Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕

antechamber, called the ostium, to the atrium itself, Vinicius said⁠—“Hast noticed that the doorkeepers are without chains?”

“This is a wonderful house,” answered Petronius, in an undertone. “Of course it is known to thee that Pomponia Graecina is suspected of entertaining that Eastern superstition which consists in honoring a certain Chrestos. It seems that Crispinilla rendered her this service⁠—she who cannot forgive Pomponia because one husband has sufficed her for a lifetime. A one-man Woman! Today, in Rome, it is easier to get a half-plate of fresh mushrooms from Noricum than to find such. They tried her before a domestic court⁠—”

“To thy judgment this is a wonderful house. Later on I will tell thee what I heard and saw in it.”

Meanwhile they had entered the atrium. The slave appointed to it, called atriensis, sent a nomenclator to announce the guests; and Petronius, who, imagining that eternal sadness reigned in this severe house, had never been in it, looked around with astonishment, and as it were with a feeling of disappointment, for the atrium produced rather an impression of cheerfulness. A sheaf of bright light falling from above through a large opening broke into a thousand sparks on a fountain in a quadrangular little basin, called the impluvium, which was in the middle to receive rain falling through the opening during bad weather; this was surrounded by anemones and lilies. In that house a special love for lilies was evident, for there were whole clumps of them, both white and red; and, finally, sapphire irises, whose delicate leaves were as if silvered from the spray of the fountain. Among the moist mosses, in which lily-pots were hidden, and among the bunches of lilies were little bronze statues representing children and waterbirds. In one corner a bronze fawn, as if wishing to drink, was inclining its greenish head, grizzled, too, by dampness. The floor of the atrium was of mosaic; the walls, faced partly with red marble and partly with wood, on which were painted fish, birds, and griffins, attracted the eye by the play of colors. From the door to the side chamber they were ornamented with tortoiseshell or even ivory; at the walls between the doors were statues of Aulus’s ancestors. Everywhere calm plenty was evident, remote from excess, but noble and self-trusting.

Petronius, who lived with incomparably greater show and elegance, could find nothing which offended his taste; and had just turned to Vinicius with that remark, when a slave, the velarius, pushed aside the curtain separating the atrium from the tablinum, and in the depth of the building appeared Aulus Plautius approaching hurriedly.

He was a man nearing the evening of life, with a head whitened by hoar frost, but fresh, with an energetic face, a trifle too short, but still somewhat eagle-like. This time there was expressed on it a certain astonishment, and even alarm, because of the unexpected arrival of Nero’s friend, companion, and suggester.

Petronius was too much a man of the world and too quick not to notice this; hence, after the first greetings, he announced with all the eloquence and ease at his command that he had come to give thanks for the care which his sister’s son had found in that house, and that gratitude alone was the cause of the visit, to which, moreover, he was emboldened by his old acquaintance with Aulus.

Aulus assured him that he was a welcome guest; and as to gratitude, he declared that he had that feeling himself, though surely Petronius did not divine the cause of it.

In fact, Petronius did not divine it. In vain did he raise his hazel eyes, endeavoring to remember the least service rendered to Aulus or to anyone. He recalled none, unless it might be that which he intended to show Vinicius. Some such thing, it is true, might have happened involuntarily, but only involuntarily.

“I have great love and esteem for Vespasian, whose life thou didst save,” said Aulus, “when he had the misfortune to doze while listening to Nero’s verses.”

“He was fortunate,” replied Petronius, “for he did not hear them; but I will not deny that the matter might have ended with misfortune. Bronzebeard wished absolutely to send a centurion to him with the friendly advice to open his veins.”

“But thou, Petronius, laughed him out of it.”

“That is true, or rather it is not true. I told Nero that if Orpheus put wild beasts to sleep with song, his triumph was equal, since he had put Vespasian to sleep. Ahenobarbus may be blamed on condition that to a small criticism a great flattery be added. Our gracious Augusta, Poppaea, understands this to perfection.”

“Alas! such are the times,” answered Aulus. “I lack two front teeth, knocked out by a stone from the hand of a Briton, I speak with a hiss; still my happiest days were passed in Britain.”

“Because they were days of victory,” added Vinicius.

But Petronius, alarmed lest the old general might begin a narrative of his former wars, changed the conversation.

“See,” said he, “in the neighborhood of Praeneste country people found a dead wolf whelp with two heads; and during a storm about that time lightning struck off an angle of the temple of Luna⁠—a thing unparalleled, because of the late autumn. A certain Cotta, too, who had told this, added, while telling it, that the priests of that temple prophesied the fall of the city or, at least, the ruin of a great house⁠—ruin to be averted only by uncommon sacrifices.”

Aulus, when he had heard the narrative, expressed the opinion that such signs should not be neglected; that the gods might be angered by an over-measure of wickedness. In this there was nothing wonderful; and in such an event expiatory sacrifices were perfectly in order.

“Thy house, Plautius, is not too large,” answered Petronius, “though a great man lives in it. Mine is indeed too large for such a wretched owner, though equally small. But if it is a question of the ruin of something as great, for