The Hundred Best English Poems by - (ebook reader 8 inch TXT) ๐
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Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, "Here came a mortal,
But faithless was she.
And alone dwell for ever
The kings of the sea."
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing, "Here came a mortal,
But faithless was she.
And alone dwell for ever
The kings of the sea."
But, children, at midnight,
When soft the winds blow;
When clear falls the moonlight;
When spring-tides are low:
When sweet airs come seaward
From heaths starr'd with broom;
And high rocks throw mildly
On the blanch'd sands a gloom:
Up the still, glistening beaches,
Up the creeks we will hie;
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town;
At the church on the hill-side--
And then come back down.
Singing, "There dwells a lov'd one,
But cruel is she.
She left lonely for ever
The kings of the sea."
1857 Edition.
ANNA LรTITIA BARBAULD.
3. Life.
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bowl with Samian wine!
We will not think of themes like these!
It made Anacreon's song divine:
He servedโbut served Polycratesโ
A Tyrant; but our masters then
Were still, at least, our countrymen.
We will not think of themes like these!
It made Anacreon's song divine:
He servedโbut served Polycratesโ
A Tyrant; but our masters then
Were still, at least, our countrymen.
XII.
The Tyrant of the Chersonese
Was Freedom's best and bravest friend;
That tyrant was Miltiades!
Oh! that the present hour would lend
Another despot of the kind!
Such chains as his were sure to bind.
Was Freedom's best and bravest friend;
That tyrant was Miltiades!
Oh! that the present hour would lend
Another despot of the kind!
Such chains as his were sure to bind.
XIII.
Fill high the bowl with Samian wine!
On Suli's rock, and Parga's shore,
Exists the remnant of a line
Such as the Doric mothers bore;
And there, perhaps, some seed is sown,
The Heracleidan blood might own.
On Suli's rock, and Parga's shore,
Exists the remnant of a line
Such as the Doric mothers bore;
And there, perhaps, some seed is sown,
The Heracleidan blood might own.
XIV.
Trust not for freedom to the Franksโ
They have a king who buys and sells;
In native swords, and native ranks,
The only hope of courage dwells;
But Turkish force, and Latin fraud,
Would break your shield, however broad.
They have a king who buys and sells;
In native swords, and native ranks,
The only hope of courage dwells;
But Turkish force, and Latin fraud,
Would break your shield, however broad.
XV.
Fill high the bowl with Samian wine!
Our virgins dance beneath the shadeโ
I see their glorious black eyes shine;
But gazing on each glowing maid,
My own the burning tear-drop laves,
To think such breasts must suckle slaves.
Our virgins dance beneath the shadeโ
I see their glorious black eyes shine;
But gazing on each glowing maid,
My own the burning tear-drop laves,
To think such breasts must suckle slaves.
XVI.
Place me on Sunium's marbled steep,
Where nothing, save the waves and I,
May hear our mutual murmurs sweep;
There, swan-like, let me sing and die:
A land of slaves shall ne'er be mineโ
Dash down yon cup of Samian wine!
Where nothing, save the waves and I,
May hear our mutual murmurs sweep;
There, swan-like, let me sing and die:
A land of slaves shall ne'er be mineโ
Dash down yon cup of Samian wine!
Coleridge's Text.
THOMAS CAMPBELL.
THOMAS CAMPBELL.
20. Hohenlinden.
On Linden, when the sun was low,
All bloodless lay th' untrodden snow;
And dark as winter was the flow
Of Iser, rolling rapidly.
All bloodless lay th' untrodden snow;
And dark as winter was the flow
Of Iser, rolling rapidly.
But Linden saw another sight,
When the drum beat, at dead of night,
Commanding fires of death to light
The darkness of her scenery.
When the drum beat, at dead of night,
Commanding fires of death to light
The darkness of her scenery.
By torch and trumpet fast array'd,
Each horseman drew his battle blade,
And furious every charger neigh'd,
To join the dreadful revelry.
Each horseman drew his battle blade,
And furious every charger neigh'd,
To join the dreadful revelry.
Then shook the hills with thunder riv'n,
Then rush'd the steed to battle driv'n,
And louder than the bolts of heaven,
Far flash'd the red artillery.
Then rush'd the steed to battle driv'n,
And louder than the bolts of heaven,
Far flash'd the red artillery.
But redder yet that light shall glow,
On Linden's hills of stained snow,
And bloodier yet the torrent flow
Of Iser, rolling rapidly.
On Linden's hills of stained snow,
And bloodier yet the torrent flow
Of Iser, rolling rapidly.
'Tis morn, but scarce yon level sun
Can pierce the war-clouds, rolling dun,
Where furious Frank, and fiery Hun,
Shout in their sulph'rous canopy.
Can pierce the war-clouds, rolling dun,
Where furious Frank, and fiery Hun,
Shout in their sulph'rous canopy.
