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witness in a case of a man who was mortally wounded and dragged at night into his apartment, which almost accidentally gives us his household, consisting of his wife; his natural daughter Isabel, twenty years of age, unmarried; his sister, a widow, above fifty years; her unmarried daughter, aged twenty-eight; his half-sister, a religieuse; and a maid-servant. His "EspaΓ±ola Inglesa" appeared in 1611. His moral tales, the pioneers in Spanish literature, are a combination without special plan of serious and comic, romance and anecdote, evidently giving, under the guise of fiction, poetically colored bits of his own experience in Italy and Africa. In his story of "La Gitanilla" (the gipsy girl) may be found the argument of Weber's opera of "Preciosa." "Parnassus" was written two years before his death, after which he wrote eight comedies and a sequel to his twelve moral tales. In his story of "Rinconete Γ½ Cortadilla" he evidently derives the names from rincon (a corner) and cortar (to cut). His last work was "Persiles and Sigismunda," the preface of which is a near presentiment of his closing labors. He says: "Farewell, gayety; farewell, humor; farewell, my pleasant friends. I must now die, and I desire nothing more than to soon see you again happy in another world." His industry was wonderful. We can but have a grateful feeling towards the Count de Lemos for adding to his physical comfort for the last few years, and feel a regret that the Count, who had lingered in Naples, could not have arrived in time to see him once more when he so ardently desired it. In a dedication to the Count of his final romance, written only four days before his death, he very touchingly says: "I could have wished not to have been obliged to make so close a personal application of the old verses commencing 'With the foot already in the stirrup,' for with very little alteration I may truly say that with my foot in the stirrup, feeling this moment the pains of dissolution, I address this letter to you. Yesterday I received extreme unction. To-day I have resumed my pen. Time is short, my pains increase, my hopes diminish, yet I do wish my life might be prolonged till I could see you again in Spain." His wish was not to be gratified; the Count, unaware of the near danger of his friend, only returned to find himself overwhelmed with grief at his loss.

After sixty-nine years of varied fortunes and many struggles, Miguel de Cervantes Saavedra breathed his last, unsoothed by the hands he had loved, for even this privilege seems to have been denied to him. At the near end of his life he had joined the kindly third order of the Franciscan friars, and the brethren cared for him at the last. His remarkable clearness of intellect never failed him, and on April 23, 1616, the very day that Shakspeare died at Stratford, Cervantes died at Madrid. Unlike the great English contemporary, whose undisturbed bones have lain quietly under peril of his malediction, the bones of the great Spanish poet were irrevocably lost when the old Convent of the Trinity, in the Calle del Humilladero, was destroyed. Ungrateful Spain! the spot had never been marked with a common tombstone.

The old house2 in the Calle de Francos, where he died, was so dilapidated that, in 1835, it was destroyed. It was rebuilt, and a marble bust of Cervantes was placed over the entrance by the sculptor, Antonio Sola.

The "Madrid Epoca," under the heading of "The Prison of Cervantes," calls attention to the alarming state of decay of the house in Argamasilla del Alba, in the cellar of which, as an extemporized dungeon, tradition asserts that Cervantes was imprisoned, and where he penned at least a portion of his work. It was in this cellar that, a few years since, the Madrid publishing house of Rivadeneyra erected a press and printed their edition de luxe of "Don Quijote." The house was, some years since, purchased by the late Infante Don Sebastian, with a view to a complete and careful restoration; but political changes and his death prevented a realization of his project. The "Epoca" now calls public attention to the state of decay of the house, with a view to an immediate restoration.

In the Plaza de las Cortes, the city of Madrid has placed a beautiful bronze statue of Cervantes upon a square pedestal of granite. Upon the sides are bas-reliefs representing subjects taken from "Don Quijote de la Mancha."

The present time honors his memory; and for all time he will live in the hearts of all true lovers of genius.

Requiescat in Pace.

EMMA THOMPSON.

SANCHO PANZA
SANCHO PANZA.

WIT AND WISDOM OF DON QUIXOTE.

Down in a village of La Mancha, the name of which I have no desire to recollect, there lived, not long ago, one of those gentlemen who usually keep a lance upon a rack, an old buckler, a lean horse, and a coursing grayhound. Soup, composed of somewhat more mutton than beef, the fragments served up cold on most nights, lentils on Fridays, collops and eggs on Saturdays, and a pigeon by way of addition on Sundays, consumed three-fourths of his income; the remainder of it supplied him with a cloak of fine cloth, velvet breeches, with slippers of the same for holidays, and a suit of the best homespun, in which he adorned himself on week-days. His family consisted of a housekeeper above forty, a niece not quite twenty, and a lad who served him both in the field and at home, who could saddle the horse or handle the pruning-hook. The age of our gentleman bordered upon fifty years: he was of a strong constitution, spare-bodied, of a meagre visage, a very early riser, and a lover of the chase. Some pretend to say that his surname was Quixada or Quesada, for on this point his historians differ; though, from very probable conjectures, we may conclude that his name was Quixana. This is, however, of little importance to our history; let it suffice that, in relating it, we do not swerve a jot from the truth.

