The Hundred Best English Poems by - (ebook reader 8 inch TXT) ๐
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Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, "Here came a mortal,
But faithless was she.
And alone dwell for ever
The kings of the sea."
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, "Here came a mortal,
But faithless was she.
And alone dwell for ever
The kings of the sea."
But, children, at midnight,
When soft the winds blow;
When clear falls the moonlight;
When spring-tides are low:
When sweet airs come seaward
From heaths starr'd with broom;
And high rocks throw mildly
On the blanch'd sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side--
And then come back down.
Singing, "There dwells a lov'd one,
But cruel is she.
She left lonely for ever
The kings of the sea."
1857 Edition.
ANNA LรTITIA BARBAULD.
3. Life.
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Come, dear children, let us away;
Down and away below.
Now my brothers call from the bay;
Now the great winds shorewards blow;
Now the salt tides seawards flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way.
Down and away below.
Now my brothers call from the bay;
Now the great winds shorewards blow;
Now the salt tides seawards flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away.
This way, this way.
Call her once before you go.
Call once yet.
In a voice that she will know:
"Margaret! Margaret!"
Children's voices should be dear
(Call once more) to a mother's ear:
Children's voices, wild with pain.
Surely she will come again.
Call her once and come away.
This way, this way.
"Mother dear, we cannot stay."
The wild white horses foam and fret.
Margaret! Margaret!
Call once yet.
In a voice that she will know:
"Margaret! Margaret!"
Children's voices should be dear
(Call once more) to a mother's ear:
Children's voices, wild with pain.
Surely she will come again.
Call her once and come away.
This way, this way.
"Mother dear, we cannot stay."
The wild white horses foam and fret.
Margaret! Margaret!
Come, dear children, come away down.
Call no more.
One last look at the white-wall'd town,
And the little grey church on the windy shore.
Then come down.
She will not come though you call all day.
Come away, come away.
Call no more.
One last look at the white-wall'd town,
And the little grey church on the windy shore.
Then come down.
She will not come though you call all day.
Come away, come away.
Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam;
Where the salt weed sways in the stream;
Where the sea-beasts rang'd all round
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam;
Where the salt weed sways in the stream;
Where the sea-beasts rang'd all round
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?
Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb'd its bright hair, and she tended it well,
When down swung the sound of the far-off bell.
She sigh'd, she look'd up through the clear green sea.
She said; "I must go, for my kinsfolk pray
In the little grey church on the shore to-day.
'Twill be Easter-time in the worldโah me!
And I lose my poor soul, Merman, here with thee."
I said; "Go up, dear heart, through the waves.
Say thy prayer, and come back to the kind sea-caves."
She smil'd, she went up through the surf in the bay.
Children dear, was it yesterday?
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She comb'd its bright hair, and she tended it well,
When down swung the sound of the far-off bell.
She sigh'd, she look'd up through the clear green sea.
She said; "I must go, for my kinsfolk pray
In the little grey church on the shore to-day.
'Twill be Easter-time in the worldโah me!
And I lose my poor soul, Merman, here with thee."
I said; "Go up, dear heart, through the waves.
Say thy prayer, and come back to the kind sea-caves."
She smil'd, she went up through the surf in the bay.
Children dear, was it yesterday?
Children dear, were we long alone?
"The sea grows stormy, the little ones moan.
Long prayers," I said, "in the world they say.
Come," I said, and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall'd town.
Through the narrow pav'd streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb'd on the graves, on the stones, worn with rains,
And we gaz'd up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
"Margaret, hist! come quick, we are here.
Dear heart," I said, "we are long alone.
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,
For her eyes were seal'd to the holy book.
"Loud prays the priest; shut stands the door."
Come away, children, call no more.
Come away, come down, call no more.
"The sea grows stormy, the little ones moan.
Long prayers," I said, "in the world they say.
Come," I said, and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall'd town.
Through the narrow pav'd streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climb'd on the graves, on the stones, worn with rains,
And we gaz'd up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
"Margaret, hist! come quick, we are here.
Dear heart," I said, "we are long alone.
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,
For her eyes were seal'd to the holy book.
"Loud prays the priest; shut stands the door."
Come away, children, call no more.
Come away, come down, call no more.
Down, down, down.
Down to the depths of the sea.
She sits at her wheel in the humming town,
Singing most joyfully.
Hark, what she sings: "O joy, O joy,
For the humming street, and the child with its toy.
