Short Fiction by Arthur Machen (ebook reader .txt) 📕
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Arthur Machen was a Welsh man of letters who wrote his most famous work in the late 1890s and early 1900s. While his body of work is wide, he’s perhaps best known for his supernaturally-flavored proto-horror short stories. The Great God Pan—perhaps his most famous work—along with “The Inmost Light” and The White People deeply influenced later writers like H. P. Lovecraft. Stephen King has gone so far as to call The Great God Pan “maybe the best [horror story] in the English language.”
Besides his horror short stories, Machen also wrote a handful of post World War I supernatural shorts. One of these, “The Bowmen,” was published in a popular newspaper and was implied to be non-fiction, leading to the creation of the “Angels of Mons” urban legend. This collection includes several other World War I short stories published by Machen.
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- Author: Arthur Machen
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“What nonsense! As if a man with house property would be an Anarchist.”
“Well, she could see there must be some horrible secret, and she didn’t know what else to think. And then she began to have the things through the post.”
“Things through the post! What do you mean by that?”
“All sorts of things; bits of broken bottle-glass, packed carefully as if it were jewellery; parcels that unrolled and unrolled worse than Chinese boxes, and then had ‘cat’ in large letters when you came to the middle; old artificial teeth, a cake of red paint, and at last cockroaches.”
“Cockroaches by post! Stuff and nonsense; your aunt’s mad.”
“Edward, she showed me the box; it was made to hold cigarettes, and there were three dead cockroaches inside. And when she found a box of exactly the same kind, half-full of cigarettes, in uncle’s greatcoat pocket, then her head began to turn again.”
Darnell groaned, and stirred uneasily in his chair, feeling that the tale of Aunt Marian’s domestic troubles was putting on the semblance of an evil dream.
“Anything else?” he asked.
“My dear, I haven’t repeated half the things poor aunt told me this afternoon. There was the night she thought she saw a ghost in the shrubbery. She was anxious about some chickens that were just due to hatch out, so she went out after dark with some egg and breadcrumbs, in case they might be out. And just before her she saw a figure gliding by the rhododendrons. It looked like a short, slim man dressed as they used to be hundreds of years ago; she saw the sword by his side, and the feather in his cap. She thought she should have died, she said, and though it was gone in a minute, and she tried to make out it was all her fancy, she fainted when she got into the house. Uncle was at home that night, and when she came to and told him he ran out, and stayed out for half-an-hour or more, and then came in and said he could find nothing; and the next minute aunt heard that low whistle just outside the window, and uncle ran out again.”
“My dear Mary, do let us come to the point. What on earth does it all lead to?”
“Haven’t you guessed? Why, of course it was that girl all the time.”
“Girl? I thought you said it was a boy with a red head?”
“Don’t you see? She’s an actress, and she dressed up. She won’t leave uncle alone. It wasn’t enough that he was with her nearly every evening in the week, but she must be after him on Sundays too. Aunt found a letter the horrid thing had written, and so it has all come out. Enid Vivian she calls herself, though I don’t suppose she has any right to one name or the other. And the question is, what is to be done?”
“Let us talk of that again. I’ll have a pipe, and then we’ll go to bed.”
They were almost asleep when Mary said suddenly—
“Doesn’t it seem queer, Edward? Last night you were telling me such beautiful things, and
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