The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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Doubly stressing this final admonition, he ordered the company dismissed.
At noon Anthony set off at a run for the nearest canteen telephone. As he approached what corresponded to the downtown of the camp, he noticed that many other soldiers were running also, that a man near him had suddenly leaped into the air and clicked his heels together. The tendency to run became general, and from little excited groups here and there came the sounds of cheering. He stopped and listened—over the cold country whistles were blowing and the chimes of the Garden City churches broke suddenly into reverberatory sound.
Anthony began to run again. The cries were clear and distinct now as they rose with clouds of frosted breath into the chilly air:
“Germany’s surrendered! Germany’s surrendered!”
The False Armistice
That evening in the opaque gloom of six o’clock Anthony slipped between two freight-cars, and once over the railroad, followed the track along to Garden City, where he caught an electric train for New York. He stood some chance of apprehension—he knew that the military police were often sent through the cars to ask for passes, but he imagined that tonight the vigilance would be relaxed. But, in any event, he would have tried to slip through, for he had been unable to locate Gloria by telephone, and another day of suspense would have been intolerable.
After inexplicable stops and waits that reminded him of the night he had left New York, over a year before, they drew into the Pennsylvania Station, and he followed the familiar way to the taxi-stand, finding it grotesque and oddly stimulating to give his own address.
Broadway was a riot of light, thronged as he had never seen it with a carnival crowd which swept its glittering way through scraps of paper, piled ankle-deep on the sidewalks. Here and there, elevated upon benches and boxes, soldiers addressed the heedless mass, each face in which was clear cut and distinct under the white glare overhead. Anthony picked out half a dozen figures—a drunken sailor, tipped backward and supported by two other gobs, was waving his hat and emitting a wild series of roars; a wounded soldier, crutch in hand, was borne along in an eddy on the shoulders of some shrieking civilians; a dark-haired girl sat cross-legged and meditative on top of a parked taxicab. Here surely the victory had come in time, the climax had been scheduled with the uttermost celestial foresight. The great rich nation had made triumphant war, suffered enough for poignancy but not enough for bitterness—hence the carnival, the feasting, the triumph. Under these bright lights glittered the faces of peoples whose glory had long since passed away, whose very civilizations were dead-men whose ancestors had heard the news of victory in Babylon, in Nineveh, in Bagdad, in Tyre, a hundred generations before; men whose ancestors had seen a flower-decked, slave-adorned cortege drift with its wake of captives down the avenues of Imperial Rome. …
Past the Rialto, the glittering front of the Astor, the jewelled magnificence of Times Square … a gorgeous alley of incandescence ahead. … Then—was it years later?—he was paying the taxi-driver in front of a white building on Fifty-Seventh Street. He was in the hall—ah, there was the negro boy from Martinique, lazy, indolent, unchanged.
“Is Mrs. Patch in?”
“I have just came on, sah,” the man announced with his incongruous British accent.
“Take me up—”
Then the slow drone of the elevator, the three steps to the door, which swung open at the impetus of his knock.
“Gloria!” His voice was trembling. No answer. A faint string of smoke was rising from a cigarette-tray—a number of Vanity Fair sat astraddle on the table.
“Gloria!”
He ran into the bedroom, the bath. She was not there. A negligee of robin’s-egg blue laid out upon the bed diffused a faint perfume, illusive and familiar. On a chair were a pair of stockings and a street dress; an open powder box yawned upon the bureau. She must just have gone out.
The telephone rang abruptly and he started—answered it with all the sensations of an impostor.
“Hello. Is Mrs. Patch there?”
“No, I’m looking for her myself. Who is this?”
“This is Mr. Crawford.”
“This is Mr. Patch speaking. I’ve just arrived unexpectedly, and I don’t know where to find her.”
“Oh.” Mr. Crawford sounded a bit taken aback. “Why, I imagine she’s at the Armistice Ball. I know she intended going, but I didn’t think she’d leave so early.”
“Where’s the Armistice Ball?”
“At the Astor.”
“Thanks.”
Anthony hung up sharply and rose. Who was Mr. Crawford? And who was it that was taking her to the ball? How long had this been going on? All these questions asked and answered themselves a dozen times, a dozen ways. His very proximity to her drove him half frantic.
In a frenzy of suspicion he rushed here and there about the apartment, hunting for some sign of masculine occupation, opening the bathroom cupboard, searching feverishly through the bureau drawers. Then he found something that made him stop suddenly and sit down on one of the twin beds, the corners of his mouth drooping as though he were about to weep. There in a corner of her drawer, tied with a frail blue ribbon, were all the letters and telegrams he had written her during the year past. He was suffused with happy and sentimental shame.
“I’m not fit to touch her,” he cried aloud to the four walls. “I’m not fit to touch her little hand.”
Nevertheless, he went out to look for her.
In the Astor lobby he was engulfed immediately in a crowd so thick as to make progress almost impossible. He asked
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