Growth of the Soil by Knut Hamsun (chromebook ebook reader txt) 📕
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Growth of the Soil was published in 1917 to universal acclaim. A mid- to late-career work for Hamsun, it was celebrated for its then-revolutionary use of literary techniques like stream of consciousness, and for its unadorned depiction of pastoral life. Its focus on the quotidian lives of everyday people has led scholars to classify it as a novel of Norwegian New Realism.
Isak, a man so strong and so simple that he echoes a primitive, foundational “everyman,” finds an empty plot of land in turn-of-the-century Norway, and builds a small home. He soon attracts a wife, Inger, whose harelip has led her to be ostracized from town life but who is nonetheless a hard and conscientious worker. Together the two earthy beings build a farm and a family, and watch as society and civilization grows and develops around them.
Isak and Inger’s toils sometimes bring them up against the burgeoning modernity around them, but curiously, the novel is not one driven by a traditional conflict-oriented plot. Instead, the steady progression of life on the farm, with its ups and downs, its trials and joys, makes the people and their growth the novel’s main propellant. While the humble, homespun protagonists occasionally come into conflict with the awe-inspiring forces of civilization, more often than not, those forces are portrayed as positive and symbiotic companions to the agrarian lifestyle.
Hamsun was awarded the Nobel Prize in Literature in 1920 for Growth of the Soil, one of the rare instances in which the Nobel committee awarded a prize for a specific novel, and not a body of work. It has since come to be regarded as a classic of modernist, and Norwegian, literature.
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- Author: Knut Hamsun
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“You’d better say no more,” says Axel warningly. “You know well enough you left me there and hoping I’d never rise again.”
Oline sees her way now; Brede must not be allowed to interfere. She must be indispensable, nothing can come between her and Axel that could make him less completely indebted to herself. She had saved him, she alone. And she waves Brede aside; will not even let him carry the ax or the basket of food. Oh, for the moment she is all on Axel’s side—but next time she comes to Brede and sits talking to him over a cup of coffee, she will be on his.
“Let me carry the ax and things, anyway,” says Brede.
“Nay,” says Oline, speaking for Axel. “He’ll take them himself.”
And Brede goes on again: “You might have called to me, anyway; we’re not so deadly enemies that you couldn’t say a word to a man?—You did call? Well, you might have shouted then, so a man could hear. Blowing a gale and all. … Leastways, you might have waved a hand.”
“I’d no hand to wave,” answers Axel. “You saw how ’twas with me, shut down and locked in all ways.”
“Nay, that I’ll swear I didn’t. Well, I never heard. Here, let me carry those things.”
Oline puts in: “Leave him alone. He’s hurt and poorly.”
But Axel’s mind is getting to work again now. He has heard of Oline before, and understands it will be a costly thing for him, and a plague besides, if she can claim to have saved his life all by herself. Better to share between them as far as may be. And he lets Brede take the basket and the tools; ay, he lets it be understood that this is a relief, that it eases him to get rid of it. But Oline will not have it, she snatches away the basket, she and no other will carry what’s to be carried there. Sly simplicity at war on every side. Axel is left for a moment without support, and Brede has to drop the basket and hold him, though Axel can stand by himself now, it seems.
Then they go on a bit that way, Brede holding Axel’s arm, and Oline carrying the things. Carrying, carrying, full of bitterness and flashing fire; a miserable part indeed, to carry a basket instead of leading a helpless man. What did Brede want coming that way at all—devil of a man!
“Brede,” says she, “what’s it they’re saying, you’ve sold your place and all?”
“And who’s it wants to know?” says Brede boldly.
“Why, as to that, I’d never thought ’twas any secret not to be known.”
“Why didn’t you come to the sale, then, and bid with the rest?”
“Me—ay, ’tis like you to make a jest of poor folk.”
“Well, and I thought ’twas you had grown rich and grand. Wasn’t it you had left you old Sivert’s chest and all his money in? He he he!”
Oline was not pleased, not softened at being minded of that legacy. “Ay, old Sivert, he’d a kindly thought for me, and I’ll not say otherwise. But once he was dead and gone, ’twas little they left after him in worldly goods. And you know yourself how ’tis to be stripped of all, and live under other man’s roof; but old Sivert he’s in palaces and mansions now, and the likes of you and me are left on earth to be spurned underfoot.”
“Ho, you and your talk!” says Brede scornfully, and turns to Axel: “Well, I’m glad I came in time—help you back home. Not going too fast, eh?”
“No.”
Talk to Oline, stand up and argue with Oline! Was never a man could do it but to his cost. Never in life would she give in, and never her match for turning and twisting heaven and earth to a medley of seeming kindness and malice, poison and senseless words. This to her face now: Brede making as if ’twas himself was bringing Axel home!
“What I was going to say,” she begins: “They gentlemen came up to Sellanraa that time; did you ever get to show them all those sacks of stone you’d got, eh, Brede?”
“Axel,” says Brede, “let me hoist you on my shoulders, and I’ll carry you down rest of the way.”
“Nay,” says Axel. “For all it’s good of you to ask.”
So they go on; not far now to go. Oline must make the best of her time on the way. “Better if you’d saved him at the point of death,” says she. “And how was it, Brede, you coming by and seeing him in deadly peril and heard his cry and never stopped to help?”
“You hold your tongue,” says Brede.
And it might have been easier for her if she had, wading deep in snow and out of breath, and a heavy burden and all, but ’twas not Oline’s way to hold her tongue. She’d a bit in reserve, a dainty morsel. Ho, ’twas a dangerous thing to talk of, but she dared it.
“There’s Barbro now,” says she. “And how’s it with her? Not run off and away, perhaps?”
“Ay, she has,” answers Brede carelessly. “And left a place for you for the winter by the same.”
But here was a first-rate opening for Oline again; she could let it be seen now what a personage she was; how none could manage long without Oline—Oline, that had to be sent for near or far. She might have been two places, ay, three, for that matter. There was the parsonage—they’d have been glad to have her there, too. And here was another thing—ay, let Axel hear it too, ’twould do no harm—they’d offered her so-and-so much for the winter, not to speak of a new pair of shoes and a sheepskin into the bargain. But she knew what she was doing, coming to Maaneland, coming to a man that was lordly to give and
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