The Black Opal by Katharine Susannah Prichard (english novels to improve english TXT) 📕
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Katharine Susannah Prichard was born in 1883 to Australian parents then living in Fiji, but she grew up in Tasmania, lived for a while in both Melbourne and London before finally settling in Western Australia. She was one of the co-founders of the Communist Party of Australia in 1921, and her status as a communist and a female writer led to her being frequently under surveillance and harassment by the Australian police and other government authorities.
She wrote The Black Opal in 1921, and the novel focuses on the very close-knit opal-mining community living and working on Fallen Star Ridge, a fictitious location set in New South Wales, Australia. Life is hard for the miners as their fortunes rise and fall with the amounts and quality of black opal they can uncover. Black opal is a beautiful mineral with fiery gleams of color, much valued for jewelry. Finding productive seams of such opal is a matter of both hard work and good luck.
The novel is a well-drawn study of the relationships of the people living on the Ridge, and the two main characters are portrayed with clarity: Michael Brady, an older man much respected by the other miners for this knowledge and ethical approach, and Sophie Rouminof, a beautiful teenage girl who is the darling of the camp but who abruptly runs away to America after being disappointed in love.
Despite the difficulties the individual miners face, there is a community spirit and an agreement on basic values and principles of behavior at the Ridge. But this community of shared endeavor is eventually jeopardized by the influence of outsiders, in particular an American who wishes to buy up the individual mines, operate them under a company structure, and simply pay the miners a salary. This conflict between capitalism and honest manual labour becomes one of the most important themes of the work.
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- Author: Katharine Susannah Prichard
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“Shut up,” he yelled, “shut up, or—”
The doorway darkened. Potch saw Charley’s face light with an expression of curious satisfaction and triumph. He turned and discovered that Michael was standing in the doorway. Irresolute and flinching, he stood there gazing at Charley, a strange expression of fear and loathing in his eyes.
“You can clear out now, son,” Charley remarked, putting an emphasis on the “son” calculated to enrage Potch. “I want to talk to Michael.”
Potch looked at Michael. It was his intention to stand by Michael if, and for as long as, Michael needed him.
“It’s all right, Potch,” Michael said; but his eyes did not go to Potch’s as they usually did. There was a strange, grave quality of aloofness about Michael. Potch hesitated, studying his face; but Michael dismissed him with a glance, and Potch went out of the hut.
XIVThe sky was like a great shallow basin turned over the plains. No tree or rising ground broke the perfect circle of its fall over the earth; only in the distance, on the edge of the bowl, a fringe of trees drew a blurred line between earth and sky.
Potch and Sophie lay out on the plains, on their backs in the dried herbage, watching the sunset—the play of light on the wide sweep of the sky—silently, as if they were listening to great music.
They had been married some days before in Budda township, and were living in Potch’s hut.
Sophie and Potch had often wandered over the plains in the evening and watched the sunset; but never before had they come to the sense of understanding and completeness they attained this evening. The days had been long and peaceful since they were living together, an anodyne to Sophie, soothing all the restless turmoil of her soul and body. She had ceased to desire happiness; she was grateful for this lull of all her powers of sense and thought, and eager to love and to serve Potch as he did her. She believed her life had found its haven; that if she kept in tune with the fundamentals of love and service, she could maintain a consciousness of peace and rightness with the world which would make living something more than a weary longing for death.
All the days were holy days to Potch since Sophie and he had been married. He looked at her as if she were Undine making toast and tea, cooking, washing dishes, or sweeping and tidying up his hut. He followed her every movement with a worshipful, reverent gaze.
Soon after Sophie’s return, Potch had gone to live in the hut which he and his father had occupied in the old days. He had put a veranda of boughs to the front of it, and had washed the roof and walls with carbide to lessen the heat in summer. He had turned out the rooms and put up shelves, trying to furnish the place a little for Sophie; but she had not wanted it altered at all. She had cleared the cupboard, put clean paper on the shelves, and had arranged Potch’s books on them herself.
Sophie loved the austerity of her home when she went to live in it—its earthen floor, bare walls, unvarnished furniture, the couch under the window, the curtains of unbleached linen she had hemstitched herself, the row of shining syrup-tins in which she kept tea, sugar, and coffee on shelves near the fireplace, the big earthenware jar for flowers, and a couple of jugs which Snowshoes had made for her and baked in an oven of his own contrivance. She had a quiet satisfaction in doing all the cleaning up and tidying to keep her house in the order she liked, so that her eyes could rest on any part of it and take pleasure from the sense of beauty in ordinary and commonplace things.
But the hut was small and its arrangements so simple that an hour or two after Potch had gone to the mines Sophie went to the shed into which he had moved her cutting-wheel, and busied herself facing and polishing the stones which some of the men brought her as usual. She knew her work pleased them. She was as skilful at showing a stone to all its advantage as any cutter on the Ridge, and nothing delighted her more than when Watty or George or one of the Crosses exclaimed with satisfaction at a piece of work she had done.
In the afternoon sometimes she went down to the New Town to talk with Maggie Grant, Mrs. Woods, or Martha. She was understudying Martha, too, when anyone was sick in the town, and needed nursing or a helping hand. Martha had her hands full when Mrs. Ted Cross’s fourth baby was born. There were five babies in the township at the time, and Sophie went to Crosses’ every morning to fix up the house and look after the children and Mrs. Ted before Martha arrived. When Martha found the Crosses’ washing gaily flapping on the line one morning towards midday, she protested in her own vigorous fashion.
“I ain’t going to have you blackleggin’ on me, Mrs. Heathfield,” she said. “And what’s more, if I find you doin’ it again, I’ll tell Potch. It’s all right for me to be goin’ round doing other people’s odd jobs; but I don’t hold with you doin’ ’em—so there! If folks wants babies, well, it’s their lookout—and mine. But I don’t see what you’ve got to do with it, coming round makin’ your hands look anyhow.”
“You just sit down, and I’ll make you a cup of tea, Mother M’Cready,” Sophie said by way of reply, and gently pushed Martha into the most comfortable chair in the room. “You look done up … and you’re going on to see Ella and Mrs. Inglewood, I suppose.”
Martha nodded. She watched Sophie with troubled, loving eyes. She was really very tired, and glad to be able to sit and rest for
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