Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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Towards Fred Vincy she had a motherly feeling, and had always been disposed to excuse his errors, though she would probably not have excused Mary for engaging herself to him, her daughter being included in that more rigorous judgment which she applied to her own sex. But this very fact of her exceptional indulgence towards him made it the harder to Fred that he must now inevitably sink in her opinion. And the circumstances of his visit turned out to be still more unpleasant than he had expected; for Caleb Garth had gone out early to look at some repairs not far off. Mrs. Garth at certain hours was always in the kitchen, and this morning she was carrying on several occupations at once there—making her pies at the well-scoured deal table on one side of that airy room, observing Sally’s movements at the oven and dough-tub through an open door, and giving lessons to her youngest boy and girl, who were standing opposite to her at the table with their books and slates before them. A tub and a clotheshorse at the other end of the kitchen indicated an intermittent wash of small things also going on.
Mrs. Garth, with her sleeves turned above her elbows, deftly handling her pastry—applying her rolling-pin and giving ornamental pinches, while she expounded with grammatical fervor what were the right views about the concord of verbs and pronouns with “nouns of multitude or signifying many,” was a sight agreeably amusing. She was of the same curly-haired, square-faced type as Mary, but handsomer, with more delicacy of feature, a pale skin, a solid matronly figure, and a remarkable firmness of glance. In her snowy-frilled cap she reminded one of that delightful Frenchwoman whom we have all seen marketing, basket on arm. Looking at the mother, you might hope that the daughter would become like her, which is a prospective advantage equal to a dowry—the mother too often standing behind the daughter like a malignant prophecy—“Such as I am, she will shortly be.”
“Now let us go through that once more,” said Mrs. Garth, pinching an apple-puff which seemed to distract Ben, an energetic young male with a heavy brow, from due attention to the lesson. “ ‘Not without regard to the import of the word as conveying unity or plurality of idea’—tell me again what that means, Ben.”
(Mrs. Garth, like more
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