Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âWhat these fellows have done to others they may do to me. There is only this difference: most of the manufacturers seem paralyzed when they are attacked. Sykes, for instance, when his dressing-shop was set on fire and burned to the ground, when the cloth was torn from his tenters and left in shreds in the field, took no steps to discover or punish the miscreants: he gave up as tamely as a rabbit under the jaws of a ferret. Now I, if I know myself, should stand by my trade, my mill, and my machinery.â
âHelstone says these three are your gods; that the âOrders in Councilâ are with you another name for the seven deadly sins; that Castlereagh is your Antichrist, and the war-party his legions.â
âYes; I abhor all these things because they ruin me. They stand in my way. I cannot get on. I cannot execute my plans because of them. I see myself baffled at every turn by their untoward effects.â
âBut you are rich and thriving, Moore?â
âI am very rich in cloth I cannot sell. You should step into my warehouse yonder, and observe how it is piled to the roof with pieces. Roakes and Pearson are in the same condition. America used to be their market, but the Orders in Council have cut that off.â
Malone did not seem prepared to carry on briskly a conversation of this sort. He began to knock the heels of his boots together, and to yawn.
âAnd then to think,â continued Mr. Moore who seemed too much taken up with the current of his own thoughts to note the symptoms of his guestâs ennuiâ ââto think that these ridiculous gossips of Whinbury and Briarfield will keep pestering one about being married! As if there was nothing to be done in life but to âpay attention,â as they say, to some young lady, and then to go to church with her, and then to start on a bridal tour, and then to run through a round of visits, and then, I suppose, to be âhaving a family.â Oh, que le diable emporte!â He broke off the aspiration into which he was launching with a certain energy, and added, more calmly, âI believe women talk and think only of these things, and they naturally fancy menâs minds similarly occupied.â
âOf courseâ âof course,â assented Malone; âbut never mind them.â And he whistled, looked impatiently round, and seemed to feel a great want of something. This time Moore caught and, it appeared, comprehended his demonstrations.
âMr. Malone,â said he, âyou must require refreshment after your wet walk. I forget hospitality.â
âNot at all,â rejoined Malone; but he looked as if the right nail was at last hit on the head, nevertheless. Moore rose and opened a cupboard.
âIt is my fancy,â said he, âto have every convenience within myself, and not to be dependent on the feminity in the cottage yonder for every mouthful I eat or every drop I drink. I often spend the evening and sup here alone, and sleep with Joe Scott in the mill. Sometimes I am my own watchman. I require little sleep, and it pleases me on a fine night to wander for an hour or two with my musket about the hollow. Mr. Malone, can you cook a mutton chop?â
âTry me. Iâve done it hundreds of times at college.â
âThereâs a dishful, then, and thereâs the gridiron. Turn them quickly. You know the secret of keeping the juices in?â
âNever fear me; you shall see. Hand a knife and fork, please.â
The curate turned up his coat-cuffs, and applied himself to the cookery with vigour. The manufacturer placed on the table plates, a loaf of bread, a black bottle, and two tumblers. He then produced a small copper kettleâ âstill from the same well-stored recess, his cupboardâ âfilled it with water from a large stone jar in a corner, set it on the fire beside the hissing gridiron, got lemons, sugar, and a small china punch-bowl; but while he was brewing the punch a tap at the door called him away.
âIs it you, Sarah?â
âYes, sir. Will you come to supper, please, sir?â
âNo; I shall not be in tonight; I shall sleep in the mill. So lock the doors, and tell your mistress to go to bed.â
He returned.
âYou have your household in proper order,â observed Malone approvingly, as, with his fine face ruddy as the embers over which he bent, he assiduously turned the mutton chops. âYou are not under petticoat government, like poor Sweeting, a manâ âwhew! how the fat spits! it has burnt my handâ âdestined to be ruled by women. Now you and I, Mooreâ âthereâs a fine brown one for you, and full of gravyâ âyou and I will have no gray mares in our stables when we marry.â
âI donât know; I never think about it. If the gray mare is handsome and tractable, why not?â
âThe chops are done. Is the punch brewed?â
âThere is a glassful. Taste it. When Joe Scott and his minions return they shall have a share of this, provided they bring home the frames intact.â
Malone waxed very exultant over the supper. He laughed aloud at trifles, made bad jokes and applauded them himself, and, in short, grew unmeaningly noisy. His host, on the contrary, remained quiet as before. It is time, reader, that you should have some idea of the appearance of this same host. I must endeavour to sketch him as he sits at table.
He is what you would probably call, at first view, rather a strange-looking man; for he is thin, dark, sallow, very foreign of aspect, with shadowy hair carelessly streaking his forehead. It appears that he spends but little time at his toilet, or he would arrange it with more taste. He seems unconscious that his features are fine, that they have a southern symmetry, clearness, regularity in their chiselling; nor does a spectator become aware of this advantage till he has examined him well, for an anxious countenance and a hollow, somewhat haggard, outline of face disturb the
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