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hospitalities, by assuming an air of abstraction or sullenness. Her temper was gay, and her conversation lively without levity; for her ideas were dignified, and her expressions select. Nothing could exceed her wit, accompanied by a peculiarly fine turn of thought. Aurora appeared as much to be delighted as myself. They became sworn friends, and mutually engaged in a regular correspondence. As our carriage could not be repaired till the following day, and we should have encountered some perils by setting out late at night, it was determined that we should take up our abode at the castle till the damage was made good. All the arrangements were in the first style of elegance, and our lodgings were correspondent to the magnificence of the establishment in other respects.

The day after, my mistress discovered new charms in Elvira’s conversation. They dined in a large hall, where there were several pictures. One among the rest was distinguished for its admirable execution, but the subject was highly tragic. A principal figure was a man of superior mien, lying lifeless on his back, and bathed in his own blood; yet in the very embraces of death he wore a menacing aspect. At a little distance from him you might see a young lady in different posture, though stretched likewise on the ground. She had a sword plunged in her bosom, and was giving up her last sighs, at the same time casting her dying glances at a young man who seemed to suffer a mortal pang at losing her. The painter had besides charged his picture with a figure which did not escape my notice. It was an old man of a venerable physiognomy, sensibly touched with the objects which struck his sight, and equally alive with the young man to the impressions of the melancholy scene. It might be said that these images of blood and desolation affected both the spectators with the same astonishment and grief, but that the outward demonstrations of their inward sentiments were different. The old man, sunk in a profound melancholy, looked as if he was bowed down to the ground; while the youth mingled something like the extravagance of despair with the tears of affliction. All these circumstances were depicted with touches so characteristic and affecting, that we could not take our eyes off the performance. My mistress desired to know the subject of the piece.

“Madam,” said Elvira, “it is a faithful delineation of the misfortunes sustained by my family.”

This answer excited Aurora’s curiosity, and she testified so strong a desire to learn the particulars, that the widow of Don Pedro could do no otherwise than promise her the satisfaction she desired. This promise, made before Ortiz, her two fellow-servants, and myself, rooted us to the spot on which we were listening to their former conversation. My mistress would have sent us away; but Elvira, who saw plainly that we were dying with eagerness to be present at the explanation of the picture, had the goodness to desire us to stay, alleging at the same time that the story she had to relate was not of a nature to enjoin secrecy. After a moment’s recollection, she began her recital to the following effect.

IV

The Fatal Marriage: a novel.

“Roger, king of Sicily, had a brother and a sister. His brother, by name Mainfroi, rebelled against him, and kindled a war in the kingdom, bloody in its immediate effects, and portentous in its future consequences. But it was his fate to lose two battles, and to fall into the king’s hands. The punishment of his revolt extended no farther than the loss of liberty. This act of clemency served only to make Roger pass for a barbarian in the estimation of the disaffected party among his subjects. They contended that he had saved his brother’s life only to wreak his vengeance on him by tortures the more merciless because protracted. People in general, on better grounds, transferred the blame of Mainfroi’s harsh treatment while in prison to his sister Matilda. That princess had, in fact, cherished a long-rooted hatred against this prince, and was indefatigable in her persecutions during his whole life. She died in a very short time after him, and her premature fate was considered as the retribution of a just providence, for her disregard of those sentiments implanted by nature for the best purposes.

“Mainfroi left behind him two sons. They were yet in their childhood. Roger had a kind of lurking desire to get rid of them, under the apprehension lest, when arrived at a more advanced age, the wish of avenging their father might hurry them to the revival of a faction which was not so entirely overthrown as to be incapable of originating new intrigues in the state. He communicated his purpose to the senator Leontio Siffredi, his minister, who diverted him from his bloody thoughts by undertaking the education of Prince Enriquez, the eldest, and recommending the care of the younger, by name Don Pedro, to the constable of Sicily, as a trusty counsellor and loyal servant. Roger, assured that his nephews would be trained up by these two men in principles of due submission to the royal authority, gave up the reins of guardianship to their control, and himself took charge of his niece Constance. She was of the same age with Enriquez, and only daughter of the princess Matilda. He allowed her an establishment of female attendants, and of masters in every branch of the politer studies, so that nothing was wanting, either to her instruction or her state.

“Leontio Siffredi had a castle at the distance of less than two leagues from Palermo, in a spot named Belmonte. There it was that this minister exerted all his talents and diligence, to render Enriquez worthy of one day ascending the throne of Sicily. From the first, he discovered dispositions so amiable in that prince, that his attachment became as strong as if he had no child of

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