Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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In the unctorium only Eunice remained. She listened for a short time to the voices and laughter which retreated in the direction of the laconicum. At last she took the stool inlaid with amber and ivory, on which Petronius had been sitting a short time before, and put it carefully at his statue. The unctorium was full of sunlight and the hues which came from the many-colored marbles with which the wall was faced. Eunice stood on the stool, and, finding herself at the level of the statue, cast her arms suddenly around its neck; then, throwing back her golden hair, and pressing her rosy body to the white marble, she pressed her lips with ecstasy to the cold lips of Petronius.
IIAfter a refreshment, which was called the morning meal and to which the two friends sat down at an hour when common mortals were already long past their midday prandium, Petronius proposed a light doze. According to him, it was too early for visits yet. “There are, it is true,” said he, “people who begin to visit their acquaintances about sunrise, thinking that custom an old Roman one, but I look on this as barbarous. The afternoon hours are most proper—not earlier, however, than that one when the sun passes to the side of Jove’s temple on the Capitol and begins to look slantwise on the Forum. In autumn it is still hot, and people are glad to sleep after eating. At the same time it is pleasant to hear the noise of the fountain in the atrium, and, after the obligatory thousand steps, to doze in the red light which filters in through the purple half-drawn velarium.”
Vinicius recognized the justice of these words; and the two men began to walk, speaking in a careless manner of what was to be heard on the Palatine and in the city, and philosophizing a little upon life. Petronius withdrew then to the cubiculum, but did not sleep long. In half an hour he came out, and, having given command to bring verbena, he inhaled the perfume and rubbed his hands and temples with it.
“Thou wilt not believe,” said he, “how it enlivens and freshens one. Now I am ready.”
The litter was waiting long since; hence they took their places, and Petronius gave command to bear them to the Vicus Patricius, to the house of Aulus. Petronius’s insula lay on the southern slope of the Palatine, near the so-called Carinae; their nearest way, therefore, was below the Forum; but since Petronius wished to step in on the way to see the jeweler Idomeneus, he gave the direction to carry them along the Vicus Apollinis and the Forum in the direction of the Vicus Sceleratus, on the corner of which were many tabernae of every kind.
Gigantic Africans bore the litter and moved on, preceded by slaves called pedisequi. Petronius, after some time, raised to his nostrils in silence his palm odorous with verbena, and seemed to be meditating on something.
“It occurs to me,” said he after a while, “that if thy forest goddess is not a slave she might leave the house of Plautius, and transfer herself to thine. Thou wouldst surround her with love and cover her with wealth, as I do my adored Chrysothemis, of whom, speaking between us, I have quite as nearly enough as she has of me.”
Marcus shook his head.
“No?” inquired Petronius. “In the worst event, the case would be left with Caesar, and thou mayst be certain that, thanks even to my influence, our Bronzebeard would be on thy side.”
“Thou knowest not Lygia,” replied Vinicius.
“Then permit me to ask if thou know her otherwise than by sight? Hast spoken with her? hast confessed thy love to her?”
“I saw her first at the fountain; since then I have met her twice. Remember that during my stay in the house of Aulus, I dwelt in a separate villa, intended for guests, and, having a disjointed arm, I could not sit at the common table. Only on the eve of the day for which I announced my departure did I meet Lygia at supper, but I could not say a word to her. I had to listen to Aulus and his account of victories gained by him in Britain, and then of the fall of small states in Italy, which Licinius Stolo strove to prevent. In general I do not know whether Aulus will be able to speak of aught else, and do not think that we shall escape this history unless it be thy wish to hear about the effeminacy of these days. They have pheasants in their preserves, but they do not eat them, setting out from the principle that every pheasant eaten brings nearer the end of Roman power. I met her a second time at the garden cistern, with a freshly plucked reed in her hand, the top of which she dipped in the water and sprinkled the irises growing around. Look at my knees. By the shield of Hercules, I tell thee that they did not tremble when clouds of Parthians advanced on our maniples with howls, but they trembled before the cistern. And, confused as a youth who still wears a bulla on his neck, I merely begged pity with my eyes, not being able to utter a word for a long time.”
Petronius looked at him, as if with a certain envy. “Happy man,” said he, “though the world and life were the worst possible, one thing in them will remain eternally good—youth!”
After a while he inquired: “And hast thou not spoken to her?”
“When I had recovered somewhat, I told her that I was returning from Asia, that I had disjointed my arm near the city, and had suffered severely, but at the
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