Short Fiction by Leonid Andreyev (fastest ebook reader TXT) 📕
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Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyev’s writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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The whole street was thronged with people; the villagers trampled through the liquid mud formed by water that had been spilled in fighting the blaze, they were conversing loudly and in agitation, peering intently into one another’s faces, as though failing to recognize immediately their neighbors’ familiar faces and voices. The village herd had been meanwhile driven in from the fields, and the animals were straying about forlorn and excited. The cows were lowing, the sheep stared ahead with immobile, glassy, bulging eyes, and distractedly rubbed against the legs of people, or startled into an unreasoning panic madly rushed from place to place pattering with their hoofs over the ground. The village women tried to chase them home, and all over the village was heard their monotonous summons “kit-kit-kit.” And these dark figures, with their dark bronze-like faces, this queer and monotonous calling of sheep, the sight of these human beings and helpless animals fused into one mass by a common, primal sense of fear created the impression of something chaotic and primordial.
It had been a windless day, and the priest’s house was the only one consumed by the blaze. It was said that the fire had started in a room where the drunken Popadya had lain down to rest, and that it had been caused by a burning cigarette or a carelessly thrown match. All the villagers were in the fields at the time, and the rescuers succeeded in saving the idiot who was badly frightened but unhurt, while the Popadya herself was discovered in a horribly burnt condition and was dragged out unconscious, though still alive. When Father Vassily who had come galloping with his cart received the report of the disaster, the villagers were prepared to witness an outburst of grief and tears, but they were astounded: he had stretched out his neck in the attitude of listening with concentrated attention, his lips were tightly compressed, and to judge from his appearance it seemed as though he had been fully apprized of the happenings and was now merely trying to check up the report; as though in that brief mad hour, while with his locks fluttering in the breeze, with his gaze riveted to the column of smoke and fire, he stood on his cart and urged on his horse to a frenzied gallop, he had divined everything: that it had been ordained that a fire should occur and that his wife and all he owned should perish, while the idiot and the little girl Nastya should be saved and remain alive.
For a moment he stood still with downcast eyes, then he threw back his head and resolutely made his way through the crowd, straight to the deacon’s house where the dying Popadya had found shelter.
“Where is she?” he loudly asked of the silent people within. And silently they showed him. He came close to her bedside, bent low over the shapeless feebly groaning mass and seeing one great white blister which had taken the place of the face once cherished and beloved, he shrank back in horror and covered his face with his hands.
The Popadya was in a flutter; doubtless she had regained consciousness and was trying to say something, but instead of words she emitted a hoarse and inarticulate bark. Father Vassily withdrew his hands from his face; not the faintest trace of a tear was to be seen thereon; it was inspired and austere like the countenance of a prophet. And when he spoke, with the loud articulation of one addressing a deaf person, his voice rang with an unshakeable and terrible faith. There was in it nothing human, vacillating or based on self-strength; thus could speak only he who had felt the unfathomable and awful nearness of God.
“In the name of God—hearest thou me?” he exclaimed. “I am here, Nastya, I am near thee. And the children are here. Here is Vassily. Here is Nastya.”
From the immobile and terrible face of the Popadya it could not be gathered whether she had heard or not. And raising his voice to a higher pitch Father Vassily once more addressed himself to the shapeless mass of charred flesh:
“Forgive me, Nastya. For I have destroyed thee, and thou wast not to blame. Forgive me—my one—and—only love. And bless the children in thy heart. Here they are: here is Nastya, here is Vassily. Bless them and depart in peace. Have no fear of death. God hath pardoned thee. God loveth thee. He will give thee rest. Depart in peace. There wilt thou see Vassya. Depart thou in peace.”
Everyone had now withdrawn with tearful eyes, and the idiot who had fallen asleep, was taken away. Father Vassily remained alone with the dying woman, to spend with her that last fleeting summer night the coming of which she had so dreaded. He knelt down, pillowed his head near the dying woman, and with the faint and dreadful odor of burnt human flesh in his nostrils, he shed
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