The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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He was in a skeleton infantry company of about a hundred men. After the invariable breakfast of fatty bacon, cold toast, and cereal, the entire hundred would rush for the latrines, which, however well-policed, seemed always intolerable, like the lavatories in cheap hotels. Out on the field, then, in ragged order—the lame man on his left grotesquely marring Anthony’s listless efforts to keep in step, the platoon sergeants either showing off violently to impress the officers and recruits, or else quietly lurking in close to the line of march, avoiding both labor and unnecessary visibility.
When they reached the field, work began immediately—they peeled off their shirts for calisthenics. This was the only part of the day that Anthony enjoyed. Lieutenant Kretching, who presided at the antics, was sinewy and muscular, and Anthony, followed his movements faithfully, with a feeling that he was doing something of positive value to himself. The other officers and sergeants walked about among the men with the malice of schoolboys, grouping here and there around some unfortunate who lacked muscular control, giving him confused instructions and commands. When they discovered a particularly forlorn, ill-nourished specimen, they would linger the full half-hour making cutting remarks and snickering among themselves.
One little officer named Hopkins, who had been a sergeant in the regular army, was particularly annoying. He took the war as a gift of revenge from the high gods to himself, and the constant burden of his harangues was that these rookies did not appreciate the full gravity and responsibility of “the service.” He considered that by a combination of foresight and dauntless efficiency he had raised himself to his current magnificence. He aped the particular tyrannies of every officer under whom he had served in times gone by. His frown was frozen on his brow—before giving a private a pass to go to town he would ponderously weigh the effect of such an absence upon the company, the army, and the welfare of the military profession the world over.
Lieutenant Kretching, blond, dull and phlegmatic, introduced Anthony ponderously to the problems of attention, right face, about face, and at ease. His principal defect was his forgetfulness. He often kept the company straining and aching at attention for five minutes while he stood out in front and explained a new movement—as a result only the men in the centre knew what it was all about—those on both flanks had been too emphatically impressed with the necessity of staring straight ahead.
The drill continued until noon. It consisted of stressing a succession of infinitely remote details, and though Anthony perceived that this was consistent with the logic of war, it none the less irritated him. That the same faulty blood-pressure which would have been indecent in an officer did not interfere with the duties of a private was a preposterous incongruity. Sometimes, after listening to a sustained invective concerned with a dull and, on the face of it, absurd subject known as military “courtesy,” he suspected that the dim purpose of the war was to let the regular army officers—men with the mentality and aspirations of schoolboys—have their fling with some real slaughter. He was being grotesquely sacrificed to the twenty-year patience of a Hopkins!
Of his three tent-mates—a flat-faced, conscientious objector from Tennessee, a big, scared Pole, and the disdainful Celt whom he had sat beside on the train—the two former spent the evenings in writing eternal letters home, while the Irishman sat in the tent door whistling over and over to himself half a dozen shrill and monotonous bird-calls. It was rather to avoid an hour of their company than with any hope of diversion that, when the quarantine was lifted at the end of the week, he went into town. He caught one of the swarm of jitneys that overran the camp each evening, and in half an hour was set down in front of the Stonewall Hotel on the hot and drowsy main street.
Under the gathering twilight the town was unexpectedly attractive. The sidewalks were peopled by vividly dressed, overpainted girls, who chattered volubly in low, lazy voices, by dozens of taxi-drivers who assailed passing officers with “Take y’ anywheh, Lieutenant,” and by an intermittent procession of ragged, shuffling, subservient negroes. Anthony, loitering along through the warm dusk, felt for the first time in years the slow, erotic breath of the South, imminent in the hot softness of the air, in the pervasive lull, of thought and time.
He had gone about a block when he was arrested suddenly by a harsh command at his elbow.
“Haven’t you been taught to salute officers?”
He looked dumbly at the man who addressed him, a stout, black-haired captain, who fixed him menacingly with brown pop-eyes.
“Come to attention!” The words were literally thundered. A few pedestrians near by stopped and stared. A soft-eyed girl in a lilac dress tittered to her companion.
Anthony came to attention.
“What’s your regiment and company?”
Anthony told him.
“After this when you pass an officer on the street you straighten up and salute!”
“All right!”
“Say ‘Yes, sir!’ ”
“Yes, sir.”
The stout officer grunted, turned sharply, and marched down the street. After a moment Anthony moved on; the town was no longer indolent and exotic; the magic was suddenly gone out of the dusk. His eyes were turned precipitately inward upon the indignity of his position. He hated that officer, every officer—life was unendurable.
After he had gone half a block he realized that the girl in the lilac dress who had giggled at his discomfiture was walking with her friend about ten paces ahead of him. Several times she had turned and stared at Anthony, with cheerful laughter in the large eyes that seemed the same color as her gown.
At the corner she and her companion visibly slackened their pace—he must make his choice between joining them and passing obliviously by. He passed, hesitated, then slowed down. In a moment the pair were abreast of him again, dissolved in laughter now—not such strident mirth as he would have expected
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