For the priest, and the bell, and the holy well.
For the wheel where I spun,
And the blessed light of the sun."
And so she sings her fill,
Singing most joyfully,
Till the shuttle falls from her hand,
And the whizzing wheel stands still.
Down to the depths of the sea.
She sits at her wheel in the humming town,
Singing most joyfully.
Hark, what she sings: "O joy, O joy,
For the humming street, and the child with its toy.
For the priest, and the bell, and the holy well.
For the wheel where I spun,
And the blessed light of the sun."
And so she sings her fill,
Singing most joyfully,
Till the shuttle falls from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand;
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh.
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair.
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh.
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair.
Come away, away children.
Come children, come down.
The hoarse wind blows colder;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, "Here came a mortal,
But faithless was she.
And alone dwell for ever
The kings of the sea."
Come children, come down.
The hoarse wind blows colder;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, "Here came a mortal,
But faithless was she.
And alone dwell for ever
The kings of the sea."
But, children, at midnight,
When soft the winds blow;
When clear falls the moonlight;
When spring-tides are low:
When sweet airs come seaward
From heaths starr'd with broom;
And high rocks throw mildly
On the blanch'd sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-sideโ
And then come back down.
Singing, "There dwells a lov'd one,
But cruel is she.
She left lonely for ever
The kings of the sea."
When soft the winds blow;
When clear falls the moonlight;
When spring-tides are low:
When sweet airs come seaward
From heaths starr'd with broom;
And high rocks throw mildly
On the blanch'd sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-sideโ
And then come back down.
Singing, "There dwells a lov'd one,
But cruel is she.
She left lonely for ever
The kings of the sea."
1857 Edition.
ANNA LรTITIA BARBAULD.
ANNA LรTITIA BARBAULD.
3. Life.
Animula, vagula, blandula.
Life! I know not what thou art,
But know that thou and I must part;
And when, or how, or where we met,
I own to me's a secret yet.
But this I know, when thou art fled,
Where'er they lay these limbs, this head,
No clod so valueless shall be,
As all that then remains of me.
But know that thou and I must part;
And when, or how, or where we met,
I own to me's a secret yet.
But this I know, when thou art fled,
Where'er they lay these limbs, this head,
No clod so valueless shall be,
As all that then remains of me.
O whither, whither dost thou fly,
Where bend unseen thy trackless course,
And in this strange divorce,
Ah tell where I must seek this compound I?
To the vast ocean of empyreal flame,
From whence thy essence came,
Dost thou thy flight pursue, when freed
From matter's base encumbering weed?
Or dost thou, hid from sight,
Wait, like some spell-bound knight,
Through blank oblivious years the appointed hour,
To break thy trance and reassume thy power?
Yet canst thou without thought or feeling be?
O say what art thou, when no more thou'rt thee?
Where bend unseen thy trackless course,
And in this strange divorce,
Ah tell where I must seek this compound I?
To the vast ocean of empyreal flame,
From whence thy essence came,
Dost thou thy flight pursue, when freed
From matter's base encumbering weed?
Or dost thou, hid from sight,
Wait, like some spell-bound knight,
Through blank oblivious years the appointed hour,
To break thy trance and reassume thy power?
Yet canst thou without thought or feeling be?
O say what art thou, when no more thou'rt thee?
Life! we've been long together,
Through pleasant and through cloudy weather;
'Tis hard to part when friends are dear;
Perhaps 'twill cost a sigh, a tear;
Then steal away, give little warning,
Choose thine own time;
Say not Good night, but in some brighter clime
Bid me Good morning.
Through pleasant and through cloudy weather;
'Tis hard to part when friends are dear;
Perhaps 'twill cost a sigh, a tear;
Then steal away, give little warning,
Choose thine own time;
Say not Good night, but in some brighter clime
Bid me Good morning.
1825 Edition.
ROBERT BROWNING.
ROBERT BROWNING.
4. Song from "Pippa Passes."
The year's at the spring
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearled;
The lark's on the wing;
The snail's on the thorn:
God's in his heavenโ
All's right with the world!
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearled;
The lark's on the wing;
The snail's on the thorn:
God's in his heavenโ
All's right with the world!
5. Song from "Pippa Passes."
You'll love me yet!โand I can tarry
Your love's protracted growing:
June reared that bunch of flowers you carry,
From seeds of April's sowing.
Your love's protracted growing:
June reared that bunch of flowers you carry,
From seeds of April's sowing.
