Far from the Madding Crowd by Thomas Hardy (the best motivational books txt) 📕
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Far from the Madding Crowd was Thomas Hardy’s fourth novel and was completed in 1874. It was originally serialized in Cornhill Magazine and was quickly published in a successful single volume.
Hardy described Wessex as “a merely realistic dream country” and so it is in Far from the Madding Crowd, where an idyllic view of the countryside is interrupted by the bitter reality of farming life. The novel is the first that Hardy sets in fictional Wessex; he quickly realised that setting novels there could be a money-earner that would subsidise his poetry-writing ambitions.
Gabriel Oak, the faithful man and aspiring farmer; Bathsheba Everdene, the young and independent lady farmer; William Boldwood, the lonely neighbour; and Sergeant Troy, the dashing military man, all lead intertwined lives which are full of love and loss.
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- Author: Thomas Hardy
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“No—not a word!” said Liddy, looking at the weeping woman with astonishment. “What is it makes you cry so, ma’am; has anything hurt you?” She came to Bathsheba’s side with a face full of sympathy.
“No, Liddy—I don’t want you any more. I can hardly say why I have taken to crying lately: I never used to cry. Good night.”
Liddy then left the parlour and closed the door.
Bathsheba was lonely and miserable now; not lonelier actually than she had been before her marriage; but her loneliness then was to that of the present time as the solitude of a mountain is to the solitude of a cave. And within the last day or two had come these disquieting thoughts about her husband’s past. Her wayward sentiment that evening concerning Fanny’s temporary resting-place had been the result of a strange complication of impulses in Bathsheba’s bosom. Perhaps it would be more accurately described as a determined rebellion against her prejudices, a revulsion from a lower instinct of uncharitableness, which would have withheld all sympathy from the dead woman, because in life she had preceded Bathsheba in the attentions of a man whom Bathsheba had by no means ceased from loving, though her love was sick to death just now with the gravity of a further misgiving.
In five or ten minutes there was another tap at the door. Liddy reappeared, and coming in a little way stood hesitating, until at length she said, “Maryann has just heard something very strange, but I know it isn’t true. And we shall be sure to know the rights of it in a day or two.”
“What is it?”
“Oh, nothing connected with you or us, ma’am. It is about Fanny. That same thing you have heard.”
“I have heard nothing.”
“I mean that a wicked story is got to Weatherbury within this last hour—that—” Liddy came close to her mistress and whispered the remainder of the sentence slowly into her ear, inclining her head as she spoke in the direction of the room where Fanny lay.
Bathsheba trembled from head to foot.
“I don’t believe it!” she said, excitedly. “And there’s only one name written on the coffin-cover.”
“Nor I, ma’am. And a good many others don’t; for we should surely have been told more about it if it had been true—don’t you think so, ma’am?”
“We might or we might not.”
Bathsheba turned and looked into the fire, that Liddy might not see her face. Finding that her mistress was going to say no more, Liddy glided out, closed the door softly, and went to bed.
Bathsheba’s face, as she continued looking into the fire that evening, might have excited solicitousness on her account even among those who loved her least. The sadness of Fanny Robin’s fate did not make Bathsheba’s glorious, although she was the Esther to this poor Vashti, and their fates might be supposed to stand in some respects as contrasts to each other. When Liddy came into the room a second time the beautiful eyes which met hers had worn a listless, weary look. When she went out after telling the story they had expressed wretchedness in full activity. Her simple country nature, fed on old-fashioned principles, was troubled by that which would have troubled a woman of the world very little, both Fanny and her child, if she had one, being dead.
Bathsheba had grounds for conjecturing a connection between her own history and the dimly suspected tragedy of Fanny’s end which Oak and Boldwood never for a moment credited her with possessing. The meeting with the lonely woman on the previous Saturday night had been unwitnessed and unspoken of. Oak may have had the best of intentions in withholding for as many days as possible the details of what had happened to Fanny; but had he known that Bathsheba’s perceptions had already been exercised in the matter, he would have done nothing to lengthen the minutes of suspense she was now undergoing, when the certainty which must terminate it would be the worst fact suspected after all.
She suddenly felt a longing desire to speak to some one stronger than herself, and so get strength to sustain her surmised position with dignity and her lurking doubts with stoicism. Where could she find such a friend? nowhere in the house. She was by far the coolest of the women under her roof. Patience and suspension of judgement for a few hours were what she wanted to learn, and there was nobody to teach her. Might she but go to Gabriel Oak!—but that could not be. What a way Oak had, she thought, of enduring things. Boldwood, who seemed so much deeper and higher and stronger in feeling than Gabriel, had not yet learnt, any more than she herself, the simple lesson which Oak showed a mastery of by every turn and look he gave—that among the multitude of interests by which he was surrounded, those which affected his personal well-being were not the most absorbing and important in his eyes. Oak meditatively looked upon the horizon of circumstances without any special regard to his own standpoint in the midst. That was how she would wish to be. But then Oak was not racked by incertitude upon the inmost matter of his bosom, as she was at this moment. Oak knew all about Fanny that he wished to know—she felt convinced of that. If she were to go to him now at once and say no more than these few words, “What is the truth of the story?” he would feel bound in honour to tell her. It would be an inexpressible relief. No further speech would need to be uttered. He knew her so well that no eccentricity of behaviour in her would alarm him.
She flung a cloak round her, went to the door and opened it. Every blade, every twig was still.
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