The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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“I have something to tell you.”
She drew him down beside her on the swinging seat, not noticing his ominous tone.
“Tell me.”
“We’re leaving next week.”
Her arms seeking his shoulders remained poised upon the dark air, her chin tipped up. When she spoke the softness was gone from her voice.
“Leaving for France?”
“No. Less luck than that. Leaving for some darn camp in Mississippi.”
She shut her eyes and he could see that the lids were trembling.
“Dear little Dot, life is so damned hard.”
She was crying upon his shoulder.
“So damned hard, so damned hard,” he repeated aimlessly; “it just hurts people and hurts people, until finally it hurts them so that they can’t be hurt ever any more. That’s the last and worst thing it does.”
Frantic, wild with anguish, she strained him to her breast.
“Oh, God!” she whispered brokenly, “you can’t go way from me. I’d die.”
He was finding it impossible to pass off his departure as a common, impersonal blow. He was too near to her to do more than repeat “Poor little Dot. Poor little Dot.”
“And then what?” she demanded wearily.
“What do you mean?”
“You’re my whole life, that’s all. I’d die for you right now if you said so. I’d get a knife and kill myself. You can’t leave me here.”
Her tone frightened him.
“These things happen,” he said evenly.
“Then I’m going with you.” Tears were streaming down her checks. Her mouth was trembling in an ecstasy of grief and fear.
“Sweet,” he muttered sentimentally, “sweet little girl. Don’t you see we’d just be putting off what’s bound to happen? I’ll be going to France in a few months—”
She leaned away from him and clinching her fists lifted her face toward the sky.
“I want to die,” she said, as if moulding each word carefully in her heart.
“Dot,” he whispered uncomfortably, “you’ll forget. Things are sweeter when they’re lost. I know—because once I wanted something and got it. It was the only thing I ever wanted badly, Dot. And when I got it it turned to dust in my hands.”
“All right.”
Absorbed in himself, he continued:
“I’ve often thought that if I hadn’t got what I wanted things might have been different with me. I might have found something in my mind and enjoyed putting it in circulation. I might have been content with the work of it, and had some sweet vanity out of the success. I suppose that at one time I could have had anything I wanted, within reason, but that was the only thing I ever wanted with any fervor. God! And that taught me you can’t have anything, you can’t have anything at all. Because desire just cheats you. It’s like a sunbeam skipping here and there about a room. It stops and gilds some inconsequential object, and we poor fools try to grasp it—but when we do the sunbeam moves on to something else, and you’ve got the inconsequential part, but the glitter that made you want it is gone—” He broke off uneasily. She had risen and was standing, dry-eyed, picking little leaves from a dark vine.
“Dot—”
“Go way,” she said coldly.
“What? Why?”
“I don’t want just words. If that’s all you have for me you’d better go.”
“Why, Dot—”
“What’s death to me is just a lot of words to you. You put ’em together so pretty.”
“I’m sorry. I was talking about you, Dot.”
“Go way from here.”
He approached her with arms outstretched, but she held him away.
“You don’t want me to go with you,” she said evenly; “maybe you’re going to meet that—that girl—” She could not bring herself to say wife. “How do I know? Well, then, I reckon you’re not my fellow any more. So go way.”
For a moment, while conflicting warnings and desires prompted Anthony, it seemed one of those rare times when he would take a step prompted from within. He hesitated. Then a wave of weariness broke against him. It was too late—everything was too late. For years now he had dreamed the world away, basing his decisions upon emotions unstable as water. The little girl in the white dress dominated him, as she approached beauty in the hard symmetry of her desire. The fire blazing in her dark and injured heart seemed to glow around her like a flame. With some profound and uncharted pride she had made herself remote and so achieved her purpose.
“I didn’t—mean to seem so callous, Dot.”
“It don’t matter.”
The fire rolled over Anthony. Something wrenched at his bowels, and he stood there helpless and beaten.
“Come with me, Dot—little loving Dot. Oh, come with me. I couldn’t leave you now—”
With a sob she wound her arms around him and let him support her weight while the moon, at its perennial labor of covering the bad complexion of the world, showered its illicit honey over the drowsy street.
The Catastrophe
Early September in Camp Boone, Mississippi. The darkness, alive with insects, beat in upon the mosquito-netting, beneath the shelter of which Anthony was trying to write a letter. An intermittent chatter over a poker game was going on in the next tent, and outside a man was strolling up the company street singing a current bit of doggerel about “K-K-K-Katy.”
With an effort Anthony hoisted himself to his elbow and, pencil in hand, looked down at his blank sheet of paper. Then, omitting any heading, he began:
I can’t imagine what the matter is, Gloria. I haven’t had a line from you for two weeks and it’s only natural to be worried—
He threw this away with a disturbed grunt and began again:
I don’t know what to think, Gloria. Your last letter, short, cold, without a word of affection or even a decent account of what you’ve been doing, came two weeks ago. It’s only natural that I should wonder. If your love for me isn’t absolutely dead it seems that you’d at least keep me from worry—
Again he crumpled the page and tossed it angrily through a tear in the tent wall, realizing simultaneously that he would have to pick it up in the morning.
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