Mr. Standfast by John Buchan (mystery books to read .TXT) 📕
Description
Published in 1919, Mr. Standfast is a thriller set in the latter half of the First World War, and the third of John Buchan’s books to feature Richard Hannay.
Richard Hannay is called back from serving in France to take part in a secret mission: searching for a German agent. Hannay disguises himself as a pacifist and travels through England and Scotland to track down the spy at the center of a web of German agents who are leaking information about the war plans. He hopes to infiltrate and feed misinformation back to Germany. His journey takes him from Glasgow to Skye, onwards into the Swiss Alps, and on to the Western Front.
During the course of his work he’s again reunited with Peter Pienaar and John Blenkiron, who both appear in Greenmantle, as well as Sir Walter Bullivant, his Foreign Office contact from The Thirty Nine Steps.
The title of the novel comes from a character in John Bunyan’s Pilgrim’s Progress to which there are many references in the book, not least of all as a codebook which Hannay uses to decipher messages from his allies.
The book finishes with a captivating description of some of the final battles of the First World War between Britain and Germany in Eastern France.
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- Author: John Buchan
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Up on the high veld our rivers are apt to be strings of pools linked by muddy trickles—the most stagnant kind of watercourse you would look for in a day’s journey. But presently they reach the edge of the plateau and are tossed down into the flats in noble ravines, and roll thereafter in full and sounding currents to the sea. So with the story I am telling. It began in smooth reaches, as idle as a millpond; yet the day soon came when I was in the grip of a torrent, flung breathless from rock to rock by a destiny which I could not control. But for the present I was in a backwater, no less than the Garden City of Biggleswick, where Mr. Cornelius Brand, a South African gentleman visiting England on holiday, lodged in a pair of rooms in the cottage of Mr. Tancred Jimson.
The house—or “home” as they preferred to name it at Biggleswick—was one of some two hundred others which ringed a pleasant Midland common. It was badly built and oddly furnished; the bed was too short, the windows did not fit, the doors did not stay shut; but it was as clean as soap and water and scrubbing could make it. The three-quarters of an acre of garden were mainly devoted to the culture of potatoes, though under the parlour window Mrs. Jimson had a plot of sweet-smelling herbs, and lines of lank sunflowers fringed the path that led to the front door. It was Mrs. Jimson who received me as I descended from the station fly—a large red woman with hair bleached by constant exposure to weather, clad in a gown which, both in shape and material, seemed to have been modelled on a chintz curtain. She was a good kindly soul, and as proud as Punch of her house.
“We follow the simple life here, Mr. Brand,” she said. “You must take us as you find us.”
I assured her that I asked for nothing better, and as I unpacked in my fresh little bedroom with a west wind blowing in at the window I considered that I had seen worse quarters.
I had bought in London a considerable number of books, for I thought that, as I would have time on my hands, I might as well do something about my education. They were mostly English classics, whose names I knew but which I had never read, and they were all in a little flat-backed series at a shilling apiece. I arranged them on top of a chest of drawers, but I kept the Pilgrim’s Progress beside my bed, for that was one of my working tools and I had got to get it by heart.
Mrs. Jimson, who came in while I was unpacking to see if the room was to my liking, approved my taste. At our midday dinner she wanted to discuss books with me, and was so full of her own knowledge that I was able to conceal my ignorance.
“We are all labouring to express our personalities,” she informed me. “Have you found your medium, Mr. Brand? is it to be the pen or the pencil? Or perhaps it is music? You have the brow of an artist, the frontal ‘bar of Michelangelo,’ you remember!”
I told her that I concluded I would try literature, but before writing anything I would read a bit more.
It was a Saturday, so Jimson came back from town in the early afternoon. He was a managing clerk in some shipping office, but you wouldn’t have guessed it from his appearance. His city clothes were loose dark-grey flannels, a soft collar, an orange tie, and a soft black hat. His wife went down the road to meet him, and they returned hand-in-hand, swinging their arms like a couple of schoolchildren. He had a skimpy red beard streaked with grey, and mild blue eyes behind strong glasses. He was the most friendly creature in the world, full of rapid questions, and eager to make me feel one of the family. Presently he got into a tweed Norfolk jacket, and started to cultivate his garden. I took off my coat and lent him a hand, and when he stopped to rest from his labours—which was every five minutes, for he had no kind of physique—he would mop his brow and rub his spectacles and declaim about the good smell of the earth and the joy of getting close to Nature.
Once he looked at my big brown hands and muscular arms with a kind of wistfulness. “You are one of the doers, Mr. Brand,” he said, “and I could find it in my heart to envy you. You have seen Nature in wild forms in far countries. Some day I hope you will tell us about your life. I must be content with my little corner, but happily there are no territorial limits for the mind. This modest dwelling is a watchtower from which I look over all the world.”
After that he took me for a walk. We met parties of returning tennis-players and here and there a golfer. There seemed to be an abundance of young men, mostly rather weedy-looking, but with one or two well-grown ones who should have been fighting. The names of some of them Jimson mentioned with awe. An unwholesome youth was Aronson, the great novelist; a sturdy, bristling fellow with a fierce moustache was Letchford, the celebrated leader-writer of the Critic. Several were pointed out to me as artists who had gone one better than anybody else, and a vast billowy creature was described as the leader of the new Orientalism in England. I noticed
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