The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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She was therefore a judge of all that sort of thing, and lived in one of those large buildings, where in small sets of apartments, are gathered incredible quantities of Forsytes, whose chief recreation out of business hours is the discussion of each other’s affairs.
Poor little woman, perhaps she was thirsty, certainly she was bored, for Flippard was a wit. To see “those two” in so unlikely a spot was quite a merciful pick-me-up.
At the MacAnder, like all London, Time pauses.
This small but remarkable woman merits attention; her all-seeing eye and shrewd tongue were inscrutably the means of furthering the ends of Providence.
With an air of being in at the death, she had an almost distressing power of taking care of herself. She had done more, perhaps, in her way than any woman about town to destroy the sense of chivalry which still clogs the wheel of civilization. So smart she was, and spoken of endearingly as “the little MacAnder!”
Dressing tightly and well, she belonged to a Woman’s Club, but was by no means the neurotic and dismal type of member who was always thinking of her rights. She took her rights unconsciously, they came natural to her, and she knew exactly how to make the most of them without exciting anything but admiration amongst that great class to whom she was affiliated, not precisely perhaps by manner, but by birth, breeding, and the true, the secret gauge, a sense of property.
The daughter of a Bedfordshire solicitor, by the daughter of a clergyman, she had never, through all the painful experience of being married to a very mild painter with a cranky love of Nature, who had deserted her for an actress, lost touch with the requirements, beliefs, and inner feeling of Society; and, on attaining her liberty, she placed herself without effort in the very van of Forsyteism.
Always in good spirits, and “full of information,” she was universally welcomed. She excited neither surprise nor disapprobation when encountered on the Rhine or at Zermatt, either alone, or travelling with a lady and two gentlemen; it was felt that she was perfectly capable of taking care of herself; and the hearts of all Forsytes warmed to that wonderful instinct, which enabled her to enjoy everything without giving anything away. It was generally felt that to such women as Mrs. MacAnder should we look for the perpetuation and increase of our best type of woman. She had never had any children.
If there was one thing more than another that she could not stand it was one of those soft women with what men called “charm” about them, and for Mrs. Soames she always had an especial dislike.
Obscurely, no doubt, she felt that if charm were once admitted as the criterion, smartness and capability must go to the wall; and she hated—with a hatred the deeper that at times this so-called charm seemed to disturb all calculations—the subtle seductiveness which she could not altogether overlook in Irene.
She said, however, that she could see nothing in the woman—there was no “go” about her—she would never be able to stand up for herself—anyone could take advantage of her, that was plain—she could not see in fact what men found to admire!
She was not really ill-natured, but, in maintaining her position after the trying circumstances of her married life, she had found it so necessary to be “full of information,” that the idea of holding her tongue about “those two” in the Park never occurred to her.
And it so happened that she was dining that very evening at Timothy’s, where she went sometimes to “cheer the old things up,” as she was wont to put it. The same people were always asked to meet her: Winifred Dartie and her husband; Francie, because she belonged to the artistic circles, for Mrs. MacAnder was known to contribute articles on dress to The Ladies Kingdom Come, and for her to flirt with, provided they could be obtained, two of the Hayman boys, who, though they never said anything, were believed to be fast and thoroughly intimate with all that was latest in smart Society.
At twenty-five minutes past seven she turned out the electric light in her little hall, and wrapped in her opera cloak with the chinchilla collar, came out into the corridor, pausing a moment to make sure she had her latchkey. These little self-contained flats were convenient; to be sure, she had no light and no air, but she could shut it up whenever she liked and go away. There was no bother with servants, and she never felt tied as she used to when poor, dear Fred was always about, in his mooney way. She retained no rancour against poor, dear Fred, he was such a fool; but the thought of that actress drew from her, even now, a little, bitter, derisive smile.
Firmly snapping the door to, she crossed the corridor, with its gloomy, yellow-ochre walls, and its infinite vista of brown, numbered doors. The lift was going down; and wrapped to the ears in the high cloak, with every one of her auburn hairs in its place, she waited motionless for it to stop at her floor. The iron gates clanked open; she entered. There were already three occupants, a man in a great white waistcoat, with a large, smooth face like a baby’s, and two old ladies in black, with mittened hands.
Mrs. MacAnder smiled at them; she knew everybody; and all these three, who had been admirably silent before, began to talk at once. This was Mrs. MacAnder’s successful secret. She provoked conversation.
Throughout a descent of five stories the conversation continued, the lift boy standing with his back turned, his cynical face protruding through the bars.
At the bottom they separated, the man in the white waistcoat sentimentally to
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