The combat deepens. On, ye brave,
Who rush to glory, or the grave!
Wave, Munich, all thy banners wave!
And charge with all thy chivalry!
Who rush to glory, or the grave!
Wave, Munich, all thy banners wave!
And charge with all thy chivalry!
Few, few, shall part where many meet!
The snow shall be their winding sheet,
And every turf beneath their feet,
Shall be a soldier's sepulchre.
The snow shall be their winding sheet,
And every turf beneath their feet,
Shall be a soldier's sepulchre.
1809 Edition.
ARTHUR HUGH CLOUGH.
ARTHUR HUGH CLOUGH.
21. Say not the Struggle Nought Availeth.
Say not, the struggle nought availeth,
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.
The labour and the wounds are vain,
The enemy faints not, nor faileth,
And as things have been they remain.
If hopes were dupes, fears may be liars;
It may be, in yon smoke concealed,
Your comrades chase e'en now the fliers,
And, but for you, possess the field.
It may be, in yon smoke concealed,
Your comrades chase e'en now the fliers,
And, but for you, possess the field.
For while the tired waves, vainly breaking,
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
Seem here no painful inch to gain,
Far back, through creeks and inlets making,
Comes silent, flooding in, the main.
And not by eastern windows only,
When daylight comes, comes in the light,
In front, the sun climbs slow, how slowly,
But westward, look, the land is bright.
When daylight comes, comes in the light,
In front, the sun climbs slow, how slowly,
But westward, look, the land is bright.
1869 Edition.
SAMUEL TAYLOR COLERIDGE.
SAMUEL TAYLOR COLERIDGE.
22. Youth and Age.
Verse, a breeze mid blossoms straying,
Where Hope clung feeding, like a beeโ
Both were mine! Life went a maying
With Nature, Hope, and Poesy,
When I was young!
Where Hope clung feeding, like a beeโ
Both were mine! Life went a maying
With Nature, Hope, and Poesy,
When I was young!
When I was young?โAh, woful when!
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly then it flashed along:โ
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I liv'd in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old.
Ah! for the change 'twixt Now and Then!
This breathing house not built with hands,
This body that does me grievous wrong,
O'er aery cliffs and glittering sands,
How lightly then it flashed along:โ
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide,
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather
When Youth and I liv'd in't together.
Flowers are lovely; Love is flower-like;
Friendship is a sheltering tree;
O! the joys, that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old.
Ere I was old? Ah woful Ere,
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet
'Tis known, that Thou and I were one,
I'll think it but a fond conceitโ
It cannot be, that Thou art gone!
Thy vesper-bell hath not yet toll'd:โ
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe, that Thou art gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But springtide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Which tells me, Youth's no longer here!
O Youth! for years so many and sweet
'Tis known, that Thou and I were one,
I'll think it but a fond conceitโ
It cannot be, that Thou art gone!
Thy vesper-bell hath not yet toll'd:โ
And thou wert aye a masker bold!
What strange disguise hast now put on,
To make believe, that Thou art gone?
I see these locks in silvery slips,
This drooping gait, this altered size:
But springtide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are house-mates still.
Dew-drops are the gems of morning,
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
But the tears of mournful eve!
Where no hope is, life's a warning
That only serves to make us grieve,
When we are old:
That only serves to make us grieve
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist.
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
With oft and tedious taking-leave,
Like some poor nigh-related guest,
That may not rudely be dismist.
Yet hath outstay'd his welcome while,
And tells the jest without the smile.
1869 Edition.
WILLIAM COLLINS.
WILLIAM COLLINS.
23. Written in the Year 1746.
How sleep the brave, who sink to rest
By all their country's wishes bless'd!
When Spring, with dewy fingers cold,
Returns to deck their hallow'd mould,
She there shall dress a sweeter sod
Than Fancy's feet have ever trod.
By all their country's wishes bless'd!
When Spring, with dewy fingers cold,
Returns to deck their hallow'd mould,
She there shall dress a sweeter sod
Than Fancy's feet have ever trod.
By fairy hands their knell is rung;
By forms unseen their dirge is sung;
There Honour comes, a pilgrim gray,
To bless the turf that wraps their clay;
And Freedom shall a while repair,
To dwell a weeping hermit there.
By forms unseen their dirge is sung;
There Honour comes, a pilgrim gray,
To bless the turf that wraps their clay;
And Freedom shall a while repair,
To dwell a weeping hermit there.
1822 Edition.
WILLIAM COWPER.
WILLIAM COWPER.
24. To a Young Lady.
Sweet stream that winds through yonder glade,
Apt emblem of a virtuous maidโ
Silent and chaste she steals along,
Far from the world's gay busy throng,
With gentle, yet prevailing, force,
Intent upon her destin'd course;
Graceful and useful all she does,
Blessing and blest where'er she goes,
Pure-bosom'd as that wat'ry glass,
And heav'n reflected in her face.
