Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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From the length of time that elapsed, it appeared that John had some difficulty in persuading Mr. Donne to descend. At length, however, that gentleman appeared; nor, as he presented himself at the oak-parlour door, did he seem in the slightest degree ashamed or confusedâ ânot a whit. Donne, indeed, was of that coldly phlegmatic, immovably complacent, densely self-satisfied nature which is insensible to shame. He had never blushed in his life; no humiliation could abash him; his nerves were not capable of sensation enough to stir his life and make colour mount to his cheek; he had no fire in his blood and no modesty in his soul; he was a frontless, arrogant, decorous slip of the commonplaceâ âconceited, inane, insipid; and this gentleman had a notion of wooing Miss Keeldar! He knew no more, however, how to set about the business than if he had been an image carved in wood. He had no idea of a taste to be pleased, a heart to be reached in courtship. His notion was, when he should have formally visited her a few times, to write a letter proposing marriage. Then he calculated she would accept him for love of his office; then they would be married; then he should be master of Fieldhead; and he should live very comfortably, have servants at his command, eat and drink of the best, and be a great man. You would not have suspected his intentions when he addressed his intended bride in an impertinent, injured toneâ ââA very dangerous dog that, Miss Keeldar. I wonder you should keep such an animal.â
âDo you, Mr. Donne? Perhaps you will wonder more when I tell you I am very fond of him.â
âI should say you are not serious in the assertion. Canât fancy a lady fond of that bruteâ ââtis so uglyâ âa mere carterâs dog. Pray hang him.â
âHang what I am fond of!â
âAnd purchase in his stead some sweetly pooty pug or poodleâ âsomething appropriate to the fair sex. Ladies generally like lapdogs.â
âPerhaps I am an exception.â
âOh, you canât be, you know. All ladies are alike in those matters. That is universally allowed.â
âTartar frightened you terribly, Mr. Donne. I hope you wonât take any harm.â
âThat I shall, no doubt. He gave me a turn I shall not soon forget. When I sor himâ (such was Mr. Donneâs pronunciation) âabout to spring, I thought I should have fainted.â
âPerhaps you did faint in the bedroom; you were a long time there.â
âNo; I bore up that I might hold the door fast. I was determined not to let anyone enter. I thought I would keep a barrier between me and the enemy.â
âBut what if your friend Mr. Malone had been worried?â
âMalone must take care of himself. Your man persuaded me to come out at last by saying the dog was chained up in his kennel. If I had not been assured of this, I would have remained all day in the chamber. But what is that? I declare the man has told a falsehood! The dog is there!â
And indeed Tartar walked past the glass door opening to the garden, stiff, tawny, and black-muzzled as ever. He still seemed in bad humour. He was growling again, and whistling a half-strangled whistle, being an inheritance from the bulldog side of his ancestry.
âThere are other visitors coming,â observed Shirley, with that provoking coolness which the owners of formidable-looking dogs are apt to show while their animals are all bristle and bay. Tartar sprang down the pavement towards the gate, bellowing avec explosion. His mistress quietly opened the glass door, and stepped out chirruping to him. His bellow was already silenced, and he was lifting up his huge, blunt, stupid head to the new callers to be patted.
âWhat! Tartar, Tartar!â said a cheery, rather boyish voice, âdonât you know us? Good morning, old boy!â
And little Mr. Sweeting, whose conscious good nature made him comparatively fearless of man, woman, child, or brute, came through the gate, caressing the guardian. His vicar, Mr. Hall, followed. He had no fear of Tartar either, and Tartar
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