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the coming of the second frontier, which existed mainly in the imagination for nearly a century. The second frontier existed in Beard’s words and illustrations, and in the family farm, which, though already diminishing in number, continued as an important definer of American culture. Especially in the early decades of the twentieth century, the second frontier also existed in urban America; witness the creation of the great urban parks. The second frontier was a time, too, of suburban manifest destiny, when boys still imagined themselves woodsmen and scouts, and girls still yearned to live in a little house on the prairie—and sometimes built better forts than the boys.

If the first frontier was explored by the acquisitive Lewis and Clark, the second frontier was romanticized by Teddy Roosevelt. If the first frontier was the real Davy Crockett’s, the second frontier peaked with Disney’s Davy. If the first frontier was a time of struggle, the second frontier was a period of taking stock, of celebration. It brought a new politics of preservation, an immersion of Americans in the domesticated and romanticized fields and streams and woods around them.

Turner’s 1893 pronouncement found its counterpart in 1993. His statement was based on the results of the 1890 Census; the new demarcation line was drawn from the 1990 Census. Eerily, one hundred years after Turner and the U.S. Census Bureau declared the end of what we usually consider the American frontier, the bureau posted a report that marked the death of the second frontier, and the birth of a third. That year, as the Washington Post reported, in “a symbol of massive national transformation,” the federal government dropped its long-standing annual survey of farm residents. Farm population had dwindled so much—from 40 percent of U.S. households in 1900 to just 1.9 percent in 1990—that the farm resident survey was irrelevant. The 1993 report was surely as important as the census evidence that led to Turner’s obituary for the frontier. “If sweeping changes can be captured in seemingly trivial benchmarks, the decision to end the annual report is one,” reported the Post.

This new, symbolic demarcation line suggests that baby boomers—those born between 1946 and 1964—may constitute the last generation of Americans to share an intimate, familial attachment to the land and water. Many of us now in our forties or older knew farmland or forests at the suburban rim and had farm-family relatives. Even if we lived in an inner city, we likely had grandparents or other older relatives who farmed or had recently arrived from farm country during the rural-to-urban migration of the first half of the twentieth century. For today’s young people, that familial and cultural linkage to farming is disappearing, marking the end of the second frontier.

The third frontier is populated by today’s children.

Characteristics of the Third Frontier

In ways that neither Turner nor Beard could have imagined, the third frontier is shaping how the current generation, and many to come, will perceive nature.

Not yet fully formed or explored, this new frontier is characterized by at least five trends: a severance of the public and private mind from our food’s origins; a disappearing line between machines, humans, and other animals; an increasingly intellectual understanding of our relationship with other animals; the invasion of our cities by wild animals (even as urban/suburban designers replace wildness with synthetic nature); and the rise of a new kind of suburban form. Most characteristics of the third frontier can be found in other technologically advanced countries, but these changes are particularly evident in the United States (if only because of the contrast with our frontier self-image). At first glance, these characteristics may not seem to fit together logically, but revolutionary times are seldom logical or linear.

In the third frontier, Beard’s romantic images of the outdoor child seem as outdated as nineteenth-century depictions of the Knights of the Round Table. In the third frontier, heroes previously associated with the outdoors are irrelevant; the real Davy Crockett, who symbolized the first frontier, and even Disney’s Davy, from the second frontier, are gone and nearly forgotten. A generation that came of age wearing buckskin jackets and granny dresses is now raising a generation for whom all fashion—piercing, tattoos, and all the rest—is urban.

• For the young, food is from Venus; farming is from Mars

My friend Nick Raven, who lives in Puerta de Luna, New Mexico, was a farmer for several years before he became a carpenter and then a teacher at a New Mexico prison. Nick and I have fished together for years, but we are very different men. I have described him as an un-doubting nineteenth-century father; I am a doubting twenty-first-century dad. Nick believes fish should be caught and eaten; I believe that fish should be caught and, most of the time, released. Nick believes that violence is inevitable, that suffering is redemptive, and that a father must teach his children about the harshness of life by exposing them to that harshness. I believe that, as a parent, it’s my job to protect my sons from the brutality of the world for as long as I can.

In an earlier book, The Web of Life, I described the relationship that Nick and his children had to animals and food:

When Nick’s children were small and he and his family still lived on their farm down a dirt road in a valley of adobes and cottonwoods and chiles, his daughter came home one day to find her favorite goat (not a pet, really, but one that followed her around) skinned, gutted, and strung up in the barn. This was a time when Nick’s family was short on shoes, and the meat they ate was meat that Nick butchered or shot. It was a terrible moment for his daughter.

Nick insists he has no regrets, but he still talks about it. She was hurt, he says, but she knew from that moment on, and will for the rest of her life, where the meat that she eats comes from, and that meat is not

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