Some Do Not … by Ford Madox Ford (story read aloud txt) 📕
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Some Do Not … opens at the cusp of World War I. Christopher Tietjens, a government statistician, and his friend Vincent Macmaster, an aspiring literary critic, are visiting the English countryside. Tietjens, preoccupied with his disastrous marriage, meets Valentine Wannop, a suffragette, during a round of golf. As their love story develops, the novel explores the horrors of the war without the narrative ever entering the battlefield.
The characters are complex and nuanced. Tietjens is an old-fashioned man even by the standards of his day; he’s concerned with honor and doing the right thing, but he lives in a society that only pays those values lip service. Yet he himself isn’t free of a thread of hypocrisy: he won’t leave his deeply unhappy marriage because that would be the wrong way to act, but the reader is left wondering if he tolerates his situation simply because he married up in class. He wants to do to the noble and right thing, but does that mean going to war?
The men and women around him each have their individual motivations, and they are often conniving and unlikable in their aspirations even as the propaganda of England at war paints the country as a moral and heroic one. The delicate interplay of each character’s subtleties paints a rich portrait of 1920s English society, as the romantic ideals of right and wrong clash with notions of ambition and practicality.
The prose is unapologetically modernist: unannounced time shifts combine with a stream-of-consciousness style that can often be dense. Yet Ford’s portrayal of shell shock, the politics of women in the 1920s, and the moral greyness of wartime is groundbreaking. The book, and its complete tetralogy—called Parade’s End—has garnered praise from critics and authors alike, with Anthony Burgess calling it “the finest novel about the First World War” and William Carlos Williams stating that the novels “constitute the English prose masterpiece of their time.”
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- Author: Ford Madox Ford
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The other four played on solemnly. The Father sat himself down behind Mrs. Satterthwaite, his chin in the nape of her neck. At excruciating moments he gripped her shoulders, exclaimed: “Play the queen, woman!” and breathed hard down her back. Mrs. Satterthwaite would play the two of diamonds, and the Father, throwing himself back, would groan. She said over her shoulder:
“I want to talk to you tonight, Father,” took the last trick of the rubber, collected 17 marks 50 from the doctor and 8 marks from the unter-leutnant. The doctor exclaimed:
“You gan’t dake that immense sum from us and then ko off. Now we shall be ropped py Herr Payliss at gutt-throat!”
She drifted, all shadowy black silk, across the shadows of the dining-hall, dropping her winnings into her black satin vanity bag and attended by the priest. Outside the door, beneath the antlers of a royal stag, in an atmosphere of paraffin lamps and varnished pitch-pine, she said:
“Come up to my sitting-room. The prodigal’s returned. Sylvia’s here.”
The Father said:
“I thought I saw her out of the corner of my eye in the bus after dinner. She’ll be going back to her husband. It’s a poor world.”
“She’s a wicked devil!” Mrs. Satterthwaite said.
“I’ve known her myself since she was nine,” Father Consett said, “and it’s little I’ve seen in her to hold up to the commendation of my flock.” He added: “But maybe I’m made unjust by the shock of it.”
They climbed the stairs slowly.
Mrs. Satterthwaite sat herself on the edge of a cane chair. She said:
“Well!”
She wore a black hat like a cartwheel and her dresses appeared always to consist of a great many squares of silk that might have been thrown on to her. Since she considered that her complexion, which was mat white, had gone slightly violet from twenty years of makeup, when she was not made up—as she never was at Lobscheid—she wore bits of puce-coloured satin ribbon stuck here and there, partly to counteract the violet of her complexion, partly to show she was not in mourning. She was very tall and extremely emaciated; her dark eyes that had beneath them dark brown thumb-marks were very tired or very indifferent by turns.
Father Consett walked backwards and forwards, his hands behind his back, his head bent, over the not too well polished floor. There were two candles, lit but dim, in imitation pewter nouvel art candlesticks, rather dingy; a sofa of cheap mahogany with red plush cushions and rests, a table covered with a cheap carpet and an American roll-top desk that had thrown into it a great many papers in scrolls or flat. Mrs. Satterthwaite was extremely indifferent to her surroundings, but she insisted on having a piece of furniture for her papers. She liked also to have a profusion of hothouse, not garden, flowers, but as there were none of these at Lobscheid she did without them. She insisted also, as a rule, on a comfortable chaise longue which she rarely, if ever, used; but the German Empire of those days did not contain a comfortable chair, so she did without it, lying down on her bed when she was really tired. The walls of the large room were completely covered with pictures of animals in death agonies: capercailzies giving up the ghost with gouts of scarlet blood on the snow; deer dying with their heads back and eyes glazing, gouts of red blood on their necks; foxes dying with scarlet blood on green grass. These pictures were frame to frame, representing sport, the hotel having been a former Grand Ducal hunting-box, freshened to suit the taste of the day with varnished pitch-pine, bathrooms, verandahs, and excessively modern but noisy lavatory arrangements which had been put in for the delight of possible English guests.
Mrs. Satterthwaite sat on the edge of her chair; she had always the air of being just about to go out somewhere or of having just come in and being on the point of going to take her things off. She said:
“There’s been a telegram waiting for her all the afternoon. I knew she was coming.”
Father Consett said:
“I saw it in the rack myself. I misdoubted it.” He added: “Oh dear, oh dear! After all we’ve talked about it; now it’s come.”
Mrs. Satterthwaite said:
“I’ve been a wicked woman myself as these things are measured; but …”
Father Consett said:
“Ye have! It’s no doubt from you she gets it, for your husband was a good man. But one wicked woman is enough for my contemplation at a time. I’m no St. Anthony. … The young man says he will take her back?”
“On conditions,” Mrs. Satterthwaite said. “He is coming here to have an interview.”
The priest said:
“Heaven knows, Mrs. Satterthwaite, there are times when to a poor priest the rule of the Church as regards marriage seems bitter hard and he almost doubts her inscrutable wisdom. He doesn’t mind you. But at times I wish that that young man would take what advantage—it’s all there is!—that he can of being a Protestant and divorce Sylvia. For I tell
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