Sixteen Experimental Investigations from the Harvard Psychological Laboratory by Hugo Münsterberg (100 books to read .txt) 📕
[5] Dodge, Raymond, PSYCHOLOGICAL REVIEW, 1900, VII., p. 456.
[6] Graefe, A., Archiv f. Ophthalmologie, 1895, XLI., 3, S. 136.
This explanation of Graefe is not to be admitted, however, since in the case of eye-movement there are muscular sensations of one's own activity, which are not present when one merely sits in a coach. These sensations of eye-movement are in all cases so intimately connected with our perception of the movement of objects, that they may not be in this case simpl
Read free book «Sixteen Experimental Investigations from the Harvard Psychological Laboratory by Hugo Münsterberg (100 books to read .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Hugo Münsterberg
- Performer: -
Read book online «Sixteen Experimental Investigations from the Harvard Psychological Laboratory by Hugo Münsterberg (100 books to read .txt) 📕». Author - Hugo Münsterberg
usually came from either the lower left-hand or the upper right-hand
corner. F. kept a clear outline and the new color came in from the
right.
When E. found it difficult to create at the center the desired color,
he thought of some object (garment, grass, sky, etc.) of that color
and then transferred it to fill in the outline preserved at the
center. B. moved the colored figure aside and in its place put one of
the desired color, moved the new figure up to the old and there
superposed it. With G. the new colors seemed of new material and there
was felt to be an accumulation about the center, of old
color-material. Then he located the square outside of this imaginary
debris and began again. H. found that the colors of his own
experiments, in which he used color squares framed in black, came to
his mind at the names of the desired colors, and the association soon
gave him the figure also. I. located the new colors around the
presented one, first all at the right; then green at the left, red at
the right, yellow above, when presented blue was at the center; then
yellow and green were at the upper left-hand corner, while red came
from behind. The new color ‘slid in over the old.’ It was found easier
to secure the desired color when its position was known beforehand. J.
also used a similar device. He ‘turned towards the places and brought
out the required color and filled the central outline with it.’ He
tried to break up this scheme and got red without going after it but
found himself ‘at a loss to find the colors.’ Later he succeeded so
that the required color simply appeared in the outline of the old
color at the center. K. turned his eyes to corners of the central
outline, then to the center, and found that this aided in developing
the desired color from the corners inward. When difficulty arose, he
experienced muscular tension in body and legs and jaws.
Five of the subjects considered the change from a presented color to
blue the hardest and one found the change to red hardest. Green was
placed second in difficulty by one, and blue second by the one who
found red the hardest. Three reported the change to yellow the easiest
and two the change to red.
The change from red to yellow caused ‘an unpleasant sensation’ in C.
and the new figure ‘had a maroon halo.’
A. in returning from green or blue to yellow passed through a gray;
so, once, in changing from yellow to green, and once, green to red.
With A. blue retinal clouds, which often came, aided changes to blue
and hindered at times changes to other colors. B. had a fusion of
yellow and red in changing from yellow to red. G. had a tendency to
leave uncolored the lower left-hand corner and it ‘was wood-colored’;
G. had a gray image as the result of fusion of retinal clouds with red
memory image. With H. blue always came in as robin’s-egg blue, which
then had to be changed to the standard blue. In one instant the green
memory image seemed to shift into a purple and change to a positive
retinal image which interfered with changes to other colors. J. found
whistling and humming an aid in relaxing an unnatural state of tension
which would hinder the best results. To increase the vividness of the
image he would recall the black background on which the colored
squares had hung. In one experiment K. became ‘desperately tired of
yellow,’ which was the presented color, so that his ‘mind was ready to
jump to any color rather than yellow.’ The returns to yellow were, in
this experiment, slower than the changes from yellow.
The images sometimes changed sizes, being at times smaller, but
usually larger than the object. In one experiment of C. the image was
four times the size of the object, which was a green square with sides
of one inch.
III. MOVEMENTS OF TWO IMAGES IN THE SAME AND IN DIFFERENT DIRECTIONS.
Table IV. gives the results of experiments in the movements of two
images, the objects presented being colored squares or discs. Time of
perception was five seconds. After the disappearance of after-images,
if there were any, eighteen to twenty-four movements with returns to
original positions were made, occupying five or six minutes. The
colors were saturated blue, green, yellow and red. Four of the
movements were such as separated the two images, and in four the two
moved uniformly. The first four movements were right and left, left
and right, up and down, down and up; the left-hand object followed the
first direction indicated. The right-and-left movements involved the
crossing of the images. The last four were both to right, to left,
up, down. The time was taken with a stop-watch and includes the time
between the director’s word of command and the subject’s report,
‘now.’ It includes, therefore, two reaction times. The subject
reported the instant the colors reached, or appeared at, the suggested
positions.
It is to be noticed that H. was very much slower than any of the
others in making the movements, both out and back; and that K., while
also slower (though much less so than H.) in making the movements
outward, was no slower in making the return movements.
TABLE IV.
MOVEMENTS OF TWO IMAGES.
Twenty movements of each kind for each subject. Averages in seconds.
In Opposite Directions.
Subj. L.-R. Ret. R.-L. Ret. U.-D. Ret. D.-U. Ret.
