The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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As the American troops were poured into the French and British trenches he began to find the names of many Harvard men among the casualties recorded in the Army and Navy Journal. But for all the sweat and blood the situation appeared unchanged, and he saw no prospect of the war’s ending in the perceptible future. In the old chronicles the right wing of one army always defeated the left wing of the other, the left wing being, meanwhile, vanquished by the enemy’s right. After that the mercenaries fled. It had been so simple, in those days, almost as if prearranged. …
Gloria wrote that she was reading a great deal. What a mess they had made of their affairs, she said. She had so little to do now that she spent her time imagining how differently things might have turned out. Her whole environment appeared insecure—and a few years back she had seemed to hold all the strings in her own little hand. …
In June her letters grew hurried and less frequent. She suddenly ceased to write about coming South.
Defeat
March in the country around was rare with jasmine and jonquils and patches of violets in the warming grass. Afterward he remembered especially one afternoon of such a fresh and magic glamour that as he stood in the rifle-pit marking targets he recited “Atalanta in Calydon” to an uncomprehending Pole, his voice mingling with the rip, sing, and splatter of the bullets overhead.
“When the hounds of spring …”
Spang!
“Are on winter’s traces …”
Whirr‑r‑r‑r! …
“The mother of months …”
“Hey! Come to! Mark three‑e‑e! …”
In town the streets were in a sleepy dream again, and together Anthony and Dot idled in their own tracks of the previous autumn until he began to feel a drowsy attachment for this South—a South, it seemed, more of Algiers than of Italy, with faded aspirations pointing back over innumerable generations to some warm, primitive Nirvana, without hope or care. Here there was an inflection of cordiality, of comprehension, in every voice. “Life plays the same lovely and agonizing joke on all of us,” they seemed to say in their plaintive pleasant cadence, in the rising inflection terminating on an unresolved minor.
He liked his barber shop where he was “Hi, corporal!” to a pale, emaciated young man, who shaved him and pushed a cool vibrating machine endlessly over his insatiable head. He liked “Johnston’s Gardens” where they danced, where a tragic negro made yearning, aching music on a saxophone until the garish hall became an enchanted jungle of barbaric rhythms and smoky laughter, where to forget the uneventful passage of time upon Dorothy’s soft sighs and tender whisperings was the consummation of all aspiration, of all content.
There was an undertone of sadness in her character, a conscious evasion of all except the pleasurable minutiae of life. Her violet eyes would remain for hours apparently insensate as, thoughtless and reckless, she basked like a cat in the sun. He wondered what the tired, spiritless mother thought of them, and whether in her moments of uttermost cynicism she ever guessed at their relationship.
On Sunday afternoons they walked along the countryside, resting at intervals on the dry moss in the outskirts of a wood. Here the birds had gathered and the clusters of violets and white dogwood; here the hoar trees shone crystalline and cool, oblivious to the intoxicating heat that waited outside; here he would talk, intermittently, in a sleepy monologue, in a conversation of no significance, of no replies.
July came scorching down. Captain Dunning was ordered to detail one of his men to learn blacksmithing. The regiment was filling up to war strength, and he needed most of his veterans for drill-masters, so he selected the little Italian, Baptiste, whom he could most easily spare. Little Baptiste had never had anything to do with horses. His fear made matters worse. He reappeared in the orderly room one day and told Captain Dunning that he wanted to die if he couldn’t be relieved. The horses kicked at him, he said; he was no good at the work. Finally he fell on his knees and besought Captain Dunning, in a mixture of broken English and scriptural Italian, to get him out of it. He had not slept for three days; monstrous stallions reared and cavorted through his dreams.
Captain Dunning reproved the company clerk (who had burst out laughing), and told Baptiste he would do what he could. But when he thought it over he decided that he couldn’t spare a better man. Little Baptiste went from bad to worse. The horses seemed to divine his fear and take every advantage of it. Two weeks later a great black mare crushed his skull in with her hoofs while he was trying to lead her from her stall.
In mid-July came rumors, and then orders, that concerned a change of camp. The brigade was to move to an empty cantonment, a hundred miles farther south, there to be expanded into a division. At first the men thought they were departing for the trenches, and all evening little groups jabbered in the company street, shouting to each other in swaggering exclamations: “Su‑u‑ure we are!” When the truth leaked out, it was rejected indignantly as a blind to conceal their real destination. They revelled in their own importance. That night they told their girls in town that they were “going to get the Germans.” Anthony circulated for a while among the groups—then, stopping a jitney, rode down to tell Dot that he was going away.
She was waiting on the dark veranda in a cheap white dress that accentuated the youth and softness of her face.
“Oh,” she whispered, “I’ve wanted you so, honey. All this
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