Quo Vadis by Henryk Sienkiewicz (most popular novels of all time .txt) 📕
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Quo Vadis: A Narrative of the Time of Nero was first published in Polish as Quo vadis. Powieść z czasów Nerona. Among Henryk Sienkiewicz’s inspirations was the painting Nero’s Torches (Pochodnie Nerona) by fellow Pole Henryk Siemiradzki; the painting, which depicts cruel persecution of Christians, serves as the cover art for this ebook edition. Sienkiewicz incorporates extensive historical detail into the plot, and notable historical figures serve as prominent characters, including the apostles Simon Peter and Paul of Tarsus, Gaius Petronius Arbiter, Ofonius Tigellinus, and the infamous Nero himself. Sienkiewicz used the historical basis of the novel as an opportunity to describe in detail the lives of the citizenry under Nero’s cruel and erratic rule.
Sienkiewicz was awarded the 1905 Nobel Prize in Literature in part for his authorship of Quo Vadis. The book was exceedingly popular both domestically and internationally: it was translated into more than 50 languages, sold 800,000 copies in the U.S. within a period of eighteenth months, and was the best selling book of 1900 in France.
The plot of Quo Vadis follows the love story of Marcus Vinicius and Lygia. He is a young, charming, up-and-coming Roman patrician; she is a high-ranking hostage, a former princess of a country conquered by Rome. Vinicius’s immediate infatuation with Lygia is complicated by her devout Christianity, a faith barely tolerated in Rome of the time. As the painting that inspired the novel foreshadows, Rome burns in a great fire, and Christians receive the blame. The subsequent persecution of the Christians in Rome serves as the main obstacle between the two lovers.
Sienkiewicz portrays a pro-Christian narrative throughout the book, with the apostles Peter and Paul serving as spiritual mentors to both Vinicius and Lygia. The novel’s title translates to “Where are you going, Lord?”, a quote from the apocryphal Christian text the Acts of Peter, which depicts Peter’s death. The text describes how while fleeing Rome, Peter asks a vision of Jesus the titular question, to which Jesus replies that he is returning to Rome to lead the Christians since Peter, their leader, is deserting them. Peter then realizes he must turn back and remain with his people, despite the cost. Quo Vadis depicts this exchange, along with Paul’s fate and the deaths of Nero and Petronius, Vinicius’s wise and worldly uncle and mentor. Sienkiewicz contrasts Petronius’s and Nero’s hedonism with Vinicius’s and Lygia’s journey to a deeper faith in their God, and with Peter and Paul’s faithful martyrdom, to great effect. As such, the novel is not just a love story, but also a thoughtful reflection on how one’s way of living affects how they see death.
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- Author: Henryk Sienkiewicz
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“By the cloud-scattering Zeus!” said Marcus Vinicius, “what a choice thou hast!”
“I prefer choice to numbers,” answered Petronius. “My whole ‘familia’1 in Rome does not exceed four hundred, and I judge that for personal attendance only upstarts need a greater number of people.”
“More beautiful bodies even Bronzebeard does not possess,” said Vinicius, distending his nostrils.
“Thou art my relative,” answered Petronius, with a certain friendly indifference, “and I am neither so misanthropic as Barsus nor such a pedant as Aulus Plautius.”
When Vinicius heard this last name, he forgot the maidens from Kos for a moment, and, raising his head vivaciously, inquired—“Whence did Aulus Plautius come to thy mind? Dost thou know that after I had disjointed my arm outside the city, I passed a number of days in his house? It happened that Plautius came up at the moment when the accident happened, and, seeing that I was suffering greatly, he took me to his house; there a slave of his, the physician Merion, restored me to health. I wished to speak with thee touching this very matter.”
“Why? Is it because thou hast fallen in love with Pomponia perchance? In that case I pity thee; she is not young, and she is virtuous! I cannot imagine a worse combination. Brr!”
“Not with Pomponia—eheu!” answered Vinicius.
“With whom, then?”
“If I knew myself with whom? But I do not know to a certainty her name even—Lygia or Callina? They call her Lygia in the house, for she comes of the Lygian nation; but she has her own barbarian name, Callina. It is a wonderful house—that of those Plautiuses. There are many people in it; but it is quiet there as in the groves of Subiacum. For a number of days I did not know that a divinity dwelt in the house. Once about daybreak I saw her bathing in the garden fountain; and I swear to thee by that foam from which Aphrodite rose, that the rays of the dawn passed right through her body. I thought that when the sun rose she would vanish before me in the light, as the twilight of morning does. Since then, I have seen her twice; and since then, too, I know not what rest is, I know not what other desires are, I have no wish to know what the city can give me. I want neither women, nor gold, nor Corinthian bronze, nor amber, nor pearls, nor wine, nor feasts; I want only Lygia. I am yearning for her, in sincerity I tell thee, Petronius, as that Dream who is imaged on the Mosaic of thy tepidarium yearned for Paisythea—whole days and night do I yearn.”
“If she is a slave, then purchase her.”
“She is not a slave.”
“What is she? A freed woman of Plautius?”
“Never having been a slave, she could not be a freed woman.”
“Who is she?”
“I know not—a king’s daughter, or something of that sort.”
“Thou dost rouse my curiosity, Vinicius.”
“But if thou wish to listen, I will satisfy thy curiosity straightway. Her story is not a long one. Thou art acquainted, perhaps personally, with Vannius, king of the Suevi, who, expelled from his country, spent a long time here in Rome, and became even famous for his skillful play with dice, and his good driving of chariots. Drusus put him on the throne again. Vannius, who was really a strong man, ruled well at first, and warred with success; afterward, however, he began to skin not only his neighbors, but his own Suevi, too much. Thereupon Vangio and Sido, two sister’s sons of his, and the sons of Vibilius, king of the Hermunduri, determined to force him to Rome again—to try his luck there at dice.”
“I remember; that is of recent Claudian times.”
“Yes! War broke out. Vannius summoned to his aid the Yazigi; his dear nephews called in the Lygians, who, hearing of the riches of Vannius, and enticed by the hope of booty, came in such numbers that Caesar himself, Claudius, began to fear for the safety of the boundary. Claudius did not wish to interfere in a war among barbarians, but he wrote to Atelius Hister, who commanded the legions of the Danube, to turn a watchful eye on the course of the war, and not permit them to disturb our peace. Hister required, then, of the Lygians a promise not to cross the boundary; to this they not only agreed, but gave hostages, among whom were the wife and daughter of their leader. It is known to thee that barbarians take their wives and children to war with them. My Lygia is the daughter of that leader.”
“Whence dost thou know all this?”
“Aulus Plautius told it himself. The Lygians did not cross the boundary, indeed; but barbarians come and go like a tempest. So did the Lygians vanish with their wild-ox horns on their heads. They killed Vannius’s Suevi and Yazigi; but their own king fell. They disappeared with their booty then, and the hostages remained in Hister’s hands. The mother died soon after, and Hister, not knowing what to do with the daughter, sent her to Pomponius, the governor of all Germany. He, at the close of the war with the Catti, returned to Rome, where Claudius, as is known to thee, permitted him to have a triumph. The maiden on that occasion walked after the car of the conqueror; but, at the end of the solemnity—since hostages cannot be considered captives, and since Pomponius did not know what to do with her definitely—he gave her to his sister Pomponia Graecina, the wife of Plautius. In that house where all—beginning with the masters and ending with the poultry in the
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