I plant a heartful now: some seed
At least is sure to strike,
And yieldโwhat you'll not pluck indeed,
Not love, but, may be, like.
At least is sure to strike,
And yieldโwhat you'll not pluck indeed,
Not love, but, may be, like.
You'll look at least on love's remains,
A grave's one violet:
Your look?โthat pays a thousand pains.
What's death? You'll love me yet!
A grave's one violet:
Your look?โthat pays a thousand pains.
What's death? You'll love me yet!
6. The Lost Mistress.
I.
All's over, then: does truth sound bitter
As one at first believes?
Hark, 'tis the sparrows' good-night twitter
About your cottage eaves!
As one at first believes?
Hark, 'tis the sparrows' good-night twitter
About your cottage eaves!
II.
And the leaf-buds on the vine are woolly,
I noticed that, to-day;
One day more bursts them open fully
โYou know the red turns grey.
I noticed that, to-day;
One day more bursts them open fully
โYou know the red turns grey.
III.
To-morrow we meet the same then, dearest?
May I take your hand in mine?
Mere friends are we,โwell, friends the merest
Keep much that I resign:
May I take your hand in mine?
Mere friends are we,โwell, friends the merest
Keep much that I resign:
IV.
For each glance of the eye so bright and black,
Though I keep with heart's endeavour,โ
Your voice, when you wish the snowdrops back,
Though it stay in my soul for ever!โ
Though I keep with heart's endeavour,โ
Your voice, when you wish the snowdrops back,
Though it stay in my soul for ever!โ
V.
Yet I will but say what mere friends say,
Or only a thought stronger;
I will hold your hand but as long as all may,
Or so very little longer!
Or only a thought stronger;
I will hold your hand but as long as all may,
Or so very little longer!
7. Home-Thoughts, from the Sea.
Nobly, nobly Cape Saint Vincent to the North-west died away;
Sunset ran, one glorious blood-red, reeking into Cadiz Bay;
Bluish 'mid the burning water, full in face Trafalgar lay;
In the dimmest North-east distance dawned Gibraltar grand and grey;
"Here and here did England help me: how can I help England?"โsay,
Whoso turns as I, this evening, turn to God to praise and pray,
While Jove's planet rises yonder, silent over Africa.
Sunset ran, one glorious blood-red, reeking into Cadiz Bay;
Bluish 'mid the burning water, full in face Trafalgar lay;
In the dimmest North-east distance dawned Gibraltar grand and grey;
"Here and here did England help me: how can I help England?"โsay,
Whoso turns as I, this evening, turn to God to praise and pray,
While Jove's planet rises yonder, silent over Africa.
8. Epilogue.
At the midnight in the silence of the sleep-time,
When you set your fancies free,
Will they pass to whereโby death, fools think, imprisonedโ
Low he lies who once so loved you, whom you loved so,
โPity me?
When you set your fancies free,
Will they pass to whereโby death, fools think, imprisonedโ
Low he lies who once so loved you, whom you loved so,
โPity me?
Oh to love so, be so loved, yet so mistaken!
What had I on earth to do
With the slothful, with the mawkish, the unmanly?
Like the aimless, helpless, hopeless, did I drivel
โBeingโwho?
What had I on earth to do
With the slothful, with the mawkish, the unmanly?
Like the aimless, helpless, hopeless, did I drivel
โBeingโwho?
One who never turned his back but marched breast forward,
Never doubted clouds would break,
Never dreamed, though right were worsted, wrong would triumph,
Held we fall to rise, are baffled to fight better,
Sleep to wake.
Never doubted clouds would break,
Never dreamed, though right were worsted, wrong would triumph,
Held we fall to rise, are baffled to fight better,
Sleep to wake.
No, at noonday in the bustle of man's work-time
Greet the unseen with a cheer!
Bid him forward, breast and back as either should be,
"Strive and thrive!" cry "Speed,โfight on, fare ever
There as here!"
Greet the unseen with a cheer!
Bid him forward, breast and back as either should be,
"Strive and thrive!" cry "Speed,โfight on, fare ever
There as here!"
1896 Edition.
ROBERT BURNS.
ROBERT BURNS.
9. The Silver Tassie.
I.
Go, fetch to me a pint o' wine,
And fill it in a silver tassie,
That I may drink before I go
A service to my bonie
And fill it in a silver tassie,
That I may drink before I go
A service to my bonie
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