Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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Mr. Horrock, at a question from Fred about his horse’s fetlock, turned sideways in his saddle, and watched the horse’s action for the space of three minutes, then turned forward, twitched his own bridle, and remained silent with a profile neither more nor less sceptical than it had been.
The part thus played in dialogue by Mr. Horrock was terribly effective. A mixture of passions was excited in Fred—a mad desire to thrash Horrock’s opinion into utterance, restrained by anxiety to retain the advantage of his friendship. There was always the chance that Horrock might say something quite invaluable at the right moment.
Mr. Bambridge had more open manners, and appeared to give forth his ideas without economy. He was loud, robust, and was sometimes spoken of as being “given to indulgence”—chiefly in swearing, drinking, and beating his wife. Some people who had lost by him called him a vicious man; but he regarded horse-dealing as the finest of the arts, and might have argued plausibly that it had nothing to do with morality. He was undeniably a prosperous man, bore his drinking better than others bore their moderation, and, on the whole, flourished like the green bay-tree. But his range of conversation was limited, and like the fine old tune, “Drops of brandy,” gave you after a while a sense of returning upon itself in a way that might make weak heads dizzy. But a slight infusion of Mr. Bambridge was felt to give tone and character to several circles in Middlemarch; and he was a distinguished figure in the bar and billiard-room at the Green Dragon. He knew some anecdotes about the heroes of the turf, and various clever tricks of Marquesses and Viscounts which seemed to prove that blood asserted its preeminence even among blacklegs; but the minute retentiveness of his memory was chiefly shown about the horses he had himself bought and sold; the number of miles they would trot you in no time without turning a hair being, after the lapse of years, still a subject of passionate asseveration, in which he would assist the imagination of his hearers by solemnly swearing that they never saw anything like it. In short, Mr. Bambridge was a man of pleasure and a gay companion.
Fred was subtle, and did not tell his friends that he was going to Houndsley bent on selling his horse: he wished to get indirectly at their genuine opinion of its value, not being aware that a genuine opinion was the last thing likely to be extracted from such eminent critics. It was not Mr. Bambridge’s weakness to be a gratuitous flatterer. He had never before been so much struck with the fact that this unfortunate bay was a roarer to a degree which required the roundest word for perdition to give you any idea of it.
“You made a bad hand at swapping when you went to anybody but me, Vincy! Why, you never threw your leg across a finer horse than that chestnut, and you gave him for this brute. If you set him cantering, he goes on like twenty sawyers. I never heard but one worse roarer in my life, and that was a roan: it belonged to Pegwell, the corn-factor; he used to drive him in his gig seven years ago, and he wanted me to take him, but I said, ‘Thank you, Peg, I don’t deal in wind-instruments.’ That was what I said. It went the round of the country, that joke did. But, what the hell! the horse was a penny trumpet to that roarer of yours.”
“Why, you said just now his was worse than mine,” said Fred, more irritable than usual.
“I said a lie, then,” said Mr. Bambridge, emphatically. “There wasn’t a penny to choose between ’em.”
Fred spurred his horse, and they trotted on a little way. When they slackened again, Mr. Bambridge said—
“Not but what the roan was a better trotter than yours.”
“I’m quite satisfied with his paces, I know,” said Fred, who required all the consciousness of being in gay company to support him; “I say his trot is an uncommonly clean one, eh, Horrock?”
Mr. Horrock looked before him with as complete a neutrality as if he had been a portrait by a great master.
Fred gave up the fallacious hope of getting a genuine opinion; but on reflection he saw that Bambridge’s depreciation and Horrock’s silence were both virtually encouraging, and indicated that they thought better of the horse than they chose to say.
That very evening, indeed, before the fair had set in, Fred thought he saw a favorable opening for disposing advantageously of his horse, but an opening which made him congratulate himself on his foresight in bringing with him his eighty pounds. A young farmer, acquainted with Mr. Bambridge, came into the Red Lion, and entered into conversation about parting with a hunter, which he introduced at once as Diamond, implying that it was a public character. For himself he only wanted a useful hack, which would draw upon occasion; being about to marry and to give up hunting. The hunter was in a friend’s stable at some little distance; there was still time for gentlemen to see it before dark. The friend’s stable had to be reached through a back street where you might as easily have been poisoned without expense of drugs as in any grim street of that unsanitary period. Fred was not fortified against disgust by brandy, as his companions were, but the hope of having at last seen the horse that would enable him to make money was exhilarating enough to lead him over the same ground again the first thing in the morning. He felt sure that if he did not come
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