B. 1.82 2.90 2.10 2.27
0.86 0.87 0.73 0.86
G. 3.02 2.86 2.68 2.63
1.98 2.25 1.63 2.01
H. 9.18 10.30 7.50 7.15
5.16 6.90 5.36 5.21
I. 4.17 3.52 3.40 3.37
1.26 1.47 1.23 1.31
J. 2.17 2.90 2.87 2.27
1.05 1.63 1.02 1.13
K. 5.51 6.43 5.16 4.81
1.43 1.48 1.20 1.23
Ave. 4.32 4.82 3.82 3.75
1.96 2.43 1.87 1.96
Average of all movements involving separation (480), 4.18. Returns, 2.06.
In Same Direction.
Subj. R. Ret. L. Ret. U. Ret. D. Ret.
B. 1.31 1.22 1.30 1.11
0.72 0.67 0.72 0.85
G. 2.66 2.35 3.01 2.53
2.00 1.86 2.22 1.86
H. 8.45 7.91 5.66 7.66
6.53 5.95 5.96 6.11
I. 2.57 2.27 2.13 2.05
0.97 1.26 1.00 1.13
J. 1.11 1.16 1.08 11.5
0.68 0.90 0.73 0.71
K. 3.97 3.91 3.60 4.07
1.35 1.50 1.75 1.71
Ave. 3.33 3.14 2.79 3.10
2.04 2.02 2.04 2.06
Average of all movements together (480), 3.09. Returns, 2.04.
NUMERICAL.
There were nineteen hundred and twenty movements in all, including the
returns to the original positions.
In the order of difficulty as shown by the time taken, the movements
stand as follows, the numbers being the averages in seconds for one
hundred and twenty movements of each kind:
1. Right and left (i.e., crossing), 4.82 sec.
2. Left and right, 4.32 “
3. Up and down, 3.82 “
4. Down and up, 3.75 “
5. Both right, 3.33 “
6. Both left, 3.14 “
7. Both down, 3.10 “
8. Both up, 3.04 “
SUBJECTIVE.
In the experiments in which the time was recorded, there was no
disappearance of either image except where movements were made
successively. In these cases frequently the image which was awaiting
its turn vanished until the first image was placed, a time varying
from a quarter of a second to three or four seconds. Occasionally the
image already placed would vanish, while the other was en route; the
subject’s attention in both these cases being centered exclusively on
the image he desired to move. This was especially the case when the
distances to which the images were moved were great, as to the ends of
the room or to ceiling and floor. In other experiments, where, after
the movements took place, the images were held for a short time, there
were disappearances of one image or the other ranging from one quarter
of a second to fifteen seconds, most of the absences, however, being
under five seconds. The absences were more numerous in the latter half
of the five minutes covered by the experiment. Occasionally a noise in
the adjoining room or in the street made the images disappear.
The greater ease of vertical as compared with horizontal movements
recalls an observation of Ladd,[3] in which the idioretinal light was
willed into the shape of a cross. Ladd says: “The vertical bar of the
cross seems much easier to produce and to hold steadily in the field.”
This present observation is also in accord with that described above
in the case of movements of a single image.
[3] Ladd, G.T.: ‘Direct Control of the Retinal Field,’ PSYCH.
REV., 1894, L, pp. 351-355.
On several occasions G. reported that the crossing movement was the
easiest, and that the return to the original places was not easier
than the other movements. In one experiment he reported the field at
the center cloudy, so that it was a relief to get away from it. G.‘s
time records on these occasions did not support his feeling with
regard to the return to the original places, but they show that the
crossing movements were, in two or three instances, quicker than the
‘left-and-right’ movement, and the impression of promptness thus made
persisted to the end of the experiment. The four movements in which
both images moved uniformly were easier than the four in which
movements in different directions were involved.
All the subjects were frequently conscious of eye movements, and more
frequently conscious of a tendency to eye movement, which was,
however, inhibited. That the strain in the eyes was practically
constant during all the movements away from the original places, seems
evident from the unanimous reports of a sense of relaxing and relief
in the eyes, attending the movement of returning to the original
places. The distance to which the images were moved was a powerful
factor in producing this sense of strain. When the two images were
moved and held but a few inches apart there was no sense of strain and
no conscious alternation of attention. Practice increased greatly the
distance at which the images could be held apart without conscious
alternation of attention, but the strain of holding them apart and of
inhibiting eye movement increased with the distance.
In the movements for which the time was recorded the distances varied,
according to the subject, from six to eighteen inches, and varied at
times with each subject. In the experiments without time record, A.,
B., C., E., F. and H. reported that they were able to move the images
apart to ceiling and to floor, or to the opposite ends of the room,
and to hold them there both in consciousness at the same time without
either alternation of attention or eye movement, a tendency to which
was felt but was inhibited. I. held them two feet apart without
fluctuation of attention. A. reported: “I tend to turn my body to left
or to right when I move the images in either of these directions.” C.,
H. and I. said: “The eyes diverge when one image moves slowly to the
right and one to the left.” D. found a slight movement of the eyes
which could be detected by the fingers placed lightly on the lids,
when the attention was alternating between the images. K. had
convergence and divergence of the eyes for crossing and separation
respectively and he was accustomed to run his eye over the outline of
the image. Strain in the scalp muscles was reported by A., B., E., F.
and G. The up-and-down movements were universally characterized by a
feeling
Comments (0)