His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕
Description
His Masterpiece, sometimes translated as “The Work” or “The Masterpiece,” is Zola’s 14th entry in his Rougon-Macquart series of novels. In it we see Claude Lantier, a painter with obvious talent, struggle to leave a revolutionary mark on the art world of 19th-century Paris. The novel deftly explores the themes of genius, poverty, purity in art, art as a beaurocratic institution, obsession, and madness.
The book is notable not just for its accurate portrayal of the art world of the time, but also for the interesting personal details Zola incorporated into the book. Lantier is a pastiche of several famous painters Zola personally knew, including Paul Cézanne, Claude Monet, and Édouard Manet; Lantier’s masterpiece is based on Manet’s revolutionary painting Le Déjeuner sur l’herbe; and the novel’s accuracy is even blamed on ending the long friendship between Zola and Cézanne. Zola himself includes a self-portrait, as the character Pierre Sandoz.
Vizetelly’s translation is fresh and readable, and Zola’s rendition of Paris and the surrounding countryside is vibrant and engrossing. Rarely do we get such a close and engaging window into bohemian life in old Paris.
Read free book «His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Émile Zola
Read book online «His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕». Author - Émile Zola
But all at once Claude grew uneasy. What about his wedding? Mahoudeau must change his clothes. As he had no other frock-coat than the one he was wearing, he was obliged to make a jacket do. Then, the figure having been covered with linen wraps once more, like a corpse over which a sheet has been pulled, they both started off at a run. The stove was roaring away, the thaw filled the whole studio with water, and slush streamed from the old dust-begrimed plaster casts.
When they reached the Rue de Douai there was no one there except little Jacques, in charge of the doorkeeper. Christine, tired of waiting, had just started off with the three others, thinking that there had been some mistake—that Claude might have told her that he would go straight to the mayor’s offices with Mahoudeau. The pair fell into a sharp trot, but only overtook Christine and their comrades in the Rue Drouot in front of the municipal edifice. They all went upstairs together, and as they were late they met with a very cool reception from the usher on duty. The wedding was got over in a few minutes, in a perfectly empty room. The mayor mumbled on, and the bride and bridegroom curtly uttered the binding “Yes,” while their witnesses were marvelling at the bad taste of the appointments of the apartment. Once outside, Claude took Christine’s arm again, and that was all.
It was pleasant walking in the clear frosty weather. Thus the party quietly went back on foot, climbing the Rue des Martyrs to reach the restaurant on the Boulevard de Clichy. A small private room had been engaged; the lunch was a very friendly affair, and not a word was said about the simple formality that had just been gone through; other subjects were spoken of all the while, as at one of their customary gatherings.
It was thus that Christine, who in reality was very affected despite her pretended indifference, heard her husband and his friends excite themselves for three mortal hours about Mahoudeau’s unfortunate statue. Since the others had been made acquainted with the story, they kept harping on every particular of it. Sandoz thought the whole thing very wonderful; Jory and Gagnière discussed the strength of stays and trusses; the former mainly concerned about the monetary loss involved, and the other demonstrating with a chair that the statue might have been kept up. As for Mahoudeau, still very shaky and growing dazed; he complained of a stiffness which he had not felt before; his limbs began to hurt him, he had strained his muscles and bruised his skin as if he had been caught in the embrace of a stone siren. Christine washed the scratch on his cheek, which had begun to bleed again, and it seemed to her as if the mutilated bathing girl had sat down to table with them, as if she alone was of any importance that day; for she alone seemed to interest Claude, whose narrative, repeated a score of times, was full of endless particulars about the emotion he had felt on seeing that bosom and those hips of clay shattered at his feet.
However, at dessert there came a diversion, for Gagnière all at once remarked to Jory:
“By the way, I saw you with Mathilde the day before yesterday. Yes, yes, in the Rue Dauphine.”
Jory, who had turned very red, tried to deny it; “Oh, a mere accidental meeting—honour bright!” he stammered. “I don’t know where she hangs out, or I would tell you.”
“What! is it you who are hiding her?” exclaimed Mahoudeau. “Well, nobody wants to see her again!”
The truth was that Jory, throwing to the winds all his habits of prudence and parsimony, was now secretly providing for Mathilde. She had gained an ascendency over him by his vices.
They still lingered at table, and night was falling when they escorted Mahoudeau to his own door. Claude and Christine, on reaching home, took Jacques from the doorkeeper, and found the studio quite chilly, wrapped in such dense gloom that they had to grope about for several minutes before they were able to light the lamp. They also had to light the stove again, and it struck seven o’clock before they were able to draw breath at their ease. They were not hungry, so they merely finished the remains of some boiled beef, mainly by way of encouraging the child to eat his soup; and when they had put him to bed, they settled themselves with the lamp betwixt them, as was their habit every evening.
However, Christine had not put out any work, she felt too much moved to sew. She sat there with her hands resting idly on the table, looking at Claude, who on his side had at once become absorbed in a sketch, a bit of his picture, some workmen of the Port Saint Nicolas, unloading plaster. Invincible dreaminess came over the young woman, all sorts of recollections and regrets became apparent in the depths of her dim eyes; and by degrees growing sadness, great mute grief took absolute possession of her, amid the indifference, the boundless solitude into which she
Comments (0)