In fine, his judgment being completely obscured, he was seized with one of the strangest fancies that ever entered the head of any madman; this was, a belief that it behooved him, as well for the advancement of his glory as the service of his country, to become a knight-errant, and traverse the world, armed and mounted, in quest of adventures, and to practice all that had been performed by knights-errant of whom he had read; redressing every species of grievance, and exposing himself to dangers, which, being surmounted, might secure to him eternal glory and renown. The poor gentleman imagined himself at least crowned Emperor of Trebisond, by the valor of his arm; and thus wrapped in these agreeable delusions and borne away by the extraordinary pleasure he found in them, he hastened to put his designs into execution.

The first thing he did was to scour up some rusty armor which had been his great-grandfather's, and had lain many years neglected in a corner. This he cleaned and adjusted as well as he could; but he found one grand defect,β€”the helmet was incomplete, having only the morion. This deficiency, however, he ingeniously supplied by making a kind of visor of pasteboard, which, being fixed to the morion, gave the appearance of an entire helmet. It is true, indeed, that, in order to prove its strength, he drew his sword, and gave it two strokes, the first of which instantly demolished the labor of a week; but not altogether approving of the facility with which it was destroyed, and in order to secure himself against a similar misfortune, he made another visor, which, having fenced in the inside with small bars of iron, he felt assured of its strength, and, without making any more experiments, held it to be a most excellent helmet.

In the next place he visited his steed; and although this animal had more blemishes than the horse of Gonela, which, "tantum pellis et ossa fuit," yet, in his eyes, neither the Bucephalus of Alexander nor the Cid's Babieca, could be compared with him. Four days was he deliberating upon what name he should give him; for, as he said to himself, it would be very improper that a horse so excellent, appertaining to a knight so famous, should be without an appropriate name; he therefore endeavored to find one that should express what he had been before he belonged to a knight-errant, and also what he now was: nothing could, indeed, be more reasonable than that, when the master changed his state, the horse should likewise change his name and assume one pompous and high-sounding, as became the new order he now professed. So, after having devised, altered, lengthened, curtailed, rejected, and again framed in his imagination a variety of names, he finally determined upon Rozinante, a name in his opinion lofty, sonorous, and full of meaning; importing that he had only been a rozinβ€”a drudge horseβ€”before his present condition, and that now he was before all the rozins in the world.

Having given his horse a name so much to his satisfaction, he resolved to fix upon one for himself. This consideration employed him eight more days, when at length he determined to call himself Don Quixote; whence some of the historians of this most true history have concluded that his name was certainly Quixada, and not Quesada, as others would have it. Then recollecting that the valorous Amadis, not content with the simple appellation of Amadis, added thereto the name of his kingdom and native country, in order to render it famous, styling himself Amadis de Gaul; so he, like a good knight, also added the name of his province, and called himself Don Quixote de la Mancha; whereby, in his opinion, he fully proclaimed his lineage and country, which, at the same time, he honored by taking its name.

His armor being now furbished, his helmet made perfect, his horse and himself provided with names, he found nothing wanting but a lady to be in love with, as he said,β€”

"A knight-errant without a mistress was a tree without either fruit or leaves, and a body without a soul!"

One morning before day, being one of the most sultry in the month of July, he armed himself cap-a-pie, mounted Rozinante, placed the helmet on his head, braced on his target, took his lance, and, through the private gate of his back yard, issued forth into the open plain, in a transport of joy to think he had met with no obstacles to the commencement of his honorable enterprise. But scarce had he found himself on the plain when he was assailed by a recollection so terrible as almost to make him abandon the undertaking; for it just then occurred to him that he was not yet dubbed a knight; therefore, in conformity to the laws of chivalry, he neither could nor ought to enter the lists against any of that order; and, if he had been actually dubbed he should, as a new knight, have worn white armor, without any device on his shield, until he had gained one by force of arms. These considerations made him irresolute whether to proceed, but frenzy prevailing over reason, he determined to get himself made a knight by the first one he should meet, like many others of whom he had read. As to white armor, he resolved, when he had an opportunity, to scour his own, so that it should be whiter than ermine. Having now composed his mind, he proceeded, taking whatever road his horse pleased; for therein, he believed, consisted

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