The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
Read free book «The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: F. Scott Fitzgerald
Read book online «The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕». Author - F. Scott Fitzgerald
After a while she confided the adventure to a girl friend, and later, as she watched her friend disappear down the sleepy street of dusty sunshine she knew in a flash of intuition that her story was going out into the world. Yet after telling it she felt much better, and a little bitter, and made as near an approach to character as she was capable of by walking in another direction and meeting another man with the honest intention of gratifying herself again. As a rule things happened to Dot. She was not weak, because there was nothing in her to tell her she was being weak. She was not strong, because she never knew that some of the things she did were brave. She neither defied nor conformed nor compromised.
She had no sense of humor, but, to take its place, a happy disposition that made her laugh at the proper times when she was with men. She had no definite intentions—sometimes she regretted vaguely that her reputation precluded what chance she had ever had for security. There had been no open discovery: her mother was interested only in starting her off on time each morning for the jewelry store where she earned fourteen dollars a week. But some of the boys she had known in high school now looked the other way when they were walking with “nice girls,” and these incidents hurt her feelings. When they occurred she went home and cried.
Besides the Jackson Street clerk there had been two other men, of whom the first was a naval officer, who passed through town during the early days of the war. He had stayed over a night to make a connection, and was leaning idly against one of the pillars of the Stonewall Hotel when she passed by. He remained in town four days. She thought she loved him—lavished on him that first hysteria of passion that would have gone to the pusillanimous clerk. The naval officer’s uniform—there were few of them in those days—had made the magic. He left with vague promises on his lips, and, once on the train, rejoiced that he had not told her his real name.
Her resultant depression had thrown her into the arms of Cyrus Fielding, the son of a local clothier, who had hailed her from his roadster one day as she passed along the sidewalk. She had always known him by name. Had she been born to a higher stratum he would have known her before. She had descended a little lower—so he met her after all. After a month he had gone away to training-camp, a little afraid of the intimacy, a little relieved in perceiving that she had not cared deeply for him, and that she was not the sort who would ever make trouble. Dot romanticized this affair and conceded to her vanity that the war had taken these men away from her. She told herself that she could have married the naval officer. Nevertheless, it worried her that within eight months there had been three men in her life. She thought with more fear than wonder in her heart that she would soon be like those “bad girls” on Jackson Street at whom she and her gum-chewing, giggling friends had stared with fascinated glances three years before.
For a while she attempted to be more careful. She let men “pick her up”; she let them kiss her, and even allowed certain other liberties to be forced upon her, but she did not add to her trio. After several months the strength of her resolution—or rather the poignant expediency of her fears—was worn away. She grew restless drowsing there out of life and time while the summer months faded. The soldiers she met were either obviously below her or, less obviously, above her—in which case they desired only to use her; they were Yankees, harsh and ungracious; they swarmed in large crowds. … And then she met Anthony.
On that first evening he had been little more than a pleasantly unhappy face, a voice, the means with which to pass an hour, but when she kept her engagement with him on Saturday she regarded him with consideration. She liked him. Unknowingly she saw her own tragedies mirrored in his face.
Again they went to the movies, again they wandered along the shadowy, scented streets, hand in hand this time, speaking a little in hushed voices. They passed through the gate—up toward the little porch—
“I can stay a while, can’t I?”
“Sh!” she whispered, “we’ve got to be very quiet. Mother sits up reading Snappy Stories.” In confirmation he heard the faint crackling inside as a page was turned. The open-shutter slits emitted horizontal rods of light that fell in thin parallels across Dorothy’s skirt. The street was silent save for a group on the steps of a house across the way, who, from time to time, raised their voices in a soft, bantering song.
“—When you wa‑ake
You shall ha‑ave
All the pretty little hawsiz—”
Then, as though it had been waiting on a nearby roof for their arrival, the moon came slanting suddenly through the vines and turned the girl’s face to the color of white roses.
Anthony had a start of memory, so vivid that before his closed eyes there formed a picture, distinct as a flashback on a screen—a spring night of thaw set out of time in a half-forgotten winter five years before—another face, radiant, flower-like, upturned to lights as transforming as the stars—
Ah, la belle dame sans merci who lived in his heart, made known to him in transitory fading splendor by dark eyes in
Comments (0)