Meno by Plato (best books for 20 year olds .txt) 📕

Aristotelian school; and the erroneous notion has been further narrowed and has become fixed by the realism of the schoolmen. This popular view of the Platonic ideas may be summed up in some such formula as the following: ‘Truth consists not in particulars, but in universals, which have a place in the mind of God, or in some far-off heaven. These were revealed to men in a former state of existence, and are recovered by reminiscence (anamnesis) or association from sensible things. The sensible things are not realities, but shadows only, in relation to the truth.’ These unmeaning propositions are hardly suspected to be a caricature of a great theory of knowledge, which Plato in various ways and under many figures of speech is seeking to unfold. Poetry has been converted into dogma; and it is not remarked that the Platonic ideas are to be found only in about a third of Plato’s writings and are not confined to him. The forms which they assume are numerous, and if taken literally, inconsistent with one another. At one time we are in the clouds of mythology, at another among the abstractions of mathematics or metaphysics; we pass imperceptibly from one to the other. Reason and fancy are mingled in the same passage. The ideas are sometimes described as many, coextensive with the universals of sense and also with the first principles of ethics; or again they are absorbed into the single idea of good, and subordinated to it. They are not more certain than facts, but they are equally certain (Phaedo). They are both personal and impersonal. They are abstract terms: they are also the causes of things; and they are even transformed into the demons or spirits by whose help God made the world. And the idea of good (Republic) may without violence be converted into the Supreme Being, who ‘because He was good’ created all things (Tim.).

It would be a mistake to try and reconcile these differing modes of thought. They are not to be regarded seriously as having a distinct meaning. They are parables, prophecies, myths, symbols, revelations, aspirations after an unknown world. They derive their origin from a deep religious and contemplative feeling, and also from an observation of curious mental phenomena. They gather up the elements of the previous philosophies, which they put together in a new form. Their great diversity shows the tentative character of early endeavours to think. They have not yet settled down into a single system. Plato uses them, though he also criticises them; he acknowledges that both he and others are always talking about them, especially about the Idea of Good; and that they are not peculiar to himself (Phaedo; Republic; Soph.). But in his later writings he seems to have laid aside the old forms of them. As he proceeds he makes for himself new modes of expression more akin to the Aristotelian logic.

Yet amid all these varieties and incongruities, there is a common meaning or spirit which pervades his writings, both those in which he treats of the ideas and those in which he is silent about them. This is the spirit of idealism, which in the history of philosophy has had many names and taken many forms, and has in a measure influenced those who seemed to be most averse to it. It has often been charged with inconsistency and fancifulness, and yet has had an elevating effect on human nature, and has exercised a wonderful charm and interest over a few spirits who have been lost in the thought of it. It has been banished again and again, but has always returned. It has attempted to leave the earth and soar heavenwards, but soon has found that only in experience could any solid foundation of knowledge be laid. It has degenerated into pantheism, but has again emerged. No other knowledge has given an equal stimulus to the mind. It is the science of sciences, which are also ideas, and under either aspect require to be defined. They can only be thought of in due proportion when conceived in relation to one another. They are the glasses through which the kingdoms of science are seen, but at a distance. All the greatest minds, except when living in an age of reaction against them, have unconsciously fallen under their power.

The account of the Platonic ideas in the Meno is the simplest and clearest, and we shall best illustrate their nature by giving this first and then comparing the manner in which they are described elsewhere, e.g. in the Phaedrus, Phaedo, Republic; to which may be added the criticism of them in the Parmenides, the personal form which is attributed to them in the Timaeus, the logical character which they assume in the Sophist and Philebus, and the allusion to them in the Laws. In the Cratylus they dawn upon him with the freshness of a newly-discovered thought.

The Meno goes back to a former state of existence, in which men did and suffered good and evil, and received the reward or punishment of them until their sin was purged away and they were allowed to return to earth. This is a tradition of the olden time, to which priests and poets bear witness. The souls of men returning to earth bring back a latent memory of ideas, which were known to them in a former state. The recollection is awakened into life and consciousness by the sight of the things which resemble them on earth. The soul evidently possesses such innate ideas before she has had time to acquire them. This is proved by an experiment tried on one of Meno’s slaves, from whom Socrates elicits truths of arithmetic and geometry, which he had never learned in this world. He must therefore have brought them with him from another.

