The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“It’s not such a good programme as last week’s,” he said.
Again she half turned her face to him, and her clear, bright eyes, bright like shallow water, filled with light, frightened, yet involuntarily lighting and shaking with response.
“Oh, isn’t it! I wasn’t able to come last week.”
He noted the common accent. It pleased him. He knew what class she came of. Probably she was a warehouse-lass. He was glad she was a common girl.
He proceeded to tell her about the last week’s programme. She answered at random, very confusedly. The colour burned in her cheek. Yet she always answered him. The girl on the other side sat remotely, obviously silent. He ignored her. All his address was for his own girl, with her bright, shallow eyes and her vulnerably opened mouth.
The talk went on, meaningless and random on her part, quite deliberate and purposive on his. It was a pleasure to him to make this conversation, an activity pleasant as a fine game of chance and skill. He was very quiet and pleasant-humoured, but so full of strength. She fluttered beside his steady pressure of warmth and his surety.
He saw the performance drawing to a close. His senses were alert and wilful. He would press his advantages. He followed her and her plain friend down the stairs to the street. It was raining.
“It’s a nasty night,” he said. “Shall you come and have a drink of something—a cup of coffee—it’s early yet.”
“Oh, I don’t think so,” she said, looking away into the night.
“I wish you would,” he said, putting himself as it were at her mercy. There was a moment’s pause.
“Come to Rollins?” he said.
“No—not there.”
“To Carson’s, then?”
There was a silence. The other girl hung on. The man was the centre of positive force.
“Will your friend come as well?”
There was another moment of silence, while the other girl felt her ground.
“No, thanks,” she said. “I’ve promised to meet a friend.”
“Another time, then?” he said.
“Oh, thanks,” she replied, very awkward.
“Good night,” he said.
“See you later,” said his girl to her friend.
“Where?” said the friend.
“You know, Gertie,” replied his girl.
“All right, Jennie.”
The friend was gone into the darkness. He turned with his girl to the teashop. They talked all the time. He made his sentences in sheer, almost muscular pleasure of exercising himself with her. He was looking at her all the time, perceiving her, appreciating her, finding her out, gratifying himself with her. He could see distinct attractions in her; her eyebrows, with their particular curve, gave him keen aesthetic pleasure. Later on he would see her bright, pellucid eyes, like shallow water, and know those. And there remained the open, exposed mouth, red and vulnerable. That he reserved as yet. And all the while his eyes were on the girl, estimating and handling with pleasure her young softness. About the girl herself, who or what she was, he cared nothing, he was quite unaware that she was anybody. She was just the sensual object of his attention.
“Shall we go, then?” he said.
She rose in silence, as if acting without a mind, merely physically. He seemed to hold her in his will. Outside it was still raining.
“Let’s have a walk,” he said. “I don’t mind the rain, do you?”
“No, I don’t mind it,” she said.
He was alert in every sense and fibre, and yet quite sure and steady, and lit up, as if transfused. He had a free sensation of walking in his own darkness, not in anybody else’s world at all. He was purely a world to himself, he had nothing to do with any general consciousness. Just his own senses were supreme. All the rest was external, insignificant, leaving him alone with this girl whom he wanted to absorb, whose properties he wanted to absorb into his own senses. He did not care about her, except that he wanted to overcome her resistance, to have her in his power, fully and exhaustively to enjoy her.
They turned into the dark streets. He held her umbrella over her, and put his arm round her. She walked as if she were unaware. But gradually, as he walked, he drew her a little closer, into the movement of his side and hip. She fitted in there very well. It was a real good fit, to walk with her like this. It made him exquisitely aware of his own muscular self. And his hand that grasped her side felt one curve of her, and it seemed like a new creation to him, a reality, an absolute, an existing tangible beauty of the absolute. It was like a star. Everything in him was absorbed in the sensual delight of this one small, firm curve in her body, that his hand, and his whole being, had lighted upon.
He led her into the Park, where it was almost dark. He noticed a corner between two walls, under a great overhanging bush of ivy.
“Let us stand here a minute,” he said.
He put down the umbrella, and followed her into the corner, retreating out of the rain. He needed no eyes to see. All he wanted was to know through touch. She was like a piece of palpable darkness. He found her in the darkness, put his arms round her and his hands upon her. She was silent and inscrutable. But he did not want to know anything about her, he only wanted to discover her. And through her clothing, what absolute beauty he touched.
“Take your hat off,” he said.
Silently, obediently, she shook off her hat and gave herself to his arms again. He liked her—he liked the feel of her—he wanted to know her more closely. He let his fingers subtly seek out her cheek and neck. What amazing beauty and pleasure, in the dark! His fingers had often touched Anna on the face and neck like that. What matter! It was one man who touched Anna, another who now touched
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