Apt emblem of a virtuous maidโ
Silent and chaste she steals along,
Far from the world's gay busy throng,
With gentle, yet prevailing, force,
Intent upon her destin'd course;
Graceful and useful all she does,
Blessing and blest where'er she goes,
Pure-bosom'd as that wat'ry glass,
And heav'n reflected in her face.
1813 Edition.
ALLAN CUNNINGHAM.
ALLAN CUNNINGHAM.
25. A Wet Sheet and a Flowing Sea.
A wet sheet and a flowing sea,
A wind that follows fast,
And fills the white and rustling sail,
And bends the gallant mast;
And bends the gallant mast, my boys,
While, like the eagle free,
Away the good ship flies, and leaves
Old England on the lee.
A wind that follows fast,
And fills the white and rustling sail,
And bends the gallant mast;
And bends the gallant mast, my boys,
While, like the eagle free,
Away the good ship flies, and leaves
Old England on the lee.
O for a soft and gentle wind!
I heard a fair one cry;
But give to me the snoring breeze,
And white waves heaving high;
And white waves heaving high, my boys,
The good ship tight and freeโ
The world of waters is our home,
And merry men are we.
I heard a fair one cry;
But give to me the snoring breeze,
And white waves heaving high;
And white waves heaving high, my boys,
The good ship tight and freeโ
The world of waters is our home,
And merry men are we.
There's tempest in yon horned moon,
And lightning in yon cloud;
And hark the music, mariners!
The wind is piping loud;
The wind is piping loud, my boys,
The lightning flashing freeโ
While the hollow oak our palace is,
Our heritage the sea.
And lightning in yon cloud;
And hark the music, mariners!
The wind is piping loud;
The wind is piping loud, my boys,
The lightning flashing freeโ
While the hollow oak our palace is,
Our heritage the sea.
1847 Edition.
SIR WILLIAM DAVENANT.
SIR WILLIAM DAVENANT.
26. Song.
The lark now leaves his wat'ry nest,
And, climbing, shakes his dewy wings;
He takes this window for the east;
And to implore your light, he sings:
"Awake, awake! the morn will never rise,
Till she can dress her beauty at your eyes.
And, climbing, shakes his dewy wings;
He takes this window for the east;
And to implore your light, he sings:
"Awake, awake! the morn will never rise,
Till she can dress her beauty at your eyes.
"The merchant bows unto the seaman's star,
The ploughman from the sun his season takes;
But still the lover wonders what they are,
Who look for day before his mistress wakes.
Awake, awake! break thro' your veils of lawn!
Then draw your curtains, and begin the dawn."
The ploughman from the sun his season takes;
But still the lover wonders what they are,
Who look for day before his mistress wakes.
Awake, awake! break thro' your veils of lawn!
Then draw your curtains, and begin the dawn."
1810 Edition.
JOHN DRYDEN.
JOHN DRYDEN.
27. A Song for St. Cecilia's Day, 1687.
I.
From harmony, from heav'nly harmony
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And cou'd not heave her head,
The tuneful voice was heard from high,
Arise, ye more than dead.
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And cou'd not heave her head,
The tuneful voice was heard from high,
Arise, ye more than dead.
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
II.
What passion cannot Music raise and quell!
When Jubal struck the corded shell,
His list'ning brethren stood around,
And, wond'ring, on their faces fell
To worship that celestial sound.
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly and so well.
What passion cannot Music raise and quell!
When Jubal struck the corded shell,
His list'ning brethren stood around,
And, wond'ring, on their faces fell
To worship that celestial sound.
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly and so well.
What passion cannot Music raise and quell!
III.
The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger
And mortal alarms.
The double double double beat
Of the thund'ring drum
Cries, Hark! the foes come;
Charge, charge, 'tis too late to retreat.
Excites us to arms,
With shrill notes of anger
And mortal alarms.
The double double double beat
Of the thund'ring drum
Cries, Hark! the foes come;
Charge, charge, 'tis too late to retreat.
IV.
The soft complaining flute
In dying notes discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.
In dying notes discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.
V.
Sharp violins proclaim
Their jealous pangs, and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.
Their jealous pangs, and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.
VI.
But oh! what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
VII.
Orpheus cou'd lead the savage race;
And trees uprooted left their place,
Sequacious of the lyre:
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was giv'n,
An angel heard, and straight appear'd,
Mistaking Earth for Heav'n.
And trees uprooted left their place,
Sequacious of the lyre:
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was giv'n,
An angel heard, and straight appear'd,
Mistaking Earth for Heav'n.
Grand Chorus.
As from the pow'r of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the Bless'd above;
So
The spheres began to move,
And sung the great Creator's praise
To all the Bless'd above;
So
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