Villette by Charlotte Brontë (free e reader .TXT) 📕
Description
Charlotte Brontë’s last novel, Villette, is thought to be most closely modelled on her own experiences teaching in a pensionnat in Brussels, the place on which the fictional town of Villette is based. In the novel, first published in 1853, we follow the protagonist Lucy Snowe from the time she is fourteen and lives with her godmother in rural England, through her family tragedies and departure for the town of Villette where she finds work at a French boarding school. People from her past reappear in dramatic ways, she makes new connections, and she learns the stories and secrets of the people around her. Through it all, the reader is made privy to Lucy’s thoughts, feelings, and journey of self-discovery.
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- Author: Charlotte Brontë
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“Mrs. Cholmondeley is there with a very grand party. Yes, Ginevra was in her train, and Mrs. Cholmondeley was in Lady ⸻’s train, who was in the Queen’s train. If this were not one of the compact little minor European courts, whose very formalities are little more imposing than familiarities, and whose gala grandeur is but homeliness in Sunday array, it would sound all very fine.”
“Ginevra saw you, I think?”
“So do I think so. I have had my eye on her several times since you withdrew yours; and I have had the honour of witnessing a little spectacle which you were spared.”
I did not ask what; I waited voluntary information, which was presently given.
“Miss Fanshawe,” he said, “has a companion with her—a lady of rank. I happen to know Lady Sara by sight; her noble mother has called me in professionally. She is a proud girl, but not in the least insolent, and I doubt whether Ginevra will have gained ground in her estimation by making a butt of her neighbours.”
“What neighbours?”
“Merely myself and my mother. As to me it is all very natural: nothing, I suppose, can be fairer game than the young bourgeois doctor; but my mother! I never saw her ridiculed before. Do you know, the curling lip, and sarcastically levelled glass thus directed, gave me a most curious sensation?”
“Think nothing of it, Dr. John; it is not worth while. If Ginevra were in a giddy mood, as she is eminently tonight, she would make no scruple of laughing at that mild, pensive Queen, or that melancholy King. She is not actuated by malevolence, but sheer, heedless folly. To a featherbrained schoolgirl nothing is sacred.”
“But you forget; I have not been accustomed to look on Miss Fanshawe in the light of a featherbrained schoolgirl. Was she not my divinity—the angel of my career?”
“Hem! There was your mistake.”
“To speak the honest truth, without any false rant or assumed romance, there actually was a moment, six months ago, when I thought her divine. Do you remember our conversation about the presents? I was not quite open with you in discussing that subject; the warmth with which you took it up amused me. By way of having the full benefit of your lights, I allowed you to think me more in the dark than I really was. It was that test of the presents which first proved Ginevra mortal. Still her beauty retained its fascination; three days—three hours ago, I was very much her slave. As she passed me tonight, triumphant in beauty, my emotions did her homage; but for one luckless sneer, I should yet be the humblest of her servants. She might have scoffed at me, and, while wounding, she would not soon have alienated me through myself, she could not in ten years have done what, in a moment, she has done through my mother.”
He held his peace awhile. Never before had I seen so much fire, and so little sunshine in Dr. John’s blue eye as just now.
“Lucy,” he recommenced, “look well at my mother, and say, without fear or favour, in what light she now appears to you.”
“As she always does—an English, middle-class gentlewoman; well, though gravely dressed, habitually independent of pretence, constitutionally composed and cheerful.”
“So she seems to me—bless her! The merry may laugh with mamma, but the weak only will laugh at her. She shall not be ridiculed, with my consent, at least; nor without my—my scorn—my antipathy—my—”
He stopped, and it was time—for he was getting excited—more it seemed than the occasion warranted. I did not then know that he had witnessed double cause for dissatisfaction with Miss Fanshawe. The glow of his complexion, the expansion of his nostril, the bold curve which disdain gave his well-cut under lip, showed him in a new and striking phase. Yet the rare passion of the constitutionally suave and serene, is not a pleasant spectacle; nor did I like the sort of vindictive thrill which passed through his strong young frame.
“Do I frighten you, Lucy?” he asked.
“I cannot tell why you are so very angry.”
“For this reason,” he muttered in my ear. “Ginevra is neither a pure angel, nor a pure-minded woman.”
“Nonsense! you exaggerate: she has no great harm in her.”
“Too much for me. I can see where you are blind. Now dismiss the subject. Let me amuse myself by teasing mamma: I will assert that she is flagging. Mamma, pray rouse yourself.”
“John, I will certainly rouse you if you are not better conducted. Will you and Lucy be silent, that I may hear the singing?”
They were then thundering in a chorus, under cover of which all the previous dialogue had taken place.
“You hear the singing, mamma! Now, I will wager my studs, which are genuine, against your paste brooch—”
“My paste brooch, Graham? Profane boy! you know that it is a stone of value.”
“Oh! that is one of your superstitions: you were cheated in the business.”
“I am cheated in fewer things than you imagine. How do you happen to be acquainted with young ladies of the court, John? I have observed two of them pay you no small attention during the last half-hour.”
“I wish you would not observe them.”
“Why not? Because one of them satirically levels her eyeglass at me? She is a pretty, silly girl; but are you apprehensive that her titter will discomfit the old lady?”
“The sensible, admirable old lady! Mother, you are better to me than ten wives yet.”
“Don’t be demonstrative, John, or I shall faint, and you will have to carry me out; and if that burden were laid upon you, you would reverse your last speech, and exclaim, ‘Mother, ten wives could hardly be worse to me than you are!’ ”
The concert over, the Lottery au bénéfice des pauvres came next: the interval between was one of general relaxation, and the pleasantest imaginable stir and commotion. The white flock was cleared from the platform; a busy throng of gentlemen crowded it instead, making arrangements for the drawing; and amongst these—the
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