounded with other men. His great qualities lose their novelty; we become too familiar with the common materials which form the basis even of the loftiest character. Some of Mr. Roscoeโs townsmen may regard him merely as a man of business; others, as a politician; all find him engaged like themselves in ordinary occupations, and surpassed, perhaps, by themselves on some points of worldly wisdom. Even that amiable and unostentatious simplicity of character, which gives the nameless grace to real excellence, may cause him to be undervalued by some coarse minds, who do not know that true worth is always void of glare and pretension. But the man of letters, who speaks of Liverpool, speaks of it as the residence of Roscoe.โ โThe intelligent traveller who visits it inquires where Roscoe is to be seen. He is the literary landmark of the place, indicating its existence to the distant scholar.โ โHe is like Pompeyโs column at Alexandria, towering alone in classic dignity.
The following sonnet, addressed by Mr. Roscoe to his books, on parting with them, has already been alluded to. If anything can add effect to the
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