The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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As the summer waned Anthony and Gloria talked of the things they were to do when the money was theirs, and of the places they were to go to after the war, when they would “agree on things again,” for both of them looked forward to a time when love, springing like the phoenix from its own ashes, should be born again in its mysterious and unfathomable haunts.
He was drafted early in the fall, and the examining doctor made no mention of low blood-pressure. It was all very purposeless and sad when Anthony told Gloria one night that he wanted, above all things, to be killed. But, as always, they were sorry for each other for the wrong things at the wrong times. …
They decided that for the present she was not to go with him to the Southern camp where his contingent was ordered. She would remain in New York to “use the apartment,” to save money, and to watch the progress of the case—which was pending now in the Appellate Division, of which the calendar, Mr. Haight told them, was far behind.
Almost their last conversation was a senseless quarrel about the proper division of the income—at a word either would have given it all to the other. It was typical of the muddle and confusion of their lives that on the October night when Anthony reported at the Grand Central Station for the journey to camp, she arrived only in time to catch his eye over the anxious heads of a gathered crowd. Through the dark light of the enclosed train-sheds their glances stretched across a hysterical area, foul with yellow sobbing and the smells of poor women. They must have pondered upon what they had done to one another, and each must have accused himself of drawing this sombre pattern through which they were tracing tragically and obscurely. At the last they were too far away for either to see the other’s tears.
Book III I A Matter of CivilizationAt a frantic command from some invisible source, Anthony groped his way inside. He was thinking that for the first time in more than three years he was to remain longer than a night away from Gloria. The finality of it appealed to him drearily. It was his clean and lovely girl that he was leaving.
They had arrived, he thought, at the most practical financial settlement: she was to have three hundred and seventy-five dollars a month—not too much considering that over half of that would go in rent—and he was taking fifty to supplement his pay. He saw no need for more: food, clothes, and quarters would be provided—there were no social obligations for a private.
The car was crowded and already thick with breath. It was one of the type known as “tourist” cars, a sort of brummagem Pullman, with a bare floor, and straw seats that needed cleaning. Nevertheless, Anthony greeted it with relief. He had vaguely expected that the trip South would be made in a freight-car, in one end of which would stand eight horses and in the other forty men. He had heard the “hommes 40, chevaux 8” story so often that it had become confused and ominous.
As he rocked down the aisle with his barrack-bag slung at his shoulder like a monstrous blue sausage, he saw no vacant seats, but after a moment his eye fell on a single space at present occupied by the feet of a short swarthy Sicilian, who, with his hat drawn over his eyes, hunched defiantly in the corner. As Anthony stopped beside him he stared up with a scowl, evidently intended to be intimidating; he must have adopted it as a defense against this entire gigantic equation. At Anthony’s sharp “That seat taken?” he very slowly lifted the feet as though they were a breakable package, and placed them with some care upon the floor. His eyes remained on Anthony, who meanwhile sat down and unbuttoned the uniform coat issued him at Camp Upton the day before. It chafed him under the arms.
Before Anthony could scrutinize the other occupants of the section a young second lieutenant blew in at the upper end of the car and wafted airily down the aisle, announcing in a voice of appalling acerbity:
“There will be no smoking in this car! No smoking! Don’t smoke, men, in this car!”
As he sailed out at the other end a dozen little clouds of expostulation arose on all sides.
“Oh, cripe!”
“Jeese!”
“No smokin’?”
“Hey, come back here, fella!”
“What’s ’ee idea?”
Two or three cigarettes were shot out through the open windows. Others were retained inside, though kept sketchily away from view. From here and there in accents of bravado, of mockery, of submissive humor, a few remarks were dropped that soon melted into the listless and pervasive silence.
The fourth occupant of Anthony’s section spoke up suddenly.
“G’by, liberty,” he said sullenly. “G’by, everything except bein’ an officer’s dog.”
Anthony looked at him. He was a tall Irishman with an expression moulded of indifference and utter disdain. His eyes fell on Anthony, as though he expected an answer, and then upon the others. Receiving only a defiant stare from the Italian he groaned and spat noisily on the floor by way of a dignified transition back into taciturnity.
A few minutes later the door opened again and the second lieutenant was borne in upon his customary official zephyr, this time singing out a different tiding:
“All right, men, smoke if you want to! My mistake, men! It’s all right, men! Go on and smoke—my mistake!”
This time Anthony had a good look at him. He was young, thin, already faded; he was like his own mustache; he was like a great piece of shiny straw. His chin receded, faintly; this was offset by a magnificent and unconvincing scowl, a scowl that Anthony was
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