The Slaves of Paris by Émile Gaboriau (good book recommendations .txt) 📕
Description
In this, Gaboriau’s penultimate Lecoq novel, Lecoq doesn’t make an appearance until the last few chapters of the book. In fact, the protagonists’ identity remains unclear until almost halfway through. They’re not missed, though, because the antagonists are a group of blackmailers of exhaustive ingenuity and knowledge, and piecing together the game they’re playing with several noblemen and women occupies all of one’s faculties for most of the book.
Young love, old love, forbidden love, lost love, along with a couple of missing individuals: what is the blackmailers’ endgame? Will Lecoq be able to figure it out in time? Called “French sensational” in its day, Lecoq’s last case is still sensational today.
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- Author: Émile Gaboriau
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“But father—”
“There is no use in crying; my lawyer has the matter in hand, and by nightfall your Zora will be securely caged.”
This blow was so cruel and unexpected, that the young man could only repeat—
“Zora in prison!”
“Yes, in the House of Correction, and from thence to Saint Lazare. Catenac told me the very things to be done.”
“Shameful!” exclaimed Gaston, “Zora in prison! Why, I and my friends will lay siege to the place. I will go to the Court, stand by her side, and depose that this all comes from your devilish malignity. I will say that I love and esteem her, and that as soon as I am of age I will marry her; the papers will write about us. Go on, go on; I rather like the idea.”
However great a man’s self-control may be, it has its limits. M. Gandelu had restrained himself even while he told his son of his villainous conduct; but these revolting threats were more than he could endure, and André seeing this, stepped forward, opened the door, and thrust the foolish youth into the corridor.
“What have you done” cried the contractor; “do you not see that he will go and warn that vile creature, and that she will escape from justice?”
And as André, fearing he knew not what, tried to restrain him, the old man, exerting all his muscular strength, thrust him on one side with perfect ease, and rushed from the room, calling loudly to his servants.
André was horrified at the scene at which, in spite of himself, he had been compelled to assist as a witness. He was not a fool, and had lived too much in the world of art not to have witnessed many strange scenes and met with many dissolute characters; but, as a rule, the follies of the world had amused rather than disgusted him. But this display of want of feeling on the part of a son toward a father absolutely chilled his blood. In a few minutes M. Gandelu appeared with a calmer expression upon his face.
“I will tell you how matters now stand,” said he, in a voice that quivered in spite of his efforts. “My son is locked up in his room, and a trustworthy servant whom he cannot corrupt has mounted guard over him.”
“Do you not fear, sir, that in his excitement and anger he may—?”
The contractor shrugged his shoulders.
“You do not know him,” answered he, “if you imagine that he resembles me in any way. What do you think that he is doing now? Lying on his bed, face downward, yelling for his Zora. Zora, indeed! As if that was a name fit for a Christian. How is it that these creatures are enabled to drug our boys and lead them anywhere? Had his mother not been a saint on earth, I should scarcely believe that he was my son.”
The contractor sank into a chair and buried his face in his hands.
“You are in pain, sir?” said André.
“Yes; my heart is deeply wounded. Up to this time I have only felt as a father; now I feel as a man. Tomorrow I send for my family and consult with them; and I shall advertise that for the future I will not be responsible for any debts that my son may contract. He shall not have a penny, and will soon learn how society treats a man with empty pockets. As to the girl, she will disappear in double quick time. I have thoroughly weighed the consequences of sending this girl to gaol, and they are very terrible. My son will do as he has threatened, I am sure of that; and I can picture him tied to that infamous creature for life, looking into her face, and telling her that he adores her, and glorying in his dishonor, which will be repeated by every Parisian newspaper.”
“But is there no other way of proceeding?” asked André.
“No, none whatever. If all modern fathers had my courage, we should not have so many profligate sons. It is impossible that this conferring with the doctor and the moneylender could have originated in my son’s weak brain. He is a mere child, and someone must have put him up to it.”
The poor father was already seeking for some excuse for the son’s conduct.
“I must not dwell on this longer,” continued Gandelu, “or I shall get as mad as I was before. I will look at your plans another day. Now, let us get out of the house. Come and look at the new building in the Champs Élysées.”
The mansion in question was situated at the corner of the Rue de Chantilly, near the Avenue des Champs Élysées, and the frontage of it was still marked by scaffolding, so that but little of it could be seen. A dozen workmen, engaged by André, were lounging about. They had expected to see him early, and were surprised at his nonappearance, as he was usually punctuality itself. André greeted them in a friendly manner, but M. Gandelu, though he was always on friendly terms with his workmen, passed by them as if he did not even notice their existence. He walked through the different rooms and examined them carelessly, without seeming to take any interest in them, for his thoughts were with his son—his only son.
After a short time he returned to André.
“I cannot stay longer,” said he; “I am not feeling well; I will be here tomorrow;” and he went away with his head bent down on his chest.
The workmen noticed his strange and unusual manner.
“He does not look very bright,” remarked one to his comrade. “Since his illness he has not been the same man. I think he must have had some terrible shock.”
XXIV An Artful TrickAndré had removed his coat and donned his blouse, the sleeves of which were rolled up
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