The notion of a previous state of existence is found in the verses of Empedocles and in the fragments of Heracleitus. It was the natural answer to two questions, ‘Whence came the soul? What is the origin of evil?’ and prevailed far and wide in the east. It found its way into Hellas probably through the medium of Orphic and Pythagorean rites and mysteries. It was easier to think of a former than of a future life, because such a life has really existed for the race though not for the individual, and all men come into the world, if not ‘trailing clouds of glory,’ at any rate able to enter into the inheritance of the past. In the Phaedrus, as well as in the Meno, it is this former rather than a future life on which Plato is disposed to dwell. There the Gods, and men following in their train, go forth to contemplate the heavens, and are borne round in the revolutions of them. There they see the divine forms of justice, temperance, and the like, in their unchangeable beauty, but not without an effort more than human. The soul of man is likened to a charioteer and two steeds, one mortal, the other immortal. The charioteer and the mortal steed are in fierce conflict; at length the animal principle is finally overpowered, though not extinguished, by the combined energies of the passionate and rational elements. This is one of those passages in Plato which, partaking both of a philosophical and poetical character, is necessarily indistinct and inconsistent. The magnificent figure under which the nature of the soul is described has not much to do with the popular doctrine of the ideas. Yet there is one little trait in the description which shows that they are present to Plato’s mind, namely, the remark that the soul, which had seen truths in the form of the universal, cannot again return to the nature of an animal.

In the Phaedo, as in the Meno, the origin of ideas is sought for in a previous state of existence. There was no time when they could have been acquired in this life, and therefore they must have been recovered from another. The process of recovery is no other than the ordinary law of association, by which in daily life the sight of one thing or person recalls another to our minds, and by which in scientific enquiry from any part of knowledge we may be led on to infer the whole. It is also argued that ideas, or rather ideals, must be derived from a previous state of existence because they are more perfect than the sensible forms of them which are given by experience. But in the Phaedo the doctrine of ideas is subordinate to the proof of the immortality of the soul. ‘If the soul existed in a previous state, then it will exist in a future state, for a law of alternation pervades all things.’ And, ‘If the ideas exist, then the soul exists; if not, not.’ It is to be observed, both in the Meno and the Phaedo, that Socrates expresses himself with diffidence. He speaks in the Phaedo of the words with which he has comforted himself and his friends, and will not be too confident that the description which he has given of the soul and her mansions is exactly true, but he ‘ventures to think that something of the kind is true.’ And in the Meno, after dwelling upon the immortality of the soul, he adds, ‘Of some things which I have said I am not altogether confident’ (compare Apology; Gorgias). From this class of uncertainties he exempts the difference between truth and appearance, of which he is absolutely convinced.

In the Republic the ideas are spoken of in two ways, which though not contradictory are different. In the tenth book they are represented as the genera or general ideas under which individuals having a common name are contained. For example, there is the bed which the carpenter makes, the picture of the bed which is drawn by the painter, the bed existing in nature of which God is the author. Of the latter all visible beds are only the shadows or reflections. This and similar illustrations or explanations are put forth, not for their own sake, or as an exposition of Plato’s theory of ideas, but with a view of showing that poetry and the mimetic arts are concerned with an inferior part of the soul and a lower kind of knowledge. On the other hand, in the 6th and 7th books of the Republic we reach the highest and most perfect conception, which Plato is able to attain, of the nature of knowledge. The ideas are now finally seen to be one as well as many, causes as well as ideas, and to have a unity which is the idea of good and the cause of all the rest. They seem, however, to have lost their first aspect of universals under which individuals are contained, and to have been converted into forms of another kind, which are inconsistently regarded from the one side as images or ideals of justice, temperance, holiness and the like; from the other as hypotheses, or mathematical truths or principles.

In the Timaeus, which in the series of Plato’s works immediately follows the Republic, though probably written some time afterwards, no mention occurs of the doctrine of ideas. Geometrical forms and arithmetical ratios furnish the laws according to which the world is created. But though the conception of the ideas as genera or species is forgotten or laid aside, the distinction of the visible and intellectual is as firmly maintained as ever. The IDEA of good likewise disappears and is superseded by the conception of a personal God, who works according to a final cause or principle of goodness which he himself is. No doubt is expressed by Plato, either in the Timaeus or in any other dialogue, of the truths which he conceives to be the first and highest. It is not the existence of God or the idea